In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.
- Kaui Hart Hemmings
My seven-year-old daughter knows old songs and how the neighborhoods got their names. There are little things: Businesses receive blessings from Hawaiian priests before opening, and everyone's kids have their debut luau. You can't really get through a day without doing something Hawaiian.
- Kaui Hart Hemmings
The entire island knows our father, Fred Hemmings, Jr. - kids, adults, surfers, the governor, grocery clerks, gang members who call our house at night and threaten to kill us as soon as they get out of jail. Fred was a world-champion surfer and is now a well-known, controversial politician.
- Kaui Hart Hemmings
I wasn't creative enough to imagine my first novel becoming a film directed by Alexander Payne. Nor did I consider the possibility of seeing Hollywood stars moving through my personal version of Hanalei town: going to Tahiti Nui, rehearsing a scene in front of my cousin's cottages, driving the snaky roads.
- Kaui Hart Hemmings
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