Nicolas Roeg Quotes

Powerful Nicolas Roeg for Daily Growth

About Nicolas Roeg

Nicolas Roeg (1928-2018) was an influential British film director and former cinematographer, celebrated for his innovative and unconventional storytelling techniques that challenged traditional narrative structures. Born on August 15, 1928, in London, England, Roeg's love for films began at a young age when he worked as a projectionist during World War II. This experience ignited his passion for the medium, leading him to study photography and eventually transition into filmmaking. Roeg's career took off in the 1950s when he started working as a cinematographer on several British films, including "Lawrence of Arabia" (1962) and "Fahrenheit 451" (1966). His unique visual style quickly gained attention, setting the stage for his directorial debut in 1970 with "Performance," a groundbreaking psychological drama that showcased his ability to weave complex narratives. Throughout the 1970s and 80s, Roeg directed several critically acclaimed films such as "Walkabout" (1971), "Don't Look Now" (1973), "The Man Who Fell to Earth" (1976), and "Eureka" (1983). These works are known for their dreamlike quality, non-linear storytelling, and striking visual imagery. Roeg was also known for his collaborations with notable actors like David Bowie, Julie Christie, and Gloria Swanson. Roeg's unique approach to filmmaking was influenced by a variety of sources, including literature, music, and his own life experiences. His films often explored themes of identity, memory, and the human condition, reflecting Roeg's philosophical interests. Despite his unconventional style, Roeg remained a significant figure in British cinema until his retirement in 1987. In his later years, Roeg continued to be recognized for his contributions to filmmaking, receiving several accolades and awards. His innovative approach to storytelling continues to inspire new generations of filmmakers today.

Interpretations of Popular Quotes

"The past is just a story we keep telling ourselves."

The quote by Nicolas Roeg underscores the subjective nature of our understanding and interpretation of the past. It suggests that our collective memories, stories, and perceptions about past events are not fixed or absolute truths, but rather constantly evolving narratives shaped by individual perspectives, biases, and experiences. The past, in essence, is a personal construction, a story we keep re-telling ourselves to make sense of our present and future. This insight can be valuable for fostering empathy and understanding across generations or cultures, as it reminds us that the way we perceive history may differ significantly from others' perspectives, encouraging open dialogue and mutual respect.


"Film is a dream you can remember."

This quote suggests that films, much like dreams, have the power to transport us into other worlds, evoke emotions, and leave lasting impressions. They provide an immersive experience where we can escape reality temporarily, making memories of surreal, imaginative, or emotional moments. Like dreams, films are unique, often difficult to fully understand, yet they can profoundly impact our thoughts and feelings.


"I'm not interested in reality. I'm interested in the perception of reality."

This quote implies that Nicolas Roeg, a renowned filmmaker, values the subjective interpretation or understanding of reality over objective, factual reality itself. He suggests that the way individuals perceive reality – their unique experiences, emotions, beliefs, and interpretations – can be more fascinating than the actual events themselves. This perspective is common in artistic and creative fields as it fosters creativity and encourages exploration of personal perspectives in storytelling or art production.


"The camera is my pencil, and film is my canvas."

This quote by Nicolas Roeg suggests that he views a camera as his artistic tool, much like a pencil is for a traditional artist, and film (or digital media in modern contexts) as his canvas or workspace where he creates his visual masterpieces. It underscores the importance of the camera as an essential creative instrument for a cinematographer, just as a pencil is for a painter or a writer.


"Myths are just as valid as facts. Sometimes they are more valid because they have a deeper truth."

This quote by Nicolas Roeg suggests that myths, which are often stories or explanations rooted in cultural beliefs and traditions, carry significant weight equivalent to factual accounts. The implication is that these myths may contain universal truths that transcend mere historical or scientific facts. In essence, Roeg emphasizes the importance of understanding and appreciating the symbolic and emotional aspects of myths as they often capture deeper, timeless truths about human nature, society, and our place in the universe.


'Eureka' was very bad timing. The early 1980s: Reagan and Thatcher were in, greed was good, and here was a film about the richest man in the world who still couldn't be happy. Politically and sociologically, it was out of step.

- Nicolas Roeg

Here, Very, Reagan, Eureka

I've always admired the tradition of storytellers who sat in the public market and told their stories to gathered crowds. They'd start with a single premise and talk for hours - the notion of one story, ever-changing but never-ending.

- Nicolas Roeg

Crowds, Notion, Public, Premise

We're all influenced by everything unless we're locked in an empty room.

- Nicolas Roeg

Influenced, Unless, Locked

I've always thought there was something very marvelous and magical about mirrors, and that they are connected to memory as well.

- Nicolas Roeg

Memory, Always, Very, Marvelous

The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors.

- Nicolas Roeg

Great, Screen, About, Reacting

Any change in form produces a fear of change, and that has accelerated. Marketing is the death of invention, because marketing deals with the familiar.

- Nicolas Roeg

Death, Marketing, Form, Invention

There's no one 'right' way of making a science fiction movie; there's no one way of making any kind of movie, really!

- Nicolas Roeg

Movie, Fiction, Making, Right Way

Movies are not scripts - movies are films; they're not books, they're not the theatre.

- Nicolas Roeg

Theatre, Movies, Films, Scripts

Marketing is such a key issue; in fact, the marketing department is often involved in the approval of scripts now.

- Nicolas Roeg

Marketing, Fact, Issue, Scripts

There was a village watercolour society and they'd come and paint in my field. I watched them from the window, the way they would struggle this way and that to find the perfect moment. God has made every angle on that beautiful, and I felt that tremendously.

- Nicolas Roeg

Moment, Perfect, Paint, Struggle

I came up the old-fashioned way - tea boy, cutter, focus-puller, cinematographer - but I wasn't myself old-fashioned.

- Nicolas Roeg

Myself, Old-Fashioned Way, Cinematographer

I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look.

- Nicolas Roeg

Hands, Doing, Very, Cinematographer

Men and women's needs and desires overlap but go in different directions as well.

- Nicolas Roeg

Men, Needs, Directions, Overlap

I love that perhaps we don't see the things that are there because we have no yardstick to see things by, to compare them.

- Nicolas Roeg

Love, See, Compare, Yardstick

And later I thought, I can't think how anyone can become a director without learning the craft of cinematography.

- Nicolas Roeg

Thought, Think, Director, Cinematography

You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.

- Nicolas Roeg

Through, Movie, Like, Cinematography

When I look around, I begin to understand what Socrates meant when he said, 'How much there is in the world I do not want.'

- Nicolas Roeg

Want, Understand, Meant, Socrates

Don't you think it's something strange that you rarely look at yourself in the mirror, except to do things like stand and ponder? I mean, in Shakespeare's day, it was thought that the mirror would reveal something, that it is trying to tell you something - not just to tidy your hair, but something more.

- Nicolas Roeg

Mirror, Thought, Reveal, Tidy

I think the big studios shaped and formed the artists that they put under contract.

- Nicolas Roeg

Think, Big, I Think, Formed

When I went to the cinema as a boy, when I saw a war film, I thought the general was the star, and that Cary Grant was an extra. I had no idea about the structure of film, but I loved going to the cinema.

- Nicolas Roeg

Thought, Star, Going, None

I've always felt that, although Truffaut was greatly revered and admired, at the same time, in terms of film and how much he loved film, he was underestimated.

- Nicolas Roeg

Always, Admired, Revered, Greatly

'Puffball' is a love story... no, it's a life story.

- Nicolas Roeg

Love, Life, Love Story, Life Story

The rules are learnt in order to be broken, but if you don't know them, then something is missing.

- Nicolas Roeg

Broken, Rules, Them, Learnt

They think something's gone wrong, but in Don't Look Now, for instance, one scene was made by a mistake. It's the scene where Donald Sutherland goes to look for the policeman who's investigating the two women.

- Nicolas Roeg

Mistake, Think, Donald, Policeman

When my sister and I were very young, my father used to tell us fairy stories that he'd made up. My mother was always telling him that he should write them down, but he would say, 'Well, they've all been done before. There are so many blooming books in the world - why should I write another one?'

- Nicolas Roeg

Been, Very, Telling, Fairy

I imagine if aliens came down to Earth, they'd actually be quite tall; people seem to get everything right about extraterrestrials but the size!

- Nicolas Roeg

Right, Imagine, About, Extraterrestrial

Oscars are won with two or three shots only, because if it's really beautifully photographed, you don't really notice it until the astounding moment emphasizes it.

- Nicolas Roeg

Two, Three, Photographed, Notice

We all have our beliefs or our agnosticism.

- Nicolas Roeg

Beliefs, Our, Agnosticism

A lot of my movies have come to be thought about only years after the fact, and I'm sad about that but also happy about it in a way, as it's given them longevity.

- Nicolas Roeg

Thought, Fact, Given, Longevity

Years ago I had a house in Sussex, it was like Arcadia, with an old Victorian bridge, a pond and the Downs.

- Nicolas Roeg

Like, Pond, Downs, Bridge

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