Miles Davis Quotes

Powerful Miles Davis for Daily Growth

About Miles Davis

Miles Dewey Davis III (1926-1991), an American trumpeter, bandleader, and composer, was a pivotal figure in the history of jazz music. Born on May 26, 1926, in Alton, Illinois, Davis developed an early love for music, learning cornet at age 13 after moving to St. Louis. His career began in earnest when he joined the Army and played in the band, where he was discovered by Billy Eckstine. In 1945, Davis moved to New York City and quickly made a name for himself, playing with Charlie Parker and Dizzy Gillespie in the bebop movement. His debut album, "Birth of the Cool" (1949), showcased his cool jazz style, setting him apart from contemporaries. In the 1950s, Davis formed the seminal "First Great Quintet," featuring John Coltrane and Cannonball Adderley. In the 1960s, he spearheaded the second great period of his career with his groundbreaking album "Kind of Blue" (1959), often considered one of the greatest jazz albums of all time. This work, characterized by modal jazz, signified a departure from traditional harmony and melody structures, marking Davis as a trailblazer in modern jazz. The 1970s saw Davis experimenting with rock and funk influences, producing iconic works like "Bitches Brew" (1969) and "On the Corner" (1972). Known for his innovative style and cool demeanor, Davis continued to push boundaries until his retirement in 1975. Despite battling drug addiction and health problems throughout his life, Davis remained a towering figure in jazz, influencing generations of musicians across various genres. He passed away on September 28, 1991, leaving behind an indelible mark on music that continues to resonate today. Notable quotes from Miles Davis include: "Don't play what's there, play what's not there," and "It's not the note you play that's the wrong note... it's the note you play afterwards that makes it right or wrong."

Interpretations of Popular Quotes

"Don't play what's there, play what's not there."

The quote "Don't play what's there, play what's not there," by Miles Davis encourages musicians to explore and express the spaces and silences in a piece of music rather than merely replicating the notes that are already present. This approach invites innovation and creativity, as it challenges artists to find their unique voice within a composition by emphasizing the unexpected and the unheard. In essence, Davis is suggesting that true musical expression lies not only in what one plays but also in what one chooses not to play.


"It's not the note you play that's the wrong note... it's the wrong note you play next."

Miles Davis suggests that in music, and perhaps in life, what matters most is not making a mistake or playing an incorrect note, but rather how one responds to that error. It's about embracing imperfection, learning from it, and using the next opportunity wisely instead of being paralyzed by fear of mistakes. This quote emphasizes the importance of continuous growth and progress in art and life, encouraging artists (and everyone) to take risks, learn from their experiences, and keep moving forward.


"You can't play at anything new if you don't move from what's familiar."

This quote by Miles Davis underscores the importance of breaking free from one's comfort zone in order to innovate or create something novel. He suggests that without moving beyond the known, it is impossible to make progress or contribute something fresh and different. In essence, he implies that true creativity requires both a mastery of the familiar and the courage to venture into the unknown.


"There are note-makers and note-takers, but there aren't too many note-movers."

This quote highlights a distinction between different levels of musicianship: note-makers, note-takers, and note-movers. Note-makers refer to those who create new musical ideas or compositions, note-takers are individuals who can reproduce these ideas accurately, but note-movers are the artists that bring music to life, transcending the notes on the page by adding their unique interpretation, emotion, and soul. Miles Davis, as a revolutionary jazz musician, is emphasizing the importance of being a "note-mover" rather than merely reproducing what has already been created or following rules blindly. This quote encourages creativity, expression, and individuality in music.


"The only time I feel alive is when I'm playing."

This quote by Miles Davis implies a profound devotion to his music, suggesting that he found a unique sense of vitality, purpose, and personal expression in the act of performing and creating music. Essentially, it underscores the notion that for Davis, the art of playing music was more than just entertainment; it was a means through which he could fully immerse himself in life and experience true aliveness.


Prince got some Marvin Gaye and Jimi Hendrix and Sly in him, also, even Little Richard. He's a mixture of all those guys and Duke Ellington.

- Miles Davis

Some, Sly, Richard, Duke

The music I was really listening to in 1968 was James Brown, the great guitar player Jimi Hendrix, and a new group... Sly and the Family Stone, led by Sly Stewart from San Francisco.

- Miles Davis

Francisco, James, Led, Sly

You'd be surprised. Drummers ape each other. The way every rock n' roll record sounds like something else but not all together. Everything other drummers play, if you're playing drums, they all hear.

- Miles Davis

Play, Other, Something Else, Ape

Jimi Hendrix came from the blues, like me. We understood each other right away because of that. He was a great blues guitarist.

- Miles Davis

Other, Away, Like, Understood

You can dominate a game if you dominate on the line... We're just going to have to go out there and work hard and blow people off the ball, and let our runners do what they do best.

- Miles Davis

Game, Work Hard, Going, Blow

A legend is an old man with a cane known for what he used to do. I'm still doing it.

- Miles Davis

Doing, Still, Known, Cane

If you understood everything I say, you'd be me!

- Miles Davis

Me, Say, Everything, Understood

It was Jimi Hendrix that I first got into when Betty Mabry turned me on to him.

- Miles Davis

Betty, Turned, Jimi Hendrix, Hendrix

He comes in on the beat and plays on top of the beat. I think when Prince makes love, he hears drums instead of Ravel.

- Miles Davis

Love, Think, I Think, Hears

It's always been a gift with me, hearing music the way I do. I don't know where it comes from, it's just there and I don't question it.

- Miles Davis

Gift, Always, Been, Hearing

When I'm playing, I'm never through. It's unfinished. I like to find a place to leave for someone else to finish it. That's where the high comes in.

- Miles Davis

Never, Through, Like, Unfinished

Prince is from the school of James Brown, and I love James Brown because of all the great rhythms he plays.

- Miles Davis

Love, Rhythms, Plays, Prince

Prince might be bringing that low sound back, because he has that double bass.

- Miles Davis

Low, Bass, Bringing, Prince

I'm always thinking about creating. My future starts when I wake up every morning... Every day I find something creative to do with my life.

- Miles Davis

Morning, My Life, Always, Creative

Space music'd be really something... but they don't have no gravity up there. You couldn't have no downbeat!

- Miles Davis

Space, Up, Really, Gravity

I have to change. It's like a curse.

- Miles Davis

Change, Like, Curse

I know what I've done for music, but don't call me a legend. Just call me Miles Davis.

- Miles Davis

Legend, Done, Miles, Davis

Sometimes you have to play a long time to be able to play like yourself.

- Miles Davis

Play, Sometimes, Like, Long Time

The thing to judge in any jazz artist is, does the man project and does he have ideas.

- Miles Davis

Artist, Jazz, Does, Judge

For me, music and life are all about style.

- Miles Davis

Music, Me, About, Style

When you do anything too long, you either wear it out or lose interest.

- Miles Davis

Interest, Either, Too, Wear

I'll play it first and tell you what it is later.

- Miles Davis

Play, Tell, First, Later

I'll play it and tell you what it is later.

- Miles Davis

Play, You, Tell, Later

Do not fear mistakes. There are none.

- Miles Davis

Fear, Mistakes, None

Don't play what's there, play what's not there.

- Miles Davis

Play

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