I'd quite like to write a book about comics, actually. But trying to write about comics as literature, which I don't think anyone's really done before. Sometimes they're more like fan books, and I'd quite like to write one about the Marvel universe over the last 50 years. It's an unprecedented achievement to create that length of continuity.
- Stewart Lee
There's an assumption that my audience is all these bearded twats from Dalston. But actually, quite a lot of older people go. For them, it's like pre-alternative comedy, when there was Dave Allen or Jackie Mason or someone. Also, weirdly, because I don't really swear, they're not scared off.
- Stewart Lee
It's interesting to me that apparently distasteful comments from the Right against weak targets tend to draw a lot less media fire than apparently distasteful comments from the Left against hard targets. That's one of the threads that runs through the show and that people hopefully pick up on.
- Stewart Lee
The idea of what's acceptable and what's shocking, that's where I investigate. I mean, you can't be on 'Top Gear,' where your only argument is that it's all just a joke and anyone who takes offence is an example of political correctness gone mad, and then not accept the counterbalance to that.
- Stewart Lee
In places like Glasgow and Newcastle, audiences have a tradition of being amusingly combative. But they're not trying to ruin the act, they're trying to give you a challenge. It's like a cat playing with a mouse - the cat doesn't want the mouse to die, it wants to keep it alive for its own amusement and to be entertained by its struggle.
- Stewart Lee
For other comics, it's about full-spectrum dominance, being on panel shows and having one-liners and being a good chat show guest and having a good seven minutes you can do on 'Live At The Apollo.' But I really think about these subsequent finished pieces, you know? And they don't always chop up well into one-liners and routines.
- Stewart Lee
When I did 'Jerry Springer: The Opera,' there was a big fuss, largely centered around the misrepresentation of its content. Had Twitter existed then, that would have been over in a week because people who had actually seen it would have been able to get control of the story through social media.
- Stewart Lee
When I started on the London circuit in 1989, nationwide there were about 150 to 200 people that were what you could call alternative comedians - that weren't club comics. Now, last year when the Laughing Horse chain of clubs held a new acts competition, a thousand people entered. So, there are 800 people more.
- Stewart Lee
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