Virginia Postrel Quotes

Powerful Virginia Postrel for Daily Growth

About Virginia Postrel

Virginia Postrel is an influential American author, cultural critic, and columnist known for her insights into societal trends, design, technology, and urbanism. Born on May 26, 1967, in San Francisco, California, she grew up in a family of academics, which ignited her intellectual curiosity at an early age. Postrel earned her Bachelor's degree from Brown University in 1989 and subsequently attended the University of Michigan, where she completed her Master's degree in Urban and Regional Planning. Her education provided a solid foundation for her future work as a cultural commentator. Postrel's career took off in the 1990s when she began writing for numerous publications, including The Atlantic Monthly, The New Republic, Slate, and Wired magazine. In 1998, she published her first book, "The Future and Its Enemies: The Growing Tension Between the Creators of the Future and the Preservers of Tradition" (Basic Books), which explored the conflict between those who embrace change and innovation and those who prefer tradition and stability. Her groundbreaking work on cities and urban development led to the publication of "The City's End: Two Centuries of Artistic, Scientific, and Philosophical Visions of the Urban Future" (Princeton Architectural Press) in 2003. This book examines the changing perceptions of cities throughout history and their role in shaping our future. Postrel's latest book, "The Power of Glamour: Longing and the Art of Visual Persuasion" (Farrar, Straus and Giroux), published in 2015, delves into the psychology of glamour and its role in shaping our desires and aspirations. Today, Virginia Postrel continues to write for various publications, speak at conferences, and contribute her insightful commentary on societal trends and design. Her work remains influential in understanding contemporary culture and predicting future developments.

Interpretations of Popular Quotes

"Style is a way of saying about yourself what you would like others to know about you."

This quote by Virginia Postrel suggests that an individual's style, whether it pertains to fashion, behavior, or personal preferences, communicates their identity, values, and aspirations to the world. It is a form of self-expression, allowing individuals to convey to others who they are, what they value, and how they choose to present themselves. This can lead to connection, understanding, and shared appreciation among people with similar styles, as well as a means for personal growth and development.


"Good design is not just a matter of aesthetics; it's about how things work in the real world."

This quote emphasizes that good design transcends mere aesthetic appeal to prioritize functionality and usability, both essential factors for successful design in practical contexts. A well-designed object or system is not only visually pleasing but also effectively addresses user needs within the realities of everyday use. In essence, good design is about creating objects and environments that seamlessly blend aesthetics with utility.


"The essence of good design is simplicity."

The quote by Virginia Postrel, "The essence of good design is simplicity," highlights the importance of minimalistic and intuitive approaches in design creation. It suggests that a design's effectiveness relies on its ability to be easily understood and navigated without unnecessary complexity or clutter. A simple design allows users to interact with it effortlessly, making the experience more enjoyable, accessible, and efficient for all parties involved.


"Fashion is a way of living, an attitude toward life, a form of self-expression, a language and a means of communication."

Virginia Postrel's quote suggests that fashion is not just about clothing or style, but it embodies a lifestyle, personality, and expression of individual identity. It serves as a unique way to communicate thoughts, emotions, and cultural affiliations to others. Essentially, fashion is a form of non-verbal language that transcends the physical realm and speaks volumes about who we are and how we perceive the world around us.


"Trends are not fads. They are the expression of new attitudes and values emerging in society."

This quote suggests that trends, unlike fleeting fads, reflect deeper societal shifts in attitude and values. Fads are temporary and popular for a short period, often without significant meaning or impact, while trends signify enduring changes in beliefs, tastes, behaviors, and norms within a culture or community. Therefore, trends serve as indicators of broader social and cultural transformations.


More than two decades after the birth of Louise Brown, and all the hysteria that surrounded her 'test tube' conception, we should know that institutions, not technologies, create dystopias. Artificially conceived children are everywhere, beloved by their parents, and they haven't radically altered our world.

- Virginia Postrel

Two, Surrounded, Conceived, Our World

Glamour invites us to live in a different world. It has to simultaneously be mysterious, a little bit distant - that's why, often in these glamour shots, the person is not looking at the audience, it's why sunglasses are glamorous - but also not so far above us that we can't identify with the person.

- Virginia Postrel

Why, Different World, Bit, Identify

The elements that create glamour are not specific styles - bias-cut gowns or lacquered furniture - but more general qualities: grace, mystery, transcendence. To the right audience, Halle Berry is more glamorous commanding the elements as Storm in the X-Men movies than she is walking the red carpet in a designer gown.

- Virginia Postrel

Halle Berry, Commanding, Berry

Our demand for good looks, expressed in the biting comments that ensue when public figures fall short of perfection, puts enormous pressures on these individuals and may screen out the otherwise qualified. If video killed the radio star, it may also be doing away with the homely politician.

- Virginia Postrel

Doing, Away, Figures, Qualified

By giving unusual people an easy way to find one another, the Internet has also enabled them to pool rare talents, resources, and voices, then push their case into public consciousness. The response, in many cases, is a kind of hysteria.

- Virginia Postrel

Giving, Another, Public, Cases

Airline glamour never promised anything as mundane as elbow room, much less a flat bed, a massage, or an arugula salad. It promised a better world. Service and dress reflected the more formal era, but no one expected air travel to be comfortable. It was amazing just to have hot food above the clouds.

- Virginia Postrel

Dress, Bed, Elbow, Flat

A world of few choices, whether in jeans or mates, is a world in which individual differences become sources of alienation, unhappiness, even self-loathing. If no jeans fit, you'll feel uncomfortable or inferior. If no housing developments reflect your taste for unique architecture, you'll write screeds against philistine mass culture.

- Virginia Postrel

Developments, Sources, Alienation

Fit experts envision a future in which you'd carry your body scan in your cell phone or on a thumb drive, using the data to order clothes online or find them in stores. But who's going to pay for all those scanners, which cost about $35,000 each, and the staff to run them?

- Virginia Postrel

Data, Thumb, Scan, Envision

Persuasion has become a kind of force. The more the advertiser knows about what consumers want, and the more desires the product and packaging seek to fulfill, the more coercive the force.

- Virginia Postrel

Product, Advertiser, Fulfill, Packaging

Clothing creates the illusion that bodies fit an aesthetically pleasing norm. And that illusion depends on getting the fit right. Garments that bunch, pull, or sag call attention to figure flaws and often make people look worse than they would without clothes.

- Virginia Postrel

Bodies, Aesthetically, Clothing

Average Americans order nonfat decaf iced vanilla lattes at Starbucks and choose from 1,500 drawer pulls at The Great Indoors. Amazon gives every town a bookstore with 2 million titles, while Netflix promises 35,000 different movies on DVD. Choice is everywhere - liberating to some, but to others, a new source of stress.

- Virginia Postrel

Choose, Average, Some, Liberating

The glamour of air travel - its aspirational meaning in the public imagination - disappeared before its luxury did, dissipating as flying gradually became commonplace.

- Virginia Postrel

Air, Before, Became, Commonplace

We know beauty when we see it, and our reactions are remarkably consistent. Beauty is not just a social construct, and not every girl is beautiful just the way she is.

- Virginia Postrel

Beauty, Consistent, Social, Remarkably

The United States government approaches patient choice in medication as Singapore does free speech: its pronouncements sound reasonable and tolerant until you threaten its prerogatives.

- Virginia Postrel

United States, Tolerant, Singapore

In Shakespeare's world, characters cannot trust their senses. Is the ghost in Hamlet true and truthful, or is it a demon, tempting young Hamlet into murderous sin? Is Juliet dead or merely sleeping? Does Lear really stand at the edge of a great cliff? Or has the Fool deceived him to save his life?

- Virginia Postrel

Trust, Senses, Hamlet, Juliet

The Internet exposes a diversity of opinion, experience, and taste we'd been led to believe didn't exist. If you were unusual in 1950 or 1980 - and everyone is unusual in one way or another - you were an isolated anomaly. Now you're a Web ring, a Yahoo category.

- Virginia Postrel

Ring, Taste, Been, Anomaly

'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.

- Virginia Postrel

Run, Entertainment, Existed, Frankenstein

Like the skyscraper, the automobile, and the motion-picture palace, neon signs once symbolized popular hopes for a new era of technological achievement and commercial abundance. From the 1920s to the 1950s, neon-lit streets pulsed with visual excitement from Vancouver to Miami.

- Virginia Postrel

Commercial, Streets, 1920s, Vancouver

There's a popular saying that the Internet interprets censorship as damage and routes around it. Desire and innovation will trump policy, the argument goes, as clever programmers circumvent controls.

- Virginia Postrel

Innovation, Trump, Damage, Routes

The Y2K bug is a genuine technical concern, consuming the energies of many specialists. But the prophecies of doom represent a broader worldview using the bug as a news hook. In this vision, the good society is a stable society, undisrupted by innovation, ambition or outside influences.

- Virginia Postrel

Good, Doom, Technical, Worldview

By reshaping or decorating our outer selves, we express our inner sense of self: 'I like that' becomes 'I'm like that.'

- Virginia Postrel

Express, Like, Outer, Decorating

Living with a single kidney is almost exactly like living with two; the remaining kidney expands to take up the slack. (When kidneys fail, they generally fail together; barring trauma or cancer, there's not much advantage to a backup.) The main risk to the donor is the risk of any surgery.

- Virginia Postrel

Two, Almost, Main, Backup

Y2K hype taps our native discomfort with the realities of a dynamic, evolving social order. It elevates personal, local contact over the impersonality of the 'extended order' of trade and technological networks. It suggests that we can wipe the slate clean and start from scratch.

- Virginia Postrel

Local, Networks, Our, Scratch

Abundant choice doesn't force us to look for the absolute best of everything. It allows us to find the extremes in those things we really care about, whether that means great coffee, jeans cut wide across the hips, or a spouse who shares your zeal for mountaineering, Zen meditation, and science fiction.

- Virginia Postrel

Fiction, Cut, About, Shares

European nations began World War I with a glamorous vision of war, only to be psychologically shattered by the realities of the trenches. The experience changed the way people referred to the glamour of battle; they treated it no longer as a positive quality but as a dangerous illusion.

- Virginia Postrel

World War I, Shattered, European Nations

When I was in college, I wanted to be editor of 'Reason' when I grew up. It was an impractical ambition, especially since the magazine was located in Santa Barbara, way off any journalist's normal career path.

- Virginia Postrel

College, Reason, Editor, Career Path

Traditional PCs face competition from specialty products like Palm Pilots and from the servers that provide the nodes in computer networks. Microsoft's Windows CE hasn't done too well in the specialty-device market, and its Windows NT faces strong competition for server customers.

- Virginia Postrel

Strong, Server, Specialty, PCs

Glamour is an imaginative process that creates a specific emotional response: a sharp mixture of projection, longing, admiration, and aspiration. It evokes an audience's hopes and dreams and makes them seem attainable, all the while maintaining enough distance to sustain the fantasy.

- Virginia Postrel

Dreams, Distance, While, Sharp

From the days of biplanes and silk scarves, the aviator has been the archetype of masculine glamour. Aviators have personified national ideals, from French elan to Soviet party discipline. They've inspired lust and admiration. They've turned sunglasses and short, utilitarian leather jackets into fashion statements.

- Virginia Postrel

Been, Turned, Statements, Lust

As borrowers, we may feel guilty about running up debt, anxious about making payments, and resentful of the constraints that old obligations (and old credit records) impose on our current choices. We may find it too easy to buy things we may later regret.

- Virginia Postrel

Regret, Records, Payments, Resentful

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