Vladimir Horowitz Quotes

Powerful Vladimir Horowitz for Daily Growth

About Vladimir Horowitz

Vladimir Horowitz (1897-1989), a prodigious pianist of the 20th century, was born in Kiev, Ukraine, then part of the Russian Empire. His talent emerged early; he gave his first public performance at age six and moved to St. Petersburg for further study at ten. Horowitz's career was marked by extraordinary technical skill, dramatic interpretations, and an unparalleled ability to captivate audiences. Influenced by renowned teachers such as Leonid Nikolayev and Konstantin Igumnov, Horowitz developed a unique style that combined the precision of Russian technique with the romanticism of German music. His career took off when he won first prize in the International Chopin Competition in Warsaw at age 18. Horowitz's career was not without controversy. In 1928, after a dispute with Soviet authorities over his repertoire choices, he emigrated to the United States. He faced criticism for favoring Romantic repertoire and for occasional performance lapses. However, he remained a crowd favorite due to his charismatic stage presence and unmatched piano technique. Major works in Horowitz's repertoire include Beethoven's Piano Concerto No. 5, Chopin's Ballades, Liszt's Transcendental Etudes, and Rachmaninoff's Rhapsody on a Theme of Paganini. His recordings, especially those made in the 1950s, are considered benchmarks for these works. Horowitz retired from public performance in the late 1970s, but he continued to teach and inspire future generations of pianists. His legacy lives on in his groundbreaking performances and recordings that continue to influence pianists today.

Interpretations of Popular Quotes

"Music is the language of the spirit. It opens the secret of life itself."

This quote suggests that music has a profound, spiritual significance beyond mere sounds or melodies. For Horowitz, music transcends ordinary communication to unveil deeper truths about existence. It is not just an art form but a medium through which we can experience life's secrets, mysteries, and hidden meanings. This perspective highlights the transformative power of music, emphasizing its ability to inspire, heal, and enrich our lives in ways that words alone cannot achieve.


"To play a wrong note is insignificant; never to venture one is inexcusable."

This quote by Vladimir Horowitz emphasizes the importance of taking risks and expressing creativity over playing it safe. In music, as in many other forms of art or life endeavors, trying and possibly making mistakes is not only acceptable but necessary for growth and progress. It suggests that fear of error should not hinder one from attempting to create something beautiful and unique, as the act of creation itself holds more value than perfection.


"The more I practice, the luckier I get."

This quote by Vladimir Horowitz underscores the relationship between dedication, hard work, and success in one's chosen field. Essentially, he suggests that consistent practice leads to a greater likelihood of achieving proficiency or success. In other words, "the more I practice" means increasing the effort put towards mastering a skill, which translates into "getting luckier," signifying an increased chance of success in performing that skill. This quote highlights the importance of persistence and discipline in the pursuit of excellence.


"There are no second chances in music."

This quote by Vladimir Horowitz highlights the significance and importance of precision and dedication in music. In essence, it suggests that errors or missed opportunities in a musical performance cannot be easily corrected or redone; once a note is played or a passage performed, it is irrevocable. Therefore, musicians must strive for perfection in their practice to minimize mistakes and maximize the impact of their performances. The quote serves as a reminder that every aspect of a musical performance matters deeply, and there are no opportunities to rectify shortcomings once the music has begun.


"Practice like you'll never be able to play again, and perform as if you've just learned it."

This quote emphasizes the importance of diligent practice and mindset when preparing for a performance. The advice is to practice relentlessly, as if one may never have the chance to play again – focusing on perfection in every detail. However, once performing, one should adopt an attitude of spontaneity and freshness, approaching it as if they've just learned the piece, capturing the essence of genuine discovery and enthusiasm for the audience. In essence, Horowitz encourages musicians (and anyone pursuing a skill) to strike a balance between technical mastery through unwavering practice and emotional authenticity during performance.


To be able to produce many varieties of sound, now that is what I call technique, and that is what I try to do. I don't adhere to any methods, because I simply don't believe in them. I think each pianist must ultimately carve his own way, technically and stylistically.

- Vladimir Horowitz

Sound, I Think, Methods, Stylistically

Perfection itself is imperfection.

- Vladimir Horowitz

Perfection, Itself, Imperfection

Behind the notes, something different is told, and that's what the interpreter must find out. He may sit down and play one passage one way and then perhaps exaggerate the next, but, in any event, he must do something with the music. The worst thing is not to do anything.

- Vladimir Horowitz

Play, Behind, Next, Interpreter

Scriabin slept with Chopin under his pillow, and I slept with Wagner under mine. I could not concentrate on memorizing Bach fugues, but I had all of 'Gotterdammerung' in my fingers.

- Vladimir Horowitz

Could, Mine, Wagner, Concentrate

You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.

- Vladimir Horowitz

Behind, Notes, Bach, Open

I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.

- Vladimir Horowitz

Play, Notes, Very, Dynamics

If you want me to play only the notes without any specific dynamics, I will never make one mistake.

- Vladimir Horowitz

Mistake, Play, Notes, Dynamics

I studied with Felix Blumenfeld, who had studied piano with Anton Rubinstein and composition with Tchaikovsky. Felix, my professor, was the right hand of Anton Rubinstein. Blumenfeld knew his playing by heart, from every angle.

- Vladimir Horowitz

Knew, Had, Studied, Right Hand

For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.

- Vladimir Horowitz

Goal, Always, Intellect, Guide

The most important thing is to make a percussive instrument a singing instrument. Teachers should stress this aspect in their instruction, but it seems that very few of them actually do.

- Vladimir Horowitz

Stress, Singing, Very, Instruction

I was a terrible student. For me, to take a book home was a trial.

- Vladimir Horowitz

Book, Student, Take, Terrible

I am a general. My soldiers are the keys and I have to command them.

- Vladimir Horowitz

Leadership, I Am, General, Command

Life is very busy now. I find that in today's cities, the public is very tired after working the whole day. When concerts start at eight o'clock, the wife pushes the husband to go to the concert, where some promptly fall asleep!

- Vladimir Horowitz

Concert, Some, Very, Promptly

As far as practicing is concerned, I usually try to do one to two hours a day. It isn't good to practice too much, or your playing becomes too mechanical.

- Vladimir Horowitz

Practice, Hours, Concerned, As Far As

Imitation is a caricature. Any imitation. Find out for yourself.

- Vladimir Horowitz

Yourself, Caricature, Find, Imitation

Scriabin, as you know, is a mystic composer. His music is supersensuous, superromantic, and supermysterious. Everything is super; it is all a little overboard. Anyway, my parents were pleased that I played for him.

- Vladimir Horowitz

Him, Played, Composer, Mystic

I loved singing. But can you imagine my voice in an opera house?

- Vladimir Horowitz

Voice, Opera, Imagine, Opera House

I tried playing for the public, and I selected music that I thought would be pleasing to them. Times are different now. Today, I play the music I want, and I just try to do my best.

- Vladimir Horowitz

Thought, Play, Want, Pleasing

The score is not a bible, and I am never afraid to dare. The music is behind those dots.

- Vladimir Horowitz

Never, Behind, Score, Dare

My future is in my past and my past is my present. I must now make the present my future.

- Vladimir Horowitz

Future, Past, Now, Present

It is important for the musician to learn as much about the composer as possible and to study the music he has written. Then, even a short piece by Brahms or Chopin can be played with much more understanding.

- Vladimir Horowitz

Learn, Study, Composer, Chopin

Without false modesty, I feel that, when I'm on the stage, I'm the king, the boss of the situation.

- Vladimir Horowitz

Boss, King, False, Modesty

Always there should be a little mistake here and there - I am for it. The people who don't do mistakes are cold like ice. It takes risk to make a mistake. If you don't take risk, you are boring.

- Vladimir Horowitz

Mistake, Here, Always, Risk

I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.

- Vladimir Horowitz

Play, Next, Always, Recital

My face is my passport.

- Vladimir Horowitz

Face, Passport

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