Martin Scorsese Quotes

Powerful Martin Scorsese for Daily Growth

About Martin Scorsese

Martin Scorsese, born on November 17, 1942, in New York City, is an eminent American filmmaker renowned for his provocative, intensely emotional, and visually striking cinematic masterpieces. Raised in Little Italy by Catholic parents, Scorsese's passion for cinema was ignited at an early age, nurtured by frequent visits to movie theaters. He attended New York University's School of Film and Television, where he made his first short film, "It's Not Just You, Murray," in 1963. This marked the beginning of a prolific career that spans over five decades. Scorsese's early works, such as the gritty urban drama "Mean Streets" (1973), showcased his ability to capture the raw energy and complexity of his native city. Scorsese's films often revolve around themes of crime, obsession, and spirituality, reflecting his Roman Catholic upbringing and fascination with gangster films. His masterpiece, "Taxi Driver" (1976), is a seminal work in American cinema, featuring Robert De Niro as a troubled Vietnam War veteran working as a taxi driver. In the 1980s, Scorsese delved into historical epics like "Raging Bull" (1980) and "The Last Temptation of Christ" (1988), demonstrating his versatility as a director. His collaboration with Leonardo DiCaprio began in the 1990s with "Casino" (1995) and continued with critically acclaimed films like "The Aviator" (2004) and "The Wolf of Wall Street" (2013). Scorsese's influence extends beyond his filmography. He is a founder of the World Cinema Project, which aims to preserve and restore classic films from around the world. His work has garnered numerous accolades, including Academy Awards for Best Director for "The Departed" (2006) and a Lifetime Achievement Award from the American Film Institute. Martin Scorsese continues to be a towering figure in cinema, pushing boundaries and captivating audiences with his unique vision.

Interpretations of Popular Quotes

"Cinema is a matter of what's in the frame and what's not."

Martin Scorsese's quote, "Cinema is a matter of what's in the frame and what's not," highlights the importance of selectivity and composition in filmmaking. It suggests that the power to create meaning and evoke emotions lies not only in what is explicitly shown on screen but also in what is intentionally left out or excluded from the frame. This deliberate choice shapes the narrative, atmosphere, and overall impact of a film, making it a powerful tool for storytelling.


"The cinema is a spiritual purgatory."

Martin Scorsese's quote, "The cinema is a spiritual purgatory," suggests that filmmaking, particularly his own work, is a profoundly emotional and introspective process. By calling it a "spiritual purgatory," he implies that the act of creating films strips away superficial layers and forces him to confront deep-seated emotions, fears, and truths about humanity. It's as if the movie-making process serves as a purification or catharsis for Scorsese, allowing him to express his innermost thoughts and feelings through art. Ultimately, this quote emphasizes the transformative power of cinema and its ability to serve as both a vessel for self-discovery and a means of exploring the human condition.


"I'm just interested in reality, in portraying reality."

Martin Scorsese emphasizes his interest in authenticity and truth through storytelling. He aims to create cinematic works that accurately represent the world around us, or "reality," as he calls it. His films are often deeply rooted in real-life experiences and human emotions, making them relatable and impactful for audiences.


"Violence is a real part of our culture. It always has been... but we're not supposed to look at it."

Martin Scorsese's quote implies that violence, though deeply ingrained in many societies throughout history, is often perceived as taboo or unacceptable to observe. This dichotomy between the reality of violence in our culture and the societal norm of turning a blind eye to it suggests a complex relationship between entertainment, morality, and individual perception. The quote invites reflection on how we grapple with, process, and ultimately respond to the presence of violence in our society.


"A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, if there is one, must work its way through just as a melody works its way through a concert of music."

Martin Scorsese's quote emphasizes the emotional and artistic nature of filmmaking. He sees movies not merely as narrative stories but more like music – a series of evoking feelings and moods that resonate with the audience. Just as a piece of music has its unique melody, a film should have a coherent theme that subtly progresses throughout, enhancing the overall emotional impact on viewers. This perspective underscores Scorsese's belief in the importance of sensory and affective storytelling in cinema.


Our world is so glutted with useless information, images, useless images, sounds, all this sort of thing. It's a cacophony, it's like a madness I think that's been happening in the past twenty-five years. And I think anything that can help a person sit in a room alone and not worry about it is good.

- Martin Scorsese

Been, I Think, About, Our World

My father had this mythological sense of the old New York, and he used to tell me stories about these old gangs, particularly the Forty Thieves in the Fourth Ward.

- Martin Scorsese

New, Stories, Particularly, Mythological

Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.

- Martin Scorsese

Wonderful, Matter, Film, Cases

Working with HBO was an opportunity to experience creative freedom and 'long-form development' that filmmakers didn't have a chance to do before the emergence of shows like 'The Sopranos.'

- Martin Scorsese

Development, Sopranos, Emergence

If your mother cooks Italian food, why should you go to a restaurant?

- Martin Scorsese

Mother, Food, Italian Food, Italian

I can't really envision a time when I'm not shooting something.

- Martin Scorsese

Time, Shooting, Really, Envision

You gotta understand, when moving images first started, people wanted sound, color, big screen and depth.

- Martin Scorsese

Color, Big, Images, Depth

I don't think there's a subject matter that can't absorb 3-D; that can't tolerate the addition of depth as a storytelling technique.

- Martin Scorsese

Think, Storytelling, Subject, Depth

The most important thing is, how can I move forward towards something that I can't articulate, that is new in storytelling with moving images and sound?

- Martin Scorsese

New, The Most Important, Move Forward

Now more than ever we need to talk to each other, to listen to each other and understand how we see the world, and cinema is the best medium for doing this.

- Martin Scorsese

Doing, Need, Other, Medium

I just wanted to be an ordinary parish priest.

- Martin Scorsese

Ordinary, Priest, Wanted, Parish

I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.

- Martin Scorsese

Bad, Always, Been, Bad Mood

Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.

- Martin Scorsese

Think, I Think, Chinese, Terrible Thing

Young film makers should learn how to deal with the money and learn how to deal with the power structure. Because it is like a battle.

- Martin Scorsese

Learn, Young, Deal, Power Structure

People say you should do it this way, someone else suggests that, yes, there's financing, but maybe you should use this actor. And there are the threats, at the end - if you don't do it this way, you'll lose your box office; if you don't do it that way, you'll never get financed again... 35, 40 years of this, you get beat up.

- Martin Scorsese

Box, Maybe, Use, Financing

I know that I come from mid-20th century America, urban, specifically downtown New York, specifically an Italian-American area, Roman Catholic - that's who I am. And a part of what I know is there's a decency to people who tried to make a living in the kind of world that was around us and also the Skid Row area of the Bowery; it impressed me.

- Martin Scorsese

Roman, Part, Impressed, Specifically

I think all of us, under certain circumstances, could be capable of some very despicable acts. And that's why, over the years, in my movies I've had characters who didn't care what people thought about them. We try to be as true to them as possible and maybe see part of ourselves in there that we may not like.

- Martin Scorsese

Some, I Think, Very, Despicable

I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.

- Martin Scorsese

Big, Anymore, Maybe, Celluloid

The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.

- Martin Scorsese

Passionate, Craftsmen, Celluloid

And as I've gotten older, I've had more of a tendency to look for people who live by kindness, tolerance, compassion, a gentler way of looking at things.

- Martin Scorsese

More, Gotten, Tendency, Tolerance

The Five Points was the toughest street corner in the world. That's how it was known. In fact, Charles Dickens visited it in the 1850s and he said it was worse than anything he'd seen in the East End of London.

- Martin Scorsese

London, Fact, Charles, Dickens

Death comes in a flash, and that's the truth of it, the person's gone in less than 24 frames of film.

- Martin Scorsese

Truth, Death, Frames, Flash

It seems to me that any sensible person must see that violence does not change the world and if it does, then only temporarily.

- Martin Scorsese

Change, Temporarily, Then, Sensible Person

I know there were many good policemen who died doing their duty. Some of the cops were even friends of ours. But a cop can go both ways.

- Martin Scorsese

Doing, Some, Cops, Policemen

I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar.

- Martin Scorsese

Young, Maybe, I Think, Burst

What the Dalai Lama had to resolve was whether to stay in Tibet or leave. He wanted to stay, but staying would have meant the total destruction of Tibet, because he would have died and that would have ripped the heart out of his people.

- Martin Scorsese

Resolve, Meant, Dalai Lama, Ripped

I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very hard at that time for me to balance what I really believed was the right way to live with the violence I saw all around me - I saw too much of it among the people I knew.

- Martin Scorsese

Kid, Very, Around, Right Way

I love studying Ancient History and seeing how empires rise and fall, sowing the seeds of their own destruction.

- Martin Scorsese

Love, Seeds, Studying, Sowing

I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.

- Martin Scorsese

Some, Other, Studio, Category

I also saw the Dalai Lama a few times.

- Martin Scorsese

Times, Dalai Lama, Saw, Lama

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