John Landis Quotes

Powerful John Landis for Daily Growth

About John Landis

John Landis, born on October 5, 1950, in Chicago, Illinois, is a prolific American filmmaker renowned for his versatile contributions to cinema. Raised in a Jewish family with strong ties to the entertainment industry, Landis was exposed to films at an early age and developed a passion for movies. His career began as a child actor, appearing in several television shows, but it was behind the camera where he truly found his calling. After studying film at Columbia University, Landis started working as a director of second unit on various productions. This experience proved invaluable when he directed his first feature film, 'Schlock' (1973), a low-budget horror-comedy that showcased his knack for blending genres and creating offbeat humor. Landis' breakout success came with the release of 'An American Werewolf in London' (1981). The film combined comedy, horror, and drama to create a classic that remains one of the most acclaimed werewolf movies ever made. Other notable works include 'The Blues Brothers' (1980), which showcases an all-star cast including Dan Aykroyd and John Belushi, and 'Trading Places' (1983), a timeless comedy exploring themes of class and race starring Eddie Murphy and Dan Aykroyd. Landis has been recognized for his contributions to film with numerous awards and accolades, including an Academy Award nomination for Best Director for 'Coming to America' (1988). Despite facing criticism for some aspects of his work, Landis continues to push boundaries and entertain audiences with his unique style and vision. His influence on modern filmmaking is undeniable, particularly in the areas of genre-blending and the use of practical special effects.

Interpretations of Popular Quotes

"Making a movie is like dying: it's a lot of work and you never really know if anyone will come to your funeral."

This quote by John Landis emphasizes the effort and uncertainty inherent in filmmaking, likening it to the human experience of death. Just as one cannot predict who will attend their funeral, a director cannot foresee the success or impact of their movie. The process requires dedication, hard work, and a leap of faith that people may eventually appreciate it.


"In show business, the first five years are tragic, the second five are pathetic, and the third five are a breeze."

This quote by John Landis reflects the common struggles and learning experiences that many people in the entertainment industry face during their early careers. The "first five years" are often marked by rejection, disappointment, and frustration as one tries to establish themselves and make a name for themselves. The "second five years" are characterized by persistence, continued effort, but sometimes with little reward or recognition - these years can be demoralizing due to the lack of progress and feeling stuck. However, once an individual has persevered through these challenging phases, they often reach a point where their skills, experience, and reputation have become well-established, making their subsequent career path smoother ("the third five are a breeze"). The quote suggests that the initial struggles in show business can be overcome with determination, resilience, and time.


"Directing is not about smarts, but about guts."

This quote by John Landis suggests that successful directing in filmmaking is less about intellectual abilities or strategic planning, and more about courage and resilience. It implies that a director needs to have the fortitude to make bold decisions, face challenges head-on, and persevere despite obstacles. The quote highlights that the role requires not just thinking, but also acting with conviction and determination.


"A movie set is like a finely tuned machine that's run by an idiot."

This quote by John Landis highlights the paradoxical nature of movie production. He suggests that despite the meticulous planning, organization, and precision required to create a film (comparable to a well-oiled machine), the person ultimately in charge may not always possess the necessary wisdom or skill to effectively manage it (the "idiot" reference). This quote encapsulates the challenges faced in filmmaking, where artistic vision often clashes with logistical realities.


"I guess I'm too old to be a wild man anymore. It's amazing how the years creep up on you."

This quote by John Landis reflects a sense of awareness about aging and the passing of time, as he acknowledges that his youthful, adventurous days as a "wild man" may be behind him due to advancing age. It suggests a certain melancholy at the realization that one's younger years are not as accessible as they once were. However, it also shows an understanding of life's transient nature and the acceptance that change is inevitable. Despite this sentiment, it implies that there remains much wonder and amazement in observing how quickly time passes.


I grew up in Los Angeles, and I've made movies all over the world... I've been in New York, Norway, Chicago, Pittsburgh, Philadelphia, London - I've been in all these cities, shooting away in the winter, thinking, 'People who choose to live here are insane.'

- John Landis

London, Here, Been, Norway

Material comes all kinds of ways, and it's never a question of a lack of material or a lack of projects - I have tons of projects. The issue is to convince someone to give you the money. And it's a very different business than it was just 8 years ago.

- John Landis

Very, Projects, Kinds, Tons

Directors, like actors, get typecast. And because I've had great success with comedy and horror and TV shows, that's basically what I'm kind of offered.

- John Landis

Horror, Like, TV, Typecast

But what's interesting is now - and not only in horror, but across the board - the studios basically only make B pictures with A budgets. That's the biggest difference.

- John Landis

Interesting, Horror, Studios, Biggest Difference

There have been 14 versions that I can find of Burke & Hare movies. They have all been horror films and all the movies have taken place in Victorian times, which doesn't make any sense.

- John Landis

Been, Which, Films, Horror Films

I grew up thinking of snow as a luxury you visit.

- John Landis

Luxury, Snow, Up, Visit

After 'The Blues Brothers,' I wanted to do a good musical number with real dancers and shoot it correctly.

- John Landis

Dancers, Brothers, Musical, Shoot

The idea of doing a children's film is different, but quite honestly I like doing anything - any genre. I've only made one Western, which was 'Three Amigos,' but I would love to make a serious Western. I'm just wide open.

- John Landis

Love, Doing, Idea, Western

Well, the bottom line is that I'm extremely pleased with 'The Stupids.' I'm pleased that it's coming out, and it should look good. It's nice looking, with the colors and stuff. I made it for kids, and I really would like them to see it.

- John Landis

Good, Colors, Line, Pleased

I'm following a real event and real people.

- John Landis

Real, Event, Real People, Following

The guy that I worked on 'Thriller ' was a genius and he was 20 years old, but it was like working with a gifted 10-year-old. The guy who I worked on with 'Black Or White' was crazy. Michael had gone mad.

- John Landis

Old, Like, Black Or White, Gifted

I would very much like to make Westerns. I love Westerns. I've worked on many Westerns in my youth, in Spain and here, and I love working on them.

- John Landis

Love, Here, Very, Westerns

In my career, my movies tend to polarize critics.

- John Landis

Movies, Career, Tend, Critics

It's strange how extras have become such a big part of the business. I don't know what I think of it. I mean, some of them are great, most of them are filler.

- John Landis

Think, Big, Some, Filler

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