Stephen Sondheim Quotes

Powerful Stephen Sondheim for Daily Growth

About Stephen Sondheim

Stephen Sondheim (1930-2021), an American composer and lyricist, was a titan in the world of musical theater, known for his complex, innovative, and intellectually stimulating works. Born in New York City on March 22, 1930, he demonstrated an early affinity for music, composing his first piece at the age of nine. Sondheim's formative years were heavily influenced by the Broadway classics of the golden age of musicals, as well as the works of Cole Porter and Oscar Hammerstein II, whom he later collaborated with on "Gypsy." After graduating from college, Sondheim worked as a copyboy for a music publishing company, where he met Richard Rodgers, who would become a mentor. Sondheim made his Broadway debut as lyricist in 1957 with "West Side Story," a collaboration with Leonard Bernstein and Arthur Laurents. However, it was his subsequent works that truly solidified his status as a musical theater icon. His first solo project, "A Funny Thing Happened on the Way to the Forum" (1962), was a comedic success. In 1970, Sondheim premiered arguably his most significant work, "Company," a groundbreaking musical about relationships and maturity that challenged traditional musical theater conventions. This was followed by "Follies" (1971), "A Little Night Music" (1973), and "Sweeney Todd: The Demon Barber of Fleet Street" (1979). Later in his career, Sondheim wrote the lyrics for "Into the Woods" (1986) and "Passion" (1994), both of which showcased his penchant for exploring complex themes through a unique blend of humor, darkness, and emotional depth. In 2008, he collaborated with George C. Wolfe on the acclaimed revival of "Porgy and Bess." Sondheim's influence extends beyond Broadway, shaping modern musical theater and inspiring countless composers and lyricists. He passed away in 2021, leaving behind a profound legacy that continues to resonate in the world of music and theater.

Interpretations of Popular Quotes

"Send in the clowns" - from the song "Send in the Clowns," A Little Night Music

The quote, "Send in the Clowns," from Stephen Sondheim's musical "A Little Night Music," symbolizes an unexpected, chaotic, or unwanted situation that arises, often as a result of poor judgment, misunderstanding, or unrequited love. In context, it expresses the speaker's despair and frustration at their own romantic entanglements, calling for someone (or something) to bring humor or distraction to the chaos that has ensued. This quote resonates with many as it captures the emotional turmoil experienced during complex relationships, where comic relief can be a welcome balm in times of distress.


"It's a very dangerous business, going out your door" - from Sunday in the Park with George

The quote "It's a very dangerous business, going out your door" from "Sunday in the Park with George" by Stephen Sondheim highlights the risks and uncertainties inherent in embarking on new experiences or venturing outside one's comfort zone. The phrase suggests that leaving behind the familiarity of one's personal space can expose us to potential harm, challenges, and the unknown, emphasizing the need for caution, resilience, and adaptability when encountering the world beyond our doorstep.


"Children will listen" - from Into the Woods

The quote "Children will listen" from Stephen Sondheim's musical "Into the Woods" emphasizes the impressionable nature and sensitivity of children, who are capable of learning and absorbing lessons from their surroundings. This line suggests that children are not only keen observers but also active participants in the world they inhabit. It encourages adults to be mindful of their actions, words, and behavior, as children are likely to imitate and internalize these traits. Essentially, the quote highlights the significant impact that adults can have on shaping the future generation.


"I'm still here! I haven't gone away!" - from Follies

This quote, originating from Stephen Sondheim's musical "Follies," conveys a sense of resilience and endurance, particularly in the face of challenges or change. The speaker is expressing that despite appearances to the contrary, they are still present, still active, and have not succumbed to the forces trying to make them disappear. It's a powerful reminder of our capacity for persistence, even when we feel threatened or overlooked. In essence, the quote encourages us to persevere, maintaining our presence in the world and staying true to ourselves amidst life's transitions.


"No one is alone" - from A Little Night Music and Later, a different song in Sweeney Todd: The Demon Barber of Fleet Street

This quote by Stephen Sondheim emphasizes the idea that everyone shares common experiences and feelings, often making us less "alone" than we may feel. In musicals like "A Little Night Music" and "Sweeney Todd," Sondheim explores complex human emotions, showcasing characters who, despite their isolated circumstances, ultimately find solace or connection with others. This quote invites us to recognize the interconnectedness of humanity, offering a message of hope that even in our darkest moments, we are not truly alone because we all experience life together.


All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.

- Stephen Sondheim

More, Role, Author, Performers

By the time I was 22, I was a professional. A young and flawed professional, but not an amateur.

- Stephen Sondheim

Young, By The Time, Flawed, Amateur

I think 'lunch' is one of the funniest words in the world.

- Stephen Sondheim

Lunch, Think, I Think, Funniest

If you force yourself to write away from the piano, you come up with more inventive things. If you're too good a piano player, as some composers are, the music may become flavorless and glib. And if you're not a very good pianist, you're limited to the same patterns.

- Stephen Sondheim

Some, Very, Composers, Piano Player

Lyrics have to be underwritten. That's why poets generally make poor lyric writers because the language is too rich. You get drowned in it.

- Stephen Sondheim

Language, Rich, Why, Lyric

I chose and my world was shaken. So what? The choice may have been mistaken; the choosing was not. You have to move on.

- Stephen Sondheim

Been, May, Move, Chose

I'm very opinionated about movie musicals when they're adapted from live shows. You'll sit still for a three-minute song in a theater. But in movies, a glance from someone's eyes will tell you the whole story in a few seconds.

- Stephen Sondheim

Tell, Movie, Very, Glance

If people have split views about your work, I think it's flattering. I'd rather have them feel something about it than dismiss it.

- Stephen Sondheim

Think, I Think, Rather, Dismiss

Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.

- Stephen Sondheim

Which, Theatrical, Poetic, Disbelief

I'm a great audience. I cry very easily. I suspend disbelief in two seconds.

- Stephen Sondheim

Audience, Very, Suspend, Disbelief

One of the hardest things about writing lyrics is to make the lyrics sit on the music in such a way that you're not aware there was a writer there.

- Stephen Sondheim

Way, Aware, About, Such A Way

One difference between poetry and lyrics is that lyrics sort of fade into the background. They fade on the page and live on the stage when set to music.

- Stephen Sondheim

Fade, Set, Sort, Lyrics

Making lyrics feel natural, sit on music in such a way that you don't feel the effort of the author, so that they shine and bubble and rise and fall, is very, very hard to do. Whereas you can sit at the piano and just play and feel you're making art.

- Stephen Sondheim

Play, Feel, Very, Whereas

I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.

- Stephen Sondheim

Give, Audience, Firmly, Costume

I was essentially trained by Oscar Hammerstein to think of songs as one-act plays, to move a song from point A to point B dramatically.

- Stephen Sondheim

Song, Think, Oscar, Dramatically

Every time one can write a self-deluded song, you are way ahead of the game, way ahead. Self-delusion is the basis of nearly all the great scenes in all the great plays, from 'Oedipus' to 'Hamlet.'

- Stephen Sondheim

Game, Song, Plays, Every Time

My personal life and my artistic life do not interfere with each other.

- Stephen Sondheim

Personal, Other, Artistic, Interfere

I played the organ when I went to military school, when I was 10. They had a huge organ, the second-largest pipe organ in New York State. I loved all the buttons and the gadgets. I've always been a gadget man.

- Stephen Sondheim

Been, Organ, Gadget, Pipe

I certainly wanted my name in lights. I wanted my name on a marquee. I wanted recognition on Broadway.

- Stephen Sondheim

Broadway, Wanted, Certainly, Marquee

After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.

- Stephen Sondheim

Comedy, Became, Opposed, Hammerstein

Oscar Hammerstein was a surrogate father during all those many days, and weeks and months when I didn't see my own father.

- Stephen Sondheim

Oscar, Weeks, Months, Hammerstein

In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.

- Stephen Sondheim

Generation, Movies, Hits, Hammerstein

Two of the hardest words in the language to rhyme are life and love. Of all words!

- Stephen Sondheim

Love, Words, Hardest, Rhyme

The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them.

- Stephen Sondheim

Country, Broadway, Them, Dumber

I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.

- Stephen Sondheim

Love, Audience, Making, Laugh

There's something inimical about the camera and song.

- Stephen Sondheim

Song, Something, About, Camera

My mother wanted me off her hands. She was a working woman. She designed clothes, and she was a celebrity collector. It's my mother's ambition to be a celebrity.

- Stephen Sondheim

Woman, Hands, Celebrity, Designed

Art, in itself, is an attempt to bring order out of chaos.

- Stephen Sondheim

Art, Chaos, Itself, Order

The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.

- Stephen Sondheim

Pencil, Worst Thing, Edit, Censor

I have inherited my father's sense of humour about myself. It's a lot more pleasant to make fun of yourself than when someone else does.

- Stephen Sondheim

Father, More, Pleasant, Inherited

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