William Klein Quotes

Powerful William Klein for Daily Growth

About William Klein

William Klein (June 19, 1928 – April 28, 2022) was an American photographer, filmmaker, and graphic designer whose groundbreaking work in both mediums left an indelible mark on the world of visual arts. Born in New York City to Jewish immigrants, Klein grew up amidst the vibrant culture and chaos of Manhattan's Lower East Side. This environment would become a significant influence in his art, as he captured the raw energy and grit of urban life in his iconic photographs. Klein studied at the School of Fine Arts in New York before moving to Paris in 1948 on a full scholarship to attend the Sorbonne. It was here that Klein's artistic sensibilities truly flourished, as he became immersed in the burgeoning avant-garde art scene of postwar France. His work during this period showcased an innovative blend of photography and graphic design, which would later come to define his signature style. In 1956, Klein published "Life is Good & Good for You in New York," a groundbreaking photobook that captured the vibrancy and tension of the city he knew so well. The book was met with critical acclaim and established Klein as a leading figure in contemporary photography. Over the course of his career, Klein continued to push boundaries with his work, creating iconic images of cities such as Rome, Moscow, and Tokyo, as well as pioneering experimental filmmaking with films like "Who Are You, Polly Maggoo?" (1966) and "Mohammed, Ahmed, Dangerous Liaisons" (1970). Klein's work was marked by a fearless and unapologetic approach to his subjects, as well as an uncanny ability to capture the essence of the cities he documented. His influence can be seen in the works of countless photographers and filmmakers who followed in his footsteps, seeking to document the ever-changing world around them with a similarly fresh and innovative perspective. In 2015, Klein was awarded the Hasselblad Foundation's International Award in Photography, solidifying his place among the greats of the medium. A true visionary and cultural icon, William Klein's work continues to inspire and captivate audiences around the world.

Interpretations of Popular Quotes

"Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything."

This quote emphasizes the profound emotional connection and preservation inherent in photography. William Klein suggests that photography is more than just capturing images; it's a means of expressing feelings, touching, and loving moments in time. The photographs taken hold onto those fleeting moments long after they are gone, serving as memories that outlast our own recall. They help us remember even the smallest details, acting as personal relics of our past experiences.


"Black-and-white is abstract. It strips images down to essentials."

This quote suggests that black-and-white photography has a powerful ability to distill visual information down to its fundamental elements, stripping away the complexity and nuance found in color. By focusing on contrasts between light and dark areas, black-and-white images can bring attention to shapes, textures, and patterns, emphasizing the essential qualities of an image while eliminating the potential distractions caused by color. This simplicity allows viewers to more easily appreciate and interpret the subject matter, fostering a deeper connection with the image itself.


"There are no rules for good photographs - there are only good photographs."

William Klein's quote signifies that in photography, there is no hard-and-fast rule or formula to create a good photograph. Instead, the essence of excellent photography lies not in adhering to specific guidelines, but rather in creating images that resonate, evoke emotions, and tell compelling stories – ultimately, "good photographs." The quote emphasizes the importance of creativity, originality, and personal expression over strict technical rules or conventional aesthetics.


"I like the process of discovery that happens when I'm shooting and editing. You never know what's going to pop out, what's going to surprise you."

This quote highlights the element of spontaneity and serendipity in the creative process of photography, as expressed by William Klein. By mentioning "discovery," he emphasizes the unexpected gems that emerge during both the shooting and editing stages of his work. The phrase "You never know what's going to pop out, what's going to surprise you" underscores the unpredictable nature of creativity and artistry, suggesting that the true magic lies in finding the hidden treasures within the captured moments and carefully curating them to reveal their full potential.


"Everywhere is somewhere but home." (often attributed to Klein, though not explicitly found in his published works)

This quote by an unidentified source, often attributed to William Klein, suggests a longing for a place that feels like home. It implies that regardless of where one finds themselves geographically, there's always a sense of being somewhere, yet it doesn't quite feel like 'home'. This could be due to feelings of nostalgia, belonging, or comfort tied to a specific location or environment. It speaks to the human need for familiarity and emotional connection with our surroundings, beyond mere physical presence.


I grew up in Manhattan. For Manhattanites, Brooklyn was the sticks, a second-rate civilization. My friends and I, we were so snobby. Living in the Bronx or Brooklyn was incredible... for me, that was like a foreign country.

- William Klein

Living, Country, Like, Manhattan

What's very funny is when you see amateurs filming something, they do some things no professionals would dare to do. They instinctively do things that are very avant-garde and useful.

- William Klein

Some, Very, Professionals, Amateur

I think it's obscene. I don't know how you support the monarchy. How can you do that?

- William Klein

Think, How, Monarchy, Obscene

I thought it would be good not to hide the fact that you're taking a photograph, and have people react and come in close and also make a commentary on what's being photographed: 'This is a photo, this is my point of view.'

- William Klein

Thought, Point Of View, Fact, Commentary

French photography was basically poetic, and mine was vulgar and brash and violent, except that there's never any violence in the photographs: it's only in the photographic style.

- William Klein

Violent, Mine, Poetic, Photographic

The kinetic quality of New York, the kids, dirt, madness - I tried to find a photographic style that would come close to it. So I cropped, blurred, played with the negatives.

- William Klein

New, Madness, Negatives, Photographic

I like festivals of all kinds: in 1969, I made a film about the first Pan-African festival in Algiers, which celebrated the countries that had been liberated 10 years earlier. There was a tremendous feeling of kinship.

- William Klein

Festivals, Been, About, Kinship

This is supposed to be the Big Apple, with neighborhoods where the houses are all good-looking and the skyscrapers and everything. But to me, New York is kind of shoddy and uncomfortable.

- William Klein

New, Big, Neighborhoods, Skyscrapers

I always dreamed of working in Paris, of going to the Coupole and slapping Picasso or Giacometti on the shoulder.

- William Klein

Paris, Always, Going, Shoulder

Leger was not only the first artist I ever met but also the first pop artist, and he blew our minds.

- William Klein

Artist, Also, Our, Blew

My sister was brilliant: she was in the 25 top math students in the country. When she finished college, I said, 'Spend a couple of months here in Europe. You'll get another take on life.' She never came - married some schmuck who made clothes for fat women on Seventh Avenue.

- William Klein

College, Country, Here, Schmuck

I had no real respect for good technique because I didn't know what it was. I was self-taught, so that stuff didn't matter to me.

- William Klein

Real, Had, Technique, Self-Taught

When I made 'Polly Maggoo,' it was more or less the end of this collaboration with 'Vogue' because I made a caricature of the editor-in-chief and the fashion people, so they didn't really adore me.

- William Klein

More, Caricature, Made, Vogue

I'm known for fashion photographs, but fashion photographs were mostly a joke for me. In 'Vogue,' girls were playing at being duchesses, but they were actually from Flatbush, Brooklyn. They would play duchesses, and I would play Cecil Beaton.

- William Klein

Play, Mostly, Cecil, Vogue

I find it satisfying that what I've done in photography has had so much influence in how people take photographs and what they look at and how they look at things.

- William Klein

People, Done, Had, Satisfying

In the late Fifties and early Sixties, I used to think that most of these fashion creators weren't that great, and if the photograph was good, it was mostly thanks to the photographer.

- William Klein

Think, Creators, Mostly, Sixties

In fashion, you have assistants, flashes; you can make sets. There are people running around doing things for you. But I can take it or leave it.

- William Klein

Doing, Assistants, Sets, Flashes

I always thought I was going to be an artist. I used to draw, and I would read Russian novels until 3 or 4 in the morning.

- William Klein

Thought, Always, Read, Novels

I did a film on Muhammad Ali before he was champion. I was there when he became champion in 1964. I was happy to be able to document the development of a real American hero.

- William Klein

Development, Before, Became, None

I was making a film on Muhammad Ali in 1964, and I went to Miami to film everything around the fight for the world championship with Sonny Liston. I had the good luck of flying down to Miami, and there was one empty seat, and the guy sitting next to this empty seat was Malcolm X.

- William Klein

Luck, Next, Had, None

I was fascinated by the Black Panthers because I'd been in contact with the Nation of Islam, thanks to Muhammad Ali, and their way of talking was that the whites were the devil, and they'd get rid of them once they took over.

- William Klein

Devil, Nation, Been, None

Fashion had no interest for me. I would take photographs in the studio. I would go back home, and my wife would say, 'What is the fashion like for this season?' And I would say, 'I have no idea.'

- William Klein

Wife, Like, Studio, Season

I grew up in New York, in a rough neighborhood where our biggest concern was not getting beat up. I was always far from the center of the Big Apple.

- William Klein

New, Big, Always, Neighborhood

The English are very exotic to me.

- William Klein

Me, English, Very, Exotic

My grandfather and his wife came to America at the end of the 19th century from Hungary. Everyone started out on the Lower East Side. They became embourgeoise and would move to the Upper West Side. Then, if they'd make money, they'd move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village.

- William Klein

Became, 19th Century, Upper, Hungary

Fashion was more of a sideline for me. I did it for the money.

- William Klein

Money, Me, More, Sideline

Don't have rules, taboos, or limits.

- William Klein

Rules, Taboos, Limits

I was a very clumsy Jewish kid.

- William Klein

Kid, Jewish, Very, Clumsy

For my first book, 'New York,' I had one camera and two lenses. It was fotografia povera.

- William Klein

Book, New, Lenses, Camera

When you use film, you use accidents, but there aren't any accidents with digital photography. I don't mind that it's easy. But I do mind that there is a sort of consensus with the camera and the subject and the light, and you look at something, and you photograph it, and you get what you see.

- William Klein

Mind, Digital, Use, Camera

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