"Just as space is infinite, so is time."
This quote emphasizes the boundlessness of both space and time, suggesting that they are eternal, infinite entities devoid of any limitations or boundaries. It implies a profound sense of continuity and infinity in the universe, challenging our human perspectives on these fundamental aspects and encouraging us to explore and understand their infinite possibilities.
"All sound is music when listened to in a state of meditation."
La Monte Young's quote suggests that every sound, regardless of its origin or classification, can be perceived as music if one approaches it with a meditative mindset. In other words, when we listen attentively, focusing on the present moment, and without preconceived notions, even seemingly mundane or discordant sounds can resonate harmoniously within us. This perspective encourages openness to various forms of sound and music, fostering a deeper appreciation for sonic experiences in daily life.
"Everything in the universe is vibrating, and those vibrations are audible."
This quote suggests that everything in the universe, including physical objects and abstract concepts, have inherent frequencies or "vibrations," which can be perceived as sound if we have the ability to hear them. It emphasizes the interconnectedness of all things and encourages us to appreciate the unseen aspects of our universe.
"The more slowly sounds take place, the more beautiful they are."
This quote suggests that a slower pace of sound development increases their beauty. In music, slow progressions allow listeners to appreciate the subtle details, harmonies, and nuances in a piece, fostering a deeper emotional connection. Just as a slowly blooming flower reveals its beauty over time, so too does a gradually evolving soundscape. It's about appreciating the journey of sound rather than just focusing on the destination.
"The idea was to create situations where time could be heard."
This quote by La Monte Young suggests a desire to compose music in such a way that it emphasizes the passage of time, rather than obscuring it. By creating complex, sustained musical structures, he intended to give listeners an opportunity to experience and contemplate the flow of time as a fundamental aspect of the musical work itself. This approach challenges conventional notions of melody and rhythm, inviting listeners to engage more deeply with the temporal dimensions of music.
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