Leonard Slatkin Quotes

Powerful Leonard Slatkin for Daily Growth

About Leonard Slatkin

Leonard Slatkin (born February 14, 1944), an American conductor, composer, and impresario, is renowned for his versatile career spanning over five decades in classical music. Born in Los Angeles to Jewish immigrants from Russia, Slatkin's passion for music was nurtured at an early age by his violinist father, Max Slatkin. Slatkin began his formal musical education at the University of Michigan, where he studied composition with Paul Creston and conducting with Alexander Smolinsky. After completing his studies, he moved to New York City to work as a freelance conductor. In 1979, he became Music Director of the National Symphony Orchestra in Washington D.C., a position he held until 2008. Throughout his tenure with the NSO, Slatkin advocated for American composers, including Igor Stravinsky, Aaron Copland, and Elliott Carter. He also led numerous world premieres, including John Adams' "Short Ride in a Fast Machine" and John Corigliano's "Conjurer." Slatkin's career has been marked by several significant milestones. In 1980, he conducted the first professional performance of Copland's Third Symphony in more than twenty years. He also held prominent positions with the Detroit Symphony Orchestra (1994-2008), the Pittsburgh Symphony Orchestra (2008-2018), and the Baltimore Symphony Orchestra (2016-present). Quotes by Leonard Slatkin reflect his deep understanding and love for music. One of his notable quotes, "Music is about communication. It's about reaching out to other people," encapsulates his approach to conducting and his commitment to making classical music accessible to a wider audience. Another quote, "I think it's important to be flexible as an artist. I don't know where my career will take me in the future, but I feel that I can continue to grow and develop," reflects his adaptability and dedication to lifelong learning.

Interpretations of Popular Quotes

"Music is a language that doesn't speak in particular words. It speaks in emotions, and if it's a good piece of music, it can communicate a broad range of emotion."

This quote by Leonard Slatkin suggests that music transcends the limitations of verbal language to express emotions, not specific words or concepts. When we listen to music, we don't need to understand its literal meaning as we would with spoken or written language. Instead, it resonates on an emotional level, capable of evoking a vast array of feelings and experiences in listeners. Good music is universal in this sense, as its emotional impact can be felt across cultures and languages.


"Conducting an orchestra is like dancing with a large number of partners."

This quote by Leonard Slatkin suggests that conducting an orchestra is not just about directing music but also about interacting, communicating, and coordinating with many different musicians, much like dancing with multiple partners. It implies a level of finesse, sensitivity, and adaptability, as the conductor must lead each musician while ensuring harmony and unity among them. This analogy emphasizes the collaborative and creative nature of conducting an orchestra, where the conductor is both the choreographer and the dance partner to numerous musicians.


"In the end, I think that what we do as artists is about helping people feel more alive and understand themselves better."

This quote by Leonard Slatkin emphasizes the transformative power of art. He suggests that artistic endeavors serve not just as entertainment, but also as a means to enhance human experiences and self-awareness. By engaging with art, individuals have opportunities for personal growth, introspection, and emotional connection that ultimately contribute to their sense of aliveness – making them more aware, empathetic, and fulfilled.


"I don't believe in the 'authentic performance.' What's authentic is your personal reaction to the music at that moment."

Leonard Slatkin's quote suggests a flexible approach to musical performance, rather than adhering strictly to historical or traditional interpretations. He proposes that what matters most is the performer's genuine emotional response to the music at any given moment in time. This interpretation emphasizes the importance of personal connection and subjective expression in the artistic process, rather than rigid adherence to a fixed notion of authenticity.


"Everyone has the potential for a unique artistic voice, but sometimes it takes years of study, work, and self-discovery to find that voice."

This quote underscores the idea that each individual possesses a distinct artistic identity or "voice," yet finding this unique expression might require substantial learning, practice, and personal growth. It suggests that the journey towards self-expression in art is often long and demanding, involving not just technical skills but also introspection to uncover one's genuine artistic essence.


I've come to the conclusion that a long, personal relationship is next to impossible for me. Ultimately, music is a possessive mistress.

- Leonard Slatkin

Impossible, Next, Come, Mistress

How could a New Yorker possibly take something called the Hollywood String Quartet seriously?

- Leonard Slatkin

New, Hollywood, String, String Quartet

The life of any musician really doesn't fall into a normal schedule at all. Every week there are different rehearsals, different days and nights of performances, so we don't have a particular pattern that we can follow. For a conductor, it is a little bit worse because we have to allow for traveling.

- Leonard Slatkin

Week, Pattern, Allow, Rehearsals

I don't really think about retiring. I will retire just before people start saying, 'I knew Leonard Slatkin when he conducted well.'

- Leonard Slatkin

Think, Will, Before, Retire

In some ways I believe music is the more convincing communicator of ideas than words. For instance, we can hear of Kordaly and Bartok and recognise them as Hungarian, but very few of us speak Hungarian, but the music itself speaks to more people.

- Leonard Slatkin

Some, Very, Instance, Hungarian

Over the years it has been my privilege to lead performances with Saint Louis, the National Symphony, Cleveland Orchestra and so many other wonderful organizations.

- Leonard Slatkin

Other, Over, Been, Orchestra

An orchestra knows during the first two minutes of the first rehearsal whether or not they are going to enjoy the person on the podium.

- Leonard Slatkin

Going, Minutes, Rehearsal, Orchestra

The role of an orchestra in the 21st century isn't just playing, it's about developing future audiences and performers.

- Leonard Slatkin

Role, Performers, About, Orchestra

There's not an orchestra in the world that doesn't have weaknesses. None of us can play everything well. The repertoire is just too big.

- Leonard Slatkin

Play, Big, None, Orchestra

People know Detroit for the cars, but the suburban areas of the city are really beautiful. It's much more inhabitable than people think. Many believe it's like Berlin at the end of World War II.

- Leonard Slatkin

City, Believe, World War, Detroit

The convergence of the Rhone and Saone. Paul Bocuse. The birthplace of cinema. Chateauneuf-du-Pape just a few miles down the road. It does not get much better than Lyon.

- Leonard Slatkin

Down, Miles, Convergence, Down The Road

I'm beginning to see that just knowing the piece is not enough. Having a clear technique is not enough. Having a broad repertory is not enough. I want desperately to get past all those things.

- Leonard Slatkin

Beginning, Past, Having, Repertory

On the corner of 57th and 7th Avenue sits the most famous concert hall in the world. No less a figure than when Tchaikovsky led the first performances in 1891. Virtually every major artist has performed there. There is simply no place like it. The first time I stepped foot in Carnegie Hall was in 1964.

- Leonard Slatkin

Artist, Concert, Hall, Carnegie

I knew I could never match my father as a violinist, and there were already four generations of outstanding cellists in the family.

- Leonard Slatkin

Knew, Outstanding, Could, Violinist

A music director cannot and should not be chosen on the basis of a first date. It is not so difficult to make a good impression with a single appearance, usually containing some of a conductor's party pieces, works they have performed successfully many times before.

- Leonard Slatkin

Date, Some, Works, Music Director

The conductor is the artistic leader and sometimes cultural arbiter of his or her community. It is their leadership that is looked to and should anything go wrong, they are the persons taking most of the heat.

- Leonard Slatkin

Leader, Heat, Looked, Conductor

I am usually cooking at least four times a week if I am home. The easiest thing that I do a lot is gazpacho. It's simple and it tastes best if you let it sit over night in the refrigerator... I don't want anybody near me when I am cooking. If I am going to make a mistake, it has to be my fault.

- Leonard Slatkin

Week, Easiest Thing, Tastes, Sit

Randy Newman and I grew up together in Los Angeles. We are both products of the film studio era. Randy is one of the great songwriters of our time and one of the fun people to be with.

- Leonard Slatkin

Studio, Randy, Angeles, Los Angeles

We are a global society, and one does not have to be from Germany to give a great performance of Beethoven.

- Leonard Slatkin

Performance, Society, Give, Beethoven

To my mind and ear, there is simply nothing that compares to the musical sophistication of a late Beethoven, Bartok, Schubert or Brahms work for minimal forces.

- Leonard Slatkin

Mind, Musical, Schubert, Beethoven

I have been long associated with British music. I have favoured it as my alternate music next to American.

- Leonard Slatkin

Music, Next, Been, Alternate

Growing up in Hollywood, like I did, I have a passion and a love for the movies, so I go to the cinema all the time.

- Leonard Slatkin

Love, Hollywood, Like, Cinema

I'll know I'm reaching the total American market when I'm asked to do a video for MTV.

- Leonard Slatkin

Market, Asked, Total, MTV

I use my hands like a sculptor, to mold and shape the sound I want, to clarify.

- Leonard Slatkin

Hands, Shape, Sculptor, Clarify

There is no 'perfect' in music. If I ever came off the stage and felt it could not be better, it would then be time to quit.

- Leonard Slatkin

Perfect, Could, Felt, Quit

I'm not particularly lucid after a concert. I'm not very lucid before, either.

- Leonard Slatkin

Very, Either, Particularly, Concert

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