"Dance first. Think later."
This quote emphasizes the importance of action and spontaneity over planning or caution, particularly in creative endeavors such as dance. It suggests that often, the best ideas or creations come from uninhibited movement and expression rather than careful deliberation. The underlying message is to not be afraid to act on one's instincts and let creativity flow freely, before worrying about perfection or consequences.
"The secret of success is to be original, not to imitate."
This quote suggests that true success comes from being authentic and unique rather than copying others. It implies that by developing your own ideas, skills, and perspectives, you can achieve greater accomplishments and make a more significant impact in life and work. Imitating others may lead to temporary gains but originality fosters long-term success, innovation, and growth.
"Movies can and do have tremendous influence in shaping young lives in the realm of entertainment towards the ideals and goals which they portray."
This quote by Stanley Donen highlights the impact movies have on shaping the minds and values of younger generations. The "ideals and goals" mentioned are those depicted in films, implying that they can inspire, influence, or even set moral standards for young viewers. In essence, movies serve as a powerful tool for cultural education and reflection.
"To make a great film you have to be a revolutionary."
The quote "To make a great film you have to be a revolutionary" by Stanley Donen suggests that creating exceptional cinema involves breaking away from traditional or conventional methods, challenging established norms, and innovating in the field of filmmaking. In essence, this quote implies that true artists push boundaries, experiment with new techniques, and strive for originality to produce groundbreaking works of art.
"I think the dance number is the only part of the film that's really alive."
The quote suggests that for director Stanley Donen, dance numbers in films are the most vibrant and lively elements. In essence, he believes these sequences possess a unique life force within the cinematic experience, setting them apart from other scenes due to their energy, dynamism, and ability to captivate audiences.
It was very hard to make 'Funny Face' in Paris because making movies is difficult and making a movie in a city that was glorious, that was unique and surprising, to get it, to put it on film you have to make choices and reject a lot of things so you're always wondering: 'Am I doing it right?'
- Stanley Donen
The funniest thing is not who influenced me positively, but who influenced me negatively. I had such an aversion to what Busby Berkeley did; in my early formative years, I thought it was terrible. Now, I think it's wonderful. But then, I wanted to do anything but what Busby Berkeley did.
- Stanley Donen
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