Norman Mclaren Quotes

Powerful Norman Mclaren for Daily Growth

About Norman Mclaren

Norman McLaren (December 11, 1914 – November 5, 1987) was a Canadian animator, filmmaker, composer, and pianist renowned for his innovative techniques in stop-motion and cel animation. Born in St. Kenan, Ontario, McLaren showed an early interest in music and art, eventually pursuing these passions at McGill University in Montreal. However, it was during a trip to Europe in the late 1930s that he encountered the world of film and found his true calling. McLaren joined the National Film Board of Canada (NFB) in 1942, where he spent most of his career. His innovative work revolutionized the field of animation. He is best known for creating films entirely using hand-drawn or painted images, manipulating them frame by frame to create movement and illusions of depth. This technique, which he developed, is now known as "filmed drawing." One of McLaren's earliest works, "Neighbours" (1952), won an Academy Award for Best Animated Short Film. The film, which humorously portrays a feud between two next-door neighbors, showcases his ability to create complex narratives with minimalist visuals. Other notable works include "Canadian Canoe Symphony" (1951), a silent film that uses the sounds of canoes moving through water to create music, and "Pas de Deux" (1968), a dance film featuring the Royal Winnipeg Ballet. Throughout his life, McLaren was influenced by music, particularly jazz and classical, which often served as the soundtracks for his films. He also drew inspiration from avant-garde movements in both art and music, using these influences to push the boundaries of what was possible in animation. McLaren's groundbreaking work continues to inspire animators today.

Interpretations of Popular Quotes

"Animation can explain everything - if you're careful. Animation can lie convincingly; make the unbelievable believable; make the impossible possible. It is factitious and fallacious, fraudulent and fascist... it has no limits, and that's the only limitation."

This quote by Norman McLaren encapsulates the dual nature of animation as a medium – it can be both truthful and deceptive. The power of animation lies in its ability to portray any concept or idea, making the implausible seem real. However, this same power can also be misused for deceit or manipulation. Despite these potential pitfalls, animation remains an incredible tool due to its boundless possibilities, which is simultaneously its greatest strength and only limitation.


"The job of the film-maker is to create a living being out of inanimate objects by using movement and sound and time."

This quote by Norman McLaren emphasizes that the role of a filmmaker transcends simple documentation or representation; it involves animating, or breathing life into, lifeless objects through the manipulation of movement, sound, and time. In essence, the process of filmmaking is not just about creating visual or auditory content, but rather bringing inanimate elements to life, imbuing them with a sense of motion, rhythm, and emotion. The end result is a living, dynamic creation that resonates deeply with audiences, transcending the physical boundaries of the screen.


"Film is one means of creating time for people who have none."

This quote by Norman McLaren highlights the transformative power of film. In a fast-paced, time-starved world, cinema provides an immersive, contemplative experience, allowing individuals to pause, reflect, and immerse themselves in a different reality for a while. Essentially, films offer a precious gift – the gift of time – enabling people to escape, learn, dream, or simply appreciate beauty, when they might otherwise have none.


"The artist must train not only his hand but his eye and his mind. He must be at the same time a craftsman, an inventor, a scientist, and an artist."

The quote emphasizes that being an artist requires a multifaceted approach, encompassing skill development in technical (hand), creative (mind), observational (eye), innovative (inventor) and analytical (scientist) aspects. This holistic approach is crucial for artists to create unique, impactful, and groundbreaking works that push the boundaries of their craft.


"Animation is like playing with time, like playing with an infinitely flexible material. You can do anything you want; the only thing you cannot do is nothing."

This quote by Norman McLaren emphasizes the creative freedom and flexibility inherent in animation. He suggests that animators have the power to manipulate time at will, much like a sculptor molding clay or a painter applying colors on a canvas. The only constraint is not being able to do nothing; every frame, every movement, every aspect of an animated work demands attention and purpose. This quote encapsulates the transformative potential of animation as an art form, highlighting its ability to breathe life into ideas and bring them to dynamic, tangible existence.


I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.

- Norman McLaren

Film, Canvas, Preserve, Closeness

And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same.

- Norman McLaren

Movie, Canvas, Brush, Militant

Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element.

- Norman McLaren

Color, Japanese, Very, Gate

The good moral work of art should have all the qualities that a good amoral work of art should have, such as formal unity, balance, contrast, and a sensitivity to the material out of which it is made.

- Norman McLaren

Art, Amoral, Which, Sensitivity

Animation is not the art of drawings that move but the art of movements that are drawn.

- Norman McLaren

Art, Move, Drawings, Animation

Well rounded forms gives smooth sounds; sharper or angular forms give harder and harsher sounds.

- Norman McLaren

Give, Angular, Sounds, Forms

But it has, in addition, an even more precious quality - a consciousness of the human intelligence, the human spirit and that man is a social creature.

- Norman McLaren

Precious, Consciousness, Human Intelligence

Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it.

- Norman McLaren

New, Like, Which, Jacques

The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the stroke controls the loudness... the tone quality is the most difficult element to control, it is made by the shape of the strokes.

- Norman McLaren

Controls, Note, Strokes, Element

In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film.

- Norman McLaren

Art, New, Phase, Filmmaker

So people will come along and do new things and sometimes return to the spirit of an earlier age.

- Norman McLaren

New Things, New, Will, Return

I don't know whether it ever comes back to the same thing; it does return to the spirit of a previous period in some way, but it's different, it's new.

- Norman McLaren

New, Some, Period, Return

I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film.

- Norman McLaren

Which, Films, Actual, Unlike

The process of art evolving is always one which has fascinated me.

- Norman McLaren

Process, Always, Which, Evolving

By drawing or exposing two or more patterns on the same bit of film I can create harmony and textual effects.

- Norman McLaren

Harmony, Patterns, More, Exposing

Film is changing, and it can't help but keep changing.

- Norman McLaren

Help, Changing, Keep, Film

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