Morton Feldman Quotes

Powerful Morton Feldman for Daily Growth

About Morton Feldman

Morton Feldman (February 19, 1926 – July 3, 2008) was an influential American composer and artist, renowned for his minimalist and abstract musical compositions. Born in Rochester, New York, Feldman spent his formative years in the tumultuous era of World War II, which would significantly impact his artistic sensibilities. Initially trained as a painter, Feldman's creative journey shifted towards music after a chance encounter with John Cage at Black Mountain College in 1948. Under Cage's tutelage, he began to experiment with indeterminate music, which allowed for spontaneous interpretation by the performer. This experience marked a pivotal moment in Feldman's career, leading him to develop his unique compositional style characterized by extended durations, sparse textures, and subtle timbral nuances. Some of his most celebrated works include "Duration 1962" (1962), a four-hour piano composition that showcases Feldman's penchant for prolonged musical passages; "Rothko Chapel" (1971), an evocative composition inspired by the iconic painting of Mark Rothko; and "For Arnold Dreyblatt" (1986), a hauntingly beautiful piano piece dedicated to his close friend, the artist Arnold Dreyblatt. Throughout his career, Feldman collaborated with various avant-garde artists and performers, including Merce Cunningham, Yoko Ono, and Christian Marclay. His influence extended beyond music, impacting visual arts, dance, and poetry, making him a truly interdisciplinary artist. Morton Feldman's innovative compositions continue to captivate audiences worldwide, cementing his legacy as one of the most significant figures in 20th-century American music.

Interpretations of Popular Quotes

"I think the composer is a kind of a medium, and his job is to get out of the way."

Morton Feldman's quote emphasizes that a composer's role is not to impose their personal ideas or artistic style upon a work, but rather to act as a conduit for the music that flows through them. This perspective suggests that the true essence of composition lies in capturing and transmitting the purest form of musical expression, with minimal interference from the creator's ego or preconceived notions. In essence, Feldman encourages composers to remove themselves from the creative process as much as possible, allowing their work to speak for itself, thus connecting more authentically with listeners and achieving a deeper, more profound impact.


"The idea of the work is more important than the work itself."

This quote by Morton Feldman suggests a shift in focus from the physical manifestation or end product (the "work" itself) to the underlying concept or intention behind it (the "idea"). In essence, Feldman is advocating for valuing the thought process and vision that drives an artistic work over the finished piece. This perspective encourages creativity, experimentation, and intellectual exploration in art. It implies that the impact and meaning of a work can transcend its material form, residing instead in the ideas it communicates or evokes.


"I'm very interested in space. I've always been interested in space. If you listen carefully, the spaces between the notes are the most important thing."

Morton Feldman emphasizes the significance of silence or 'space' in music composition. He suggests that the pauses or gaps between musical notes carry equal, if not more, weight than the notes themselves. This perspective highlights the importance of negative space in creating a harmonious and dynamic rhythmic structure, implying that these pauses can provide context, build tension, or evoke emotions just as effectively as the played notes do.


"Music is about time. It's not about pitch or harmony or rhythm. Those are just some of the things that music does with time."

This quote emphasizes Morton Feldman's view that the fundamental essence of music lies in its relationship with time, rather than conventional elements like pitch, harmony, or rhythm. For him, these elements are merely tools or techniques that music uses to manipulate and shape the perception of time. In this perspective, the temporal structure, progression, and flow become the core characteristics defining a piece of music.


"I don't want to be a 'minimalist'. I never thought of myself in those terms, and I resist any pigeonholing."

Morton Feldman's quote highlights his rejection of being labeled as a "minimalist" composer, despite the minimalistic qualities often found in his music. He believed that such categorization oversimplified his complex artistic vision. Instead, he saw himself as an artist who sought to explore nuances and subtleties in music, going beyond simple reductionism or adherence to minimalistic principles.


Since music has never had a Rembrandt, we have remained nothing more than musicians.

- Morton Feldman

Music, Never, More, Rembrandt

I want to give my compliments to Australia. Ever since your government paid a few million dollars for a Jackson Pollack painting, I figure that it must be a marvellous country.

- Morton Feldman

Country, Give, Figure, Million Dollars

Any professional knows that the flute and the piano is a boring combination. All you've got to arrive at is a kind of typical gestural crap, right? You might agree, though you wouldn't call it gestural crap.

- Morton Feldman

Kind, Might, Though, Flute

For me it's the instrument. If I want to think of a flute and the state of the arts I hear a vibrato; I don't know what a flute is unless the person plays it for me.

- Morton Feldman

Think, Want, Plays, Flute

I never feel that my music is sparse or minimalist; the way fat people never really think they're fat. I certainly don't consider myself minimalist at all.

- Morton Feldman

Myself, Think, Certainly, Minimalist

The most interesting aspect for me, composing exclusively with patterns, is that there is not one organizational procedure more advantageous than another, perhaps because no one pattern ever takes precedence over the others.

- Morton Feldman

More, Over, Organizational, Precedence

I've been living with the minor second all my life and I finally found a way to handle it.

- Morton Feldman

My Life, Living, Been, All My Life

No one has the Houdini school of composition.

- Morton Feldman

School, Houdini, Composition

Music is essentially built upon primitive memory structures.

- Morton Feldman

Music, Memory, Primitive, Essentially

I was once married to a woman who could eat anything and tell you what was in it: the most complicated recipes. Her memory of taste - now that's what I call memory!

- Morton Feldman

Woman, Memory, Recipes, Complicated

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