Octavio Paz Quotes

Powerful Octavio Paz for Daily Growth

A work survives its readers; after a hundred or two hundred years, it is read by new readers who impose on it new modes of reading and interpretation. The work survives because of these interpretations, which are, in fact, resurrections: without them, there would be no work.

- Octavio Paz

Fact, Hundred, Modes, Impose

Little by little, not without astonishment, I rediscovered the great names of the eighteenth and nineteenth centuries, who had been the master thinkers of my grandfather and other Mexican liberals. They did no offer me a doctrine or a catechism: they were and they are a source, an inspiration.

- Octavio Paz

Other, Been, Astonishment, Centuries

Picasso is what is going to happen and what is happening; he is posterity and archaic time, the distant ancestor and our next-door neighbor. Speed permits him to be two places at once, to belong to all the centuries without letting go of the here and now.

- Octavio Paz

Here, Belong, Archaic, Centuries

When hypocrisy is a character trait, it also affects one's thinking, because it consists in the negation of all the aspects of reality that one finds disagreeable, irrational or repugnant.

- Octavio Paz

Negation, Repugnant, Aspects, Disagreeable

Yes, I am well aware that nature - or what we call nature: that totality of objects and processes that surrounds us and that alternately creates us and devours us - is neither our accomplice nor our confidant.

- Octavio Paz

Nature, Processes, Confidant, Accomplice

Literature is the expression of a feeling of deprivation, a recourse against a sense of something missing. But the contrary is also true: language is what makes us human. It is a recourse against the meaningless noise and silence of nature and history.

- Octavio Paz

Nature, Expression, Against, Deprivation

An understanding of Sor Juana's work must include an understanding of the prohibitions her work confronts. Her speech leads us to what cannot be said, what cannot be said to an orthodoxy, the orthodoxy to a tribunal, and the tribunal to a sentence.

- Octavio Paz

Work, Sentence, Include, Orthodoxy

To us, the value of a work lies in its newness: the invention of new forms, or a novel combination of old forms, the discovery of unknown worlds or the exploration of unfamiliar areas in worlds already discovered - revelations, surprises.

- Octavio Paz

New, Discovered, New Forms, Unknown

The characteristic feature of modernity is criticism: what is new is set over and against what is old, and it is this constant contrast that constitutes the continuity of tradition.

- Octavio Paz

New, Over, Set, Continuity

Words are things, but things which mean. We cannot do away with meaning without doing away with signs, that is, with language itself. Moreover, we would have to do away with the universe. All the things man touches are impregnated with meaning.

- Octavio Paz

Doing, Away, Which, Moreover

Man is alone everywhere. But the solitude of the Mexican, under the great stone night of the high plateau that is still inhabited by insatiable gods, is very different from that of the North American, who wanders in an abstract world of machines, fellow citizens and moral precepts.

- Octavio Paz

Gods, Very, North, North American

In the United States, man does not feel that he has been torn from the center of creation and suspended between hostile forces. He has built his own world, and it is built in his own image: it is his mirror. But now he cannot recognize himself in his inhuman objects, nor in his fellows.

- Octavio Paz

Mirror, Been, Torn, Inhuman

We twentieth-century Mexicans, even those of pure Indian descent, look on the pre-Columbian world as a world on the other side, not only distant in time but across the cultural divide.

- Octavio Paz

Other, Distant, Side, Descent

The truth is that the history of Mexico is a history in the image of its geography: abrupt and tortuous. Each historical period is like a plateau surrounded by tall mountains and separated from the other plateaus by precipices and divides.

- Octavio Paz

Surrounded, Image, Period, Separated

Poetry, whatever the manifest content of the poem, is always a violation of the rationalism and morality of bourgeois society.

- Octavio Paz

Society, Always, Bourgeois, Rationalism

The idea of modernity is beginning to lose its vitality. It is losing it because modernity is no longer a critical attitude but an accepted, codified convention.

- Octavio Paz

Beginning, Idea, Convention, Vitality

Poetry is the experience of liberty. The poet risks himself, chances all on the poem's all with each verse he writes.

- Octavio Paz

Experience, Himself, Each, Chances

To the poet fated to be a poet, self-expression is as natural and as involuntary as breathing is to us ordinary mortals.

- Octavio Paz

Natural, Breathing, Fated, Mortals

One of the most notable traits of the Mexican's character is his willingness to contemplate horror: he is even familiar and complacent in his dealings with it.

- Octavio Paz

Horror, Willingness, Traits, Complacent

Human writing reflects that of the universe; it is its translation, but also its metaphor: it says something totally different, and it says the same thing.

- Octavio Paz

Something, Same Thing, Also, Translation

The work of art is always unfaithful to its creator... Art lays at a higher level; it says something more, and almost always, it says something different from what the artist wanted to say.

- Octavio Paz

Art, Always, Creator, Unfaithful

We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.

- Octavio Paz

Mind, Aim, Same Time, Fixed

Poems - crystallizations of the universal play of analogy, transparent objects which, as they reproduce the mechanism and the rotary motion of analogy, are waterspouts of new analogies.

- Octavio Paz

Play, New, Which, Analogy

Despite the often illusory nature of essays on the psychology of a nation, it seems to me there is something revealing in the insistence with which a people will question itself during certain periods of its growth.

- Octavio Paz

Question, Which, Illusory, Essays

Our judgment and moral categories, our idea of the future, our opinions about the present or about justice, peace, or war, everything, without excluding our rejections of Marxism, is impregnated with Marxism.

- Octavio Paz

Idea, Marxism, Rejections, Categories

The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.

- Octavio Paz

Revolution, Violent, Our, French Revolution

The object of poetic activity is essentially language: whatever his beliefs and convictions, the poet is more concerned with words than with what these words designate.

- Octavio Paz

Activity, Concerned, Poetic, Convictions

Solitude is the profoundest fact of the human condition. Man is the only being who knows he is alone.

- Octavio Paz

Alone, Fact, Human Condition, Solitude

Technology is neutral and sterile. Now, technology is the nature of modern man; it is our environment and our horizon. Of course, every work of man is a negation of nature, but at the same time, it is a bridge between nature and us. Technology changes nature in a more radical and decisive manner: it throws it out.

- Octavio Paz

Negation, Modern Man, Manner, Sterile

Art is an invention of aesthetics, which in turn is an invention of philosophers... What we call art is a game.

- Octavio Paz

Art, Call, Which, Invention

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