"I don't make friends I acquire personnel."
This quote suggests that Tony Curtis viewed his relationships in a more professional, strategic light rather than emotional or casual. He saw people not just as friends, but as valuable assets or resources to be acquired for some purpose or benefit. It implies a pragmatic approach to relationships, where the focus is on what can be gained from them, rather than the emotional bond itself.
"Acting is standing up naked and turning around very slowing until the curtain rings."
This quote by Tony Curtis suggests that acting, in its essence, involves baring one's soul and exposing vulnerability to an audience, much like being "naked". The deliberate and gradual "turning around" implies the art of revealing different facets of a character subtly over time, until the audience fully appreciates the performance, symbolized by the curtain ringing (signaling the end of the act).
"Success is like eating a chicken dinner - you never get full just thinking about it."
This quote by Tony Curtis suggests that simply dreaming or contemplating success isn't enough to achieve it; one must take action, as actually experiencing success (like eating a meal) is necessary to feel truly satisfied. It implies the importance of both aspiring for success and working towards achieving it in order to truly reap its benefits.
"Everyone wants to be kissed on the top of their head, that's why they have hair."
This quote by Tony Curtis suggests a playful perspective on affection, implying that everyone desires some form of emotional closeness or attention (the "kiss"), much like how people enjoy being touched on their head due to having hair there. It's an amusing way to express the universal human desire for love, understanding, and connection.
"There are no small parts, only small actors."
This quote emphasizes that every role, regardless of its size or importance in a production, is significant. It suggests that a truly great actor can make even the smallest part impactful and memorable, thus dispelling the notion that some roles are less valuable than others. In other words, it's not about the size of the part, but rather the skill and dedication of the actor playing it.
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