Ken Liu Quotes

Powerful Ken Liu for Daily Growth

About Ken Liu

Ken Liu (born October 15, 1976) is an award-winning American-Chinese science fiction and fantasy author, translator, and attorney. Born in Lanzhou, Gansu Province, China, Liu immigrated to the United States with his family at the age of eleven. He was raised in Tennessee and later studied physics and electrical engineering at Harvard University before earning a law degree from the University of Michigan. Liu's interest in storytelling began at an early age, influenced by Chinese mythology, folklore, and traditional literature. His first published work, "The Man Who Ended the World," was awarded Honorable Mention in L. Ron Hubbard's Writers of the Future Contest in 2003. His short story collection, "The Paper Menagerie and Other Stories," won the Hugo Award for Best Collection in 2014. Liu is best known for his novels "The Grace of Kings" (2015), which won the Locus Award for Best First Novel, and "The Wall of Storms" (2016), the second book in The Dandelion Dynasty series. His most acclaimed work, however, is the trilogy "The Three-Body Problem," co-written with Cixin Liu. The first book won the Hugo Award for Best Novel in 2015 and the Science Fiction & Fantasy Translation Award in 2016. The series explores themes of cultural identity, science versus power, and the search for meaning in a universe that may be indifferent to human concerns. In addition to his original works, Liu is also a prolific translator of Chinese science fiction and fantasy literature, including works by Cixin Liu, Hao Jingfang, and Tang Fei. His translations have been praised for their faithfulness to the original texts while providing engaging and accessible English versions. Liu's work is characterized by his deep exploration of complex themes, intricate world-building, and a nuanced understanding of both Eastern and Western cultures. He lives in Chicago with his family.

Interpretations of Popular Quotes

"Stories have to be told or they die, and when they die, we can't remember who we are or why we're here."

This quote suggests that stories serve as a means of preserving our identity and understanding the purpose of our existence. Stories reflect our culture, history, values, and experiences, which help us define who we are as individuals and as a society. By sharing these narratives, they live on, shaping future generations' perspectives and sense of self. When stories are neglected or forgotten, so too is the knowledge of our collective past, potentially leading to loss of cultural identity and purpose in life.

"The only things certain in life are that nothing is sure, everything changes, and love never dies."

Ken Liu's quote suggests an acceptance of uncertainty and change in life, emphasizing that these aspects are unavoidable. The statement also underscores the enduring nature of love, indicating its resilience even amidst the flux of life. Essentially, it encourages embracing the dynamic nature of existence while cherishing deep connections with others.

"The universe is not only queerer than we suppose; it is queerer than we can suppose."

This quote emphasizes that our understanding of the universe, its laws, and phenomena often falls short. The deeper we explore, the more unexpected and unimaginable aspects we encounter. It implies a reminder to keep an open mind about the mysteries of the cosmos and to remain curious and humble in the face of its infinite wonders.

"To be human means to carry within yourself the seeds of your own destruction."

This quote by Ken Liu suggests that inherent in humanity is a potential for self-destruction. It implies that our complexities, our flaws, and our power as a species also contain the risks of annihilation. This could be interpreted as a call to awareness about our actions and their consequences, emphasizing the need for responsible decision-making to avoid self-destructive tendencies. In essence, it is a reminder that the greatness and potential of humanity must be balanced with a vigilant understanding of our limitations and risks.

"Stories are a way for us to remember who we were, and who we could become."

This quote emphasizes the transformative power of stories in shaping our identity and self-perception. By recounting experiences, lessons, and aspirations through narratives, stories serve as mirrors that reflect our past selves and windows into potential futures. They offer us a means to remember and learn from our personal history while inspiring us to aspire for growth and change.

The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read.

- Ken Liu

Country, Tone, Fiction, Centre

I still think in a parallel universe, I became a mathematician.

- Ken Liu

Think, Still, Became, Parallel

My translation work has been pretty separate from my fiction, as it was basically an accidental side project that turned into a separate and parallel career.

- Ken Liu

Pretty, Been, Side, Parallel

When I act as a translator, I am really doing a performance for my fellow Anglophone readers in the West.

- Ken Liu

Doing, Am, Really, Translator

The 'Grace of Kings' isn't a narrative about a return to some golden age, to a lost status quo ante. It portrays a dynamic world in transition, where the redistribution of power is messy, morally ambivalent, and only lurches toward more justice.

- Ken Liu

Some, About, Quo, Status Quo

My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.

- Ken Liu

Voice, Think, Always, Translation

Translation is an act of recreation.

- Ken Liu

Act, Recreation, Translation

Most of us do not, in fact, read another language, and so when we read a translation, we have no way of knowing what has been changed or added.

- Ken Liu

Fact, Been, Read, Translation

The 'Grace of Kings' begins as a very dark, complicated world filled with injustices - among them the oppressed position of women - but gradually transforms into something better through a series of revolutions. But since real social change takes a long time, even by the end of the book, only the seeds of deep change have been planted.

- Ken Liu

Deep, Through, Very, Injustices

Like pretty much every short story writer, I submitted to every market under the sun and hoped for the best. The rejection letters I've collected over the years can probably make a book of their own.

- Ken Liu

Book, Own, Hoped, Submitted

For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration.

- Ken Liu

Politics, Complexity, Surprisingly

As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction.

- Ken Liu

Deal, Fiction, Environments, Key

The problems faced by writers of color are analogous to the problems face by women writers.

- Ken Liu

Color, Face, Writers, Women Writers

I find most 'rules' about how to write a 'good story' confining, and I enjoy writing stories that don't look like stories at all on the surface.

- Ken Liu

Surface, Good Story, Stories, Confining

I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others.

- Ken Liu

Caught, Very, Tries, Harmful

Because my writing time has always been very limited, I try to be very choosy about which stories I work on. There are many ideas that would make interesting stories - too many - so it's important to be ruthless and say no to most of them.

- Ken Liu

Been, Very, About, Interesting Stories

Almost all of my stories can be understood to be elaborations on our drive to remake the world and our adjustments to the result.

- Ken Liu

Almost All, Stories, Almost, Remake

I certainly have been writing stories that are hard science fiction, that are very reminiscent of 'Golden Age tales' from the '40s and '50s. I've also written stories that are very high fantasy that are the direct opposite of that style.

- Ken Liu

Fiction, Been, Very, Golden Age

I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories.

- Ken Liu

Deal, Fiction, Use, Delight

The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions.

- Ken Liu

Functions, Author, Reader, Writes

What is fascinating to me is the way I view everything in terms of parallels and connections. When I read about Achilles and Odysseus in Homer's 'Iliad,' I can see parallels in Chinese historical romances, in the way the first emperor of the Han dynasty and his chief rival are portrayed.

- Ken Liu

I Can, Historical, About, Emperor

My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.

- Ken Liu

Been, Historical, Added, Romances

The way a story makes an argument is quite different from the way a persuasive essay does it. Emotional truth and the logic of metaphors dominate.

- Ken Liu

Argument, Persuasive, Makes, Essay

I don't believe in reducing a style and a voice down to a set of descriptions, so I've never done that.

- Ken Liu

Voice, Believe, Set, Descriptions

There's this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can't even fight against because they've been there so long that they've become part of the Western imagination of China.

- Ken Liu

Against, Been, Applied, Gaze

As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with.

- Ken Liu

American, Against, Literary, Gaze

Whenever you talk about Chinese dragons, emperors, palaces, concubines - they conjure up a whole colonial argle-bargle that has nothing to do with historical reality.

- Ken Liu

Nothing, Historical, About, Colonial

I was a tax attorney for something like seven years, so I was a tax geek. I was really into it. Tax is one of those things that people think is incredibly boring, but like any science about systems, once you get into it it, becomes incredibly intricate and interesting.

- Ken Liu

Seven, Years, About, Attorney

It's kind of cool that I know of all this great science fiction being written in China, and most of it is not really well-known in the West.

- Ken Liu

Kind, Fiction, Well-Known, Science Fiction

Like steampunk, silkpunk is a blend of science fiction and fantasy. But while steampunk takes its inspiration from the chrome-brass-glass technology aesthetic of the Victorian era, silkpunk draws inspiration from East Asian antiquity.

- Ken Liu

Fantasy, Aesthetic, Like, Science Fiction

I am not an expert on Chinese science fiction. I probably know more than anyone else in the West, but that doesn't actually mean I am an expert.

- Ken Liu

Expert, More, Fiction, Science Fiction

Because I really love tax, tax topics actually feature quite a lot in my fiction of various lengths. I once wrote a science fiction short story centered around the idea of an alien tax code, and the idea that you can understand a society by parsing its tax code.

- Ken Liu

Love, Fiction, Code, Science Fiction

Labels like 'Chinese Science Fiction' or 'Western Science Fiction' summarize a vast field of work, all of which are diverse and driven by individual authors, with individual concerns.

- Ken Liu

Individual, Like, Which, Science Fiction

I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity.

- Ken Liu

I Think, Masculinity, Issues, Better Job

I think writing novels has taught me more about the value of patience and being organized. I've learned to use timelines and wikis to track decisions and make sure everything still fits together. It's both easier and harder than writing short fiction.

- Ken Liu

Fiction, I Think, Use, Novels

I don't really care that much about genre labels. I tend to write across a variety of different genres.

- Ken Liu

Labels, About, Really, Different Genres

My fiction occupies, actually, the very heart of American culture: this eternal question and struggle of what it means to be an American.

- Ken Liu

Question, Very, Means, Struggle

There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.

- Ken Liu

Been, Good Story, Evolved, Dramatically

In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language.

- Ken Liu

Ideas, Aesthetic, Arthur, Brian

I was not trying to write some sort of serious meditation on war and peace. 'The Grace of Kings' is meant to be a fun book. It's meant to be an epic fantasy.

- Ken Liu

Fantasy, Some, Meant, Meant To Be

I wanted to make my stories, which are inspired by Asian stories, into something fresh, decontextualized - to give them new life as a new kind of fantasy that isn't so cloying and exotic and strange.

- Ken Liu

Life, New Kind, Make, Exotic

The way that China has been described in Western narratives makes it hard to tell a story that will escape the stereotypes and allow people to perceive it fresh.

- Ken Liu

Been, Allow, Narratives, Fresh

People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along.

- Ken Liu

Some, Riders, Direct, Wherever

Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species.

- Ken Liu

Wondrous, Margins, Worlds, Tales

'The Grace of Kings' draws on Western traditions as much as it does on Chinese traditions, though the bones of the story are drawn from the Chu-Han Contention period before the Han Dynasty.

- Ken Liu

Before, Period, Though, Contention

The evolution of art is not only driven by artists, but by a conversation between the artists and the audience.

- Ken Liu

Art, Audience, Artists, Conversation

Writers are naturally obsessed with books, the tangible artifacts of their labor. Even beyond the text, I love the physicality of books, the possibilities presented by their substance and form.

- Ken Liu

Love, Possibilities, Presented

Real history is far more complex and interesting than the simplistic summaries presented in Wikipedia articles. Knowing this allows you to question received wisdom, to challenge 'facts' 'everybody' knows to be true, and to imagine worlds and characters worthy of our rich historical heritage and our complex selves.

- Ken Liu

Everybody, Simplistic, Presented

In general, writers who talk to their colleagues and neighbors constantly about their own writing seem to me pretty insufferable. I try not to be that guy.

- Ken Liu

Own, Pretty, About, Insufferable

If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great.

- Ken Liu

Insurance, Having, Sells, Novel

It's incredible to me that any two individual minds, trapped in their skulls and bodies and histories and unique experiences, are able to reach across the void between them and touch at all.

- Ken Liu

Trapped, Individual, Void, Histories

I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.

- Ken Liu

Been, Very, Rhetorical, Contemporary Society

What tends to happen when people talk about Chinese sci-fi in the West is that there's a lot of projection. We prefer to think of China as a dystopian world that is challenging American hegemony, so we would like to think that Chinese sci-fi is all either militaristic or dystopian. But that's just not the reality of it.

- Ken Liu

American, About, Prefer, Tends

Trying to project our expectations and our desires onto the sci-fi being written in China now isn't terribly helpful.

- Ken Liu

Project, Desires, Terribly, Helpful

The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language.

- Ken Liu

Language, Silk, Expressive, Entirely

I write speculative fiction, and in my view, speculative fiction is really just a very intense version of the work of literature in general.

- Ken Liu

Fiction, Very, I Write, Speculative

It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous.

- Ken Liu

Grateful, Fiction, Reader, Miraculous

The evolution of technology is, like the evolution of literature, heavily path-dependent. Culture plays a far more important role in the acceptance, adoption, and spread of technology than many of us are willing to acknowledge.

- Ken Liu

Role, Like, Plays, Adoption

There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well.

- Ken Liu

Translating, Imbalance, Readers

I'm not sure I necessarily have explicit messages.

- Ken Liu

Sure, Messages, Necessarily, Explicit

For me, all fiction is about prizing the logic of metaphors - which is the logic of narratives in general - over reality, which is irreducibly random and senseless.

- Ken Liu

Over, Which, Narratives, Metaphors

In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not?

- Ken Liu

Winners, Benefits, Utopia, Class

I'm conscious of the fact that I'm sort of a bridging figure. I have my Chinese literary heritage and cultural background, so I'm comfortable with these things, but at the same time, I have to navigate the Anglo-American tradition, which has a self-centred view of what Asia and what being Chinese means.

- Ken Liu

Fact, Chinese, Literary, Conscious

There is no way for me to replicate for you what a sentence reads like for a Chinese reader.

- Ken Liu

Sentence, Like, Chinese, Replicate

I don't have a specific message for 'The Grace of Kings' and the sequels in mind other than wanting to challenge some of the source material I was working from as well as some of the assumptions of epic fantasy.

- Ken Liu

Mind, Some, Other, Epic

I like the law. I like the part that's about reasoning, about persuasion, about telling stories, about trying to build structures that fall within rules.

- Ken Liu

Law, Stories, Telling, Structures

Short fiction encourages experimentation, and it's fun to play with form and try experiments that may or may not work out.

- Ken Liu

Play, May, Encourages, Experimentation

I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from.

- Ken Liu

Think, I Think, About, Sci-Fi

It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - you just need one person who really likes your story.

- Ken Liu

Need, Okay, Rejected, Likes

'The Grace of Kings' was meant to read like a set of legends about characters who were bigger than life.

- Ken Liu

Meant, Set, Read, Grace

It is not possible to completely eliminate mediation between you as an observer and the history you are trying to understand.

- Ken Liu

Trying, Understand, Observer

We have never had a society that was truly just. Some groups have always benefited at the expense of others.

- Ken Liu

Never, Some, Always, Expense

Trying to predict the future is a loser's game.

- Ken Liu

Future, Game, Trying, Loser

I'm often asked how I get ideas for my stories. The answer is there's no single way; every story is different.

- Ken Liu

Ideas, Often, Stories, Answer

I'm very interested in foundational narratives.

- Ken Liu

Very, Foundational, Narratives

The idea that somehow the way forward is to abandon the past, to me, is preposterous and both undesirable and unrealistic.

- Ken Liu

Forward, Idea, Abandon, Unrealistic

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