Thelma Schoonmaker Quotes

Powerful Thelma Schoonmaker for Daily Growth

About Thelma Schoonmaker

Thelma Schoonmaker, born on August 22, 1940, in the Bronx, New York, is a renowned American film editor, best known for her collaborations with director Martin Scorsese spanning over five decades. Her journey in cinema began during her college years at Barnard College, where she studied drama and psychology. However, it was a serendipitous meeting with Scorsese that would alter the course of her life. Their first collaboration was on the 1967 short film "It's Not Just You, Murray!" The success of this project marked the beginning of a fruitful partnership that has resulted in some of cinema's most iconic films, including "Taxi Driver" (1976), "Raging Bull" (1980), "The King of Comedy" (1983), "Goodfellas" (1990), and "The Wolf of Wall Street" (2013). Schoonmaker's innovative editing techniques, including her distinctive use of jump cuts and non-linear storytelling, have revolutionized the art of film editing. In addition to her work with Scorsese, Schoonmaker has edited films for other directors such as Barbra Streisand, Woody Allen, and Steven Soderbergh. She has been honored with numerous awards throughout her career, including three Academy Awards for Best Film Editing - "The Departed" (2006), "The Aviator" (2004), and "Goodfellas" (1990). Her contributions to the world of cinema have solidified her place as one of the most influential film editors in history.

Interpretations of Popular Quotes

"Film editing is like solving a puzzle, but it's also an emotional experience."

This quote suggests that film editing is not just a technical process, but rather a creative endeavor that requires problem-solving skills. The puzzling aspect refers to the logical structure of a film, such as deciding which shots go where and in what order. However, it also involves an emotional experience because editors must intuitively understand and convey the emotions intended by the director or writer, and create a rhythm and pacing that resonates with the audience.


"Editing is storytelling with images and sound."

This quote by Thelma Schoonmaker, a renowned film editor, emphasizes that editing in cinematography is not just about arranging scenes but rather telling a story using visuals and audio. In essence, it signifies the significant role of an editor in shaping the narrative flow, pacing, and emotional impact of a movie by skillfully selecting and sequencing shots, dialogue, sound effects, music, and other elements to effectively communicate the intended story or message.


"Cutting a scene without music can make the film feel static."

This quote suggests that the strategic use of music in film is crucial to creating dynamic, engaging content. Without music, scenes may appear dull or lifeless, lacking the rhythm and emotional depth provided by appropriate musical scoring. Music can elevate a scene, adding layers of meaning, enhancing mood, and guiding the audience's emotional response.


"A good editor knows where to put the pauses in the dialogue as much as how to cut the action."

This quote emphasizes the importance of a good editor not only in the physical editing or cutting of scenes, but also in determining the rhythm and pace of the dialogue. Just as pauses can enhance the meaning and impact of spoken words, strategic placement of these pauses in the dialogue helps to create a more engaging and effective narrative flow. This quote underscores the critical role of an editor in shaping the overall emotional and dramatic arc of a film by carefully considering not just what is being shown, but also when and how it's being presented.


"I think cutting a movie is like making a painting, you have to be able to see it all before you start cutting."

This quote suggests that film editing, like creating a painting, requires an understanding of the overall composition before any changes are made. Just as a painter needs to visualize their artwork in its entirety before applying brushstrokes, an editor must first grasp the structure, pacing, and narrative flow of a movie before beginning to edit individual scenes. The process involves careful consideration and planning to create a cohesive final product that effectively communicates the intended message or story.


I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford.

- Thelma Schoonmaker

Editor, Willing, Learned, Ad

Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv.

- Thelma Schoonmaker

Bad, Some, Rather, Cuts

We don't worry about continuity because when we're doing so many improvs, it's better to get the laugh. It's better to get the great lines even if they're in the wrong part of the room.

- Thelma Schoonmaker

Worry, Doing, Part, Continuity

Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know why? Because you're being carried along by the power of the film.

- Thelma Schoonmaker

Bumps, Complaints, Carried, Continuity

When you're a film-maker, sometimes you have to be a slave to continuity.

- Thelma Schoonmaker

Sometimes, You, Slave, Continuity

I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle with it. Fight. Experiment. Try different things. And I think finally we hit it.

- Thelma Schoonmaker

Think, Movie, I Think, Departed

I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been simply incredible. While I was editing 'Raging Bull,' I was literally unable to take my eyes off him.

- Thelma Schoonmaker

Been, De Niro, Raging, Great Relationship

I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that.

- Thelma Schoonmaker

Away, I Think, Very, Key

I don't think you can be a great director without knowing a lot about editing.

- Thelma Schoonmaker

Think, Knowing, Lot, Great Director

You have to have a great director to make a great movie.

- Thelma Schoonmaker

Director, Movie, Great Movie, Great Director

One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie.

- Thelma Schoonmaker

Big, Each One, Screening, Reacting

The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students can't believe that when I tell them, because they think, 'Well, it's Martin Scorsese.'

- Thelma Schoonmaker

Tell, Movie, Scorsese, Ruined

An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots.

- Thelma Schoonmaker

Other, Use, Wide, Ruined

I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring.

- Thelma Schoonmaker

Director, Oscar, Raging, Conception

Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it.

- Thelma Schoonmaker

Through, Deal, Good Deal, Runs

Having been raised overseas, I wanted to become a diplomat. But the State Department thought I was too 'liberal' to be happy with that job.

- Thelma Schoonmaker

Thought, Been, Having, Diplomat

I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.'

- Thelma Schoonmaker

Very, Directors, About, Better Job

I never thought I would get married: I'm such a workaholic.

- Thelma Schoonmaker

Thought, Never, Would, Get Married

Editing is a lot about patience and discipline and just banging away at something, turning off the machine and going home at night because you're frustrated and depressed, and then coming back in the morning to try again.

- Thelma Schoonmaker

Away, About, Frustrated, Banging

From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.

- Thelma Schoonmaker

Been, Scorsese, Eager, Struck

Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming.

- Thelma Schoonmaker

Very, Editor, Scorsese, Defined

Boxing is insane and, in my opinion, should be banned.

- Thelma Schoonmaker

Boxing, In My Opinion, Banned

To receive footage that has been shot with editing in mind, it is a blessing.

- Thelma Schoonmaker

Mind, Been, Receive, Blessing

I do think there's not enough film history being taught and appreciated. Maybe it's being taught, but I've heard from professors that young kids don't want to look at black-and-white movies. And that's 85 years of film history, with masterpiece after masterpiece.

- Thelma Schoonmaker

Young, Years, Maybe, Young Kids

In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when people like D. W. Griffith began editing, they needed the women from the lab to come and splice the film together. Cecil B. DeMille's editor was a woman. Then, when it became a more lucrative job, men moved into it.

- Thelma Schoonmaker

Woman, Very, Became, Lucrative

One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films.

- Thelma Schoonmaker

Own, Vague, Replied, Fellini

There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film.

- Thelma Schoonmaker

Bad, I Think, Very, Editors

When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye.

- Thelma Schoonmaker

Give, Audience, Move, Dragging

I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it a dramatic scope, shape. But it's so much fun.

- Thelma Schoonmaker

Love, Improvisation, I Love, So Much Fun

I remember, at the Oscars in 1991, 'Dances with Wolves' won that year, and we were nominated for 'Goodfellas.' One of my peers said to me, 'Why'd you make that bad jump cut?' I said, 'Which one? We had about 20 in the film!' He was really upset about it.

- Thelma Schoonmaker

I Remember, Upset, Cut, Wolves

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