Maury Yeston Quotes

Powerful Maury Yeston for Daily Growth

About Maury Yeston

Maury Yeston (born July 6, 1941) is an esteemed American composer, lyricist, and librettist, best known for his significant contributions to the world of musical theater. Born in New York City, Yeston grew up surrounded by music, with a mother who was a pianist and a father who loved opera. These early influences ignited his passion for music and storytelling, setting him on a path that would lead to an illustrious career. Yeston graduated from Brown University with a degree in music composition before going on to study at the Juilliard School. His breakthrough came in 1976 with "Nine: The Musical," a musical adaptation of Fellini's film "8½," for which he won the Tony Award for Best Score. The success of "Nine" was followed by other notable works, including "Phantom" (1990), a reimagining of Gaston Leroux's classic novel "The Phantom of the Opera." Yeston's work is characterized by his ability to weave complex narratives with memorable music. His compositions are rich and layered, often drawing from diverse musical styles. He is not only a masterful composer but also a skillful storyteller who creates compelling characters and intricate plots that resonate deeply with audiences. In addition to his professional accomplishments, Yeston is a dedicated educator, having taught at institutions such as Yale University and the State University of New York at Purchase. His work continues to inspire a new generation of musical theater creators, ensuring his legacy in the world of music for years to come.

Interpretations of Popular Quotes

"The purpose of a song is to move the heart and change the world."

This quote by Maury Yeston emphasizes the power of music in touching people's emotions and effecting change. The song serves not just as a means of artistic expression, but also as a tool for impact, inspiring listeners to feel deeply and, ideally, take action towards positive transformation. In other words, the song is both an emotional catharsis and a call-to-action, harnessing the power of human emotions to drive social change.


"The music must always serve the play."

This quote by Maury Yeston emphasizes the importance of subordinating musical elements to the storyline in a theatrical production. In other words, the music is not an end in itself but rather a means to enhance and support the dramatic narrative. It's a reminder that every note, rhythm, or melody should have a purpose within the context of the play, contributing to character development, mood, and advancing the plot. A harmonious blend of music and drama creates a powerful and immersive experience for audiences.


"A great musical has an emotional core that is universal."

Maury Yeston's quote emphasizes the importance of a universal, emotionally relatable theme in creating a successful musical. A great musical should resonate with audiences from diverse backgrounds, transcending cultural, societal, or personal differences by touching on feelings, experiences, or human conditions that are deeply human and widely shared. This universality allows the audience to connect and engage more deeply with the story and characters, fostering an emotional experience that can be personally transformative.


"You can't write something unless you feel it in your bones."

This quote suggests that authentic, deeply felt emotions are essential when creating art or writing. In other words, genuine emotional engagement with a piece is crucial to its creation; the writer must truly "feel" the subject matter in their core or "bones," not just intellectually understand it, to produce impactful and meaningful work.


"Every show tells a story, but the best shows tell a story that the world needs to hear."

This quote suggests that exceptional works in theater not only entertain but also communicate important messages that resonate with audiences and are relevant to the world we live in. The "story" refers to the narrative or theme of the play, musical, or any stage production, and when it's a story that people need to hear, it strikes a chord and has a lasting impact on its audience. Such stories can inspire, provoke thought, foster empathy, or even bring about change.


For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.

- Maury Yeston

Perfect, Some, Rodgers, Larry

Not every story in history has a beginning, a middle and an end, but the wreck of the Titanic does. It begins when they leave, in the middle it hits an iceberg, and in the final two hours, the ship sinks.

- Maury Yeston

Beginning, Middle, Hours, Iceberg

Back in the Stone Age, before there were workshops, it was a very difficult idea to get into musical theatre. Normally, you would be a chorus girl or boy and write something. People would get their start as rehearsal pianists or dance assistants.

- Maury Yeston

Idea, Before, Very, Stone

Rodgers & Hart had a few flops before they clicked. You know, it happens. I don't know anyone who always gets away with everything.

- Maury Yeston

Always, Away, Before, Flops

The extraordinary thing about Irving Berlin is that he's like the American Mozart! It seems as if his songs were always there. How do you put together songs like 'Always' or 'Cheek To Cheek'? Songs of his are, frankly, perfect.

- Maury Yeston

Perfect, Always, Like, Mozart

Every show is a mess at its first preview. No one's had enough time to rehearse in costumes, traffic patterns backstage haven't been worked out, machinery weighing thousands of pounds is being operated for the first time. And, also, it's the first time all the material you've written is before the public.

- Maury Yeston

Been, Before, Preview, Costumes

As we get older... I don't know a single person who has devoted their life to musical theatre who hasn't had a couple of misses as well as a bunch of hits. The misses, we learn a great deal from them.

- Maury Yeston

Deal, Couple, Had, Misses

Musical theatre is now a worldwide conversation.

- Maury Yeston

Theatre, Now, Musical, Conversation

What you get at the BMI Workshop is the rarest commodity in New York City: Friendly criticism; people who genuinely root for you; and a chance to rewrite your work, try it again, and hone your craft.

- Maury Yeston

City, Friendly, Commodity, Hone

I started playing the piano, pretty much on my own, when I was 5, and I started writing music when I was 7. In fact, I won a composition award. It was a crummy little piece, but I won with it.

- Maury Yeston

Fact, Pretty, My Own, Little Piece

I am usually a pacer. I go to the balcony to check the sight lines way up there, to check the sound system to see how the balance is.

- Maury Yeston

Sound, Go, Check, Lines

The second-class couple is far closer to what the audience is today. It's who we are.

- Maury Yeston

Audience, Couple, Far, Closer

In a play, a man comes out and says something. Another man comes out and says something. And by the end of the night, we've learned something we didn't know, In a musical, there is singing and dancing for two hours, but you've got to know everything in 5 minutes. Do it in those 5 minutes or you'll lose them.

- Maury Yeston

Dancing, Play, Another, Another Man

I like the facts. I find them interesting.

- Maury Yeston

Interesting, Find, Like, Facts

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