John Edgar Wideman Quotes

Powerful John Edgar Wideman for Daily Growth

About John Edgar Wideman

John Edgar Wideman (born January 15, 1941) is an American novelist, essayist, and short-story writer, renowned for his exploration of race, family, history, and identity in modern America. Born in Baltimore, Maryland, Wideman grew up in the Hill District of Pittsburgh, Pennsylvania, which serves as a central setting in many of his works. Wideman attended Pennsylvania State University and Harvard University, but did not complete degrees at either institution. He began his literary career as a sports writer for The Washington Post and later worked as a professor at various universities, including the University of Alabama, Baltimore's Morgan State University, and the University of Massachusetts Amherst. Wideman's writing is deeply influenced by his family history. His brother, Robert Wideman, was sentenced to life in prison for murder when John was just a teenager. This event resonated throughout Wideman's work, particularly in his acclaimed novel "Brothers and Keepers" (1984), which explores the complexities of their relationship and the impact of racism on their lives. Some of Wideman's most notable works include "Damballah" (1976), a collection of short stories that reflects on racial identity, and "Fever" (1995), a novel exploring the shooting of fourteen-year-old black boy, Michael Griffith, by a police officer in Pittsburgh. Wideman's style is characterized by its experimental nature, blending fiction and non-fiction, and his use of stream-of-consciousness narrative techniques. Wideman's work has been recognized with numerous awards, including the Rea Award for the Short Story (2001), the PEN/Faulkner Award for Fiction (1983), and the MacArthur Fellowship (1985). He continues to write and teach, living in Baltimore. His most recent work, "Writing to Save a Life: The Louis Till File" (2017), delves into the life and execution of Emmett Till's father, Louis Till.

Interpretations of Popular Quotes

"I prefer to be true rather than be strong."

This quote by John Edgar Wideman emphasizes the importance of authenticity over power or dominance. The speaker suggests that they value being honest, genuine, and true to themselves above all else, even if it means appearing weak in the eyes of others. It implies a prioritization of moral integrity over external appearances or societal expectations of strength. This stance is a powerful statement about character, promoting vulnerability, truthfulness, and empathy as values worth pursuing.


"Every writer I know is haunted. Writing is a kind of therapy, so we keep going back to the scene of the crime."

This quote suggests that writing serves as both a source of torment (being haunted) and healing (therapy) for writers. They are repeatedly drawn to revisit the "scene of the crime," which symbolizes personal experiences, memories, or emotions that they transform into their literary work. The act of writing can provide catharsis, allowing them to process, understand, and cope with difficult or challenging events in their lives.


"Art is a way out of hell; that is all we can say about it, and one might even hazard the little more that every work of art is a tiny universe in which, for a few moments, chaos is put into order."

This quote by John Edgar Wideman suggests that art serves as an escape from suffering or hardship, often metaphorically referring to life's difficulties as "hell". In essence, art provides solace, helping individuals find meaning, understanding, or beauty amidst the chaos of existence. Furthermore, every work of art is a unique reflection of its creator's perspective and imagination, offering a miniature world where order can be achieved, even momentarily, in the midst of disorder.


"Fiction doesn't have to be a lie, but it has to ring true."

This quote suggests that while fiction is not factual or based on actual events, it should resonate with truth in some way. The "truth" may come from emotional authenticity, thematic accuracy, or the universal human experiences it portrays. Fiction can be a powerful tool to explore reality and reflect our world, as long as it feels genuine to readers.


"The act of writing is an act of faith, and the writer who doubts is done for. He might as well take up plumbing or open a dry-cleaning establishment."

This quote by John Edgar Wideman emphasizes that the act of writing requires unwavering belief and confidence in one's abilities, much like faith. If a writer is filled with self-doubt, they are likely to struggle or fail in their endeavors. Instead, the writer should commit fully to their craft, channeling their energy into creating literature rather than distracting themselves with alternative pursuits such as plumbing or operating a dry-cleaning business. This quote underscores the unique nature of writing and its demands for self-belief and dedication from those who seek to master it.


Seamless, careful, by-the-book performance provides no evidence of what the spider's thinking about the fly enmeshed in its web.

- John Edgar Wideman

Performance, Fly, Evidence, Seamless

I often want things to make definite statements. If I order onions sliced thinly on my hamburger, I don't want them to come out sort of medium. But that doesn't mean it's a reasonable desire, in all things.

- John Edgar Wideman

Reasonable, Statements, Onions

The primary thing writing and basketball share is the sense that each time you go out, each time you play or begin a piece, it's a new day. You can score 40 points one game, but the next game, those points don't count. You can win the Nobel Literature Prize, but that doesn't make the next sentence of the next book appear.

- John Edgar Wideman

Game, Play, Next, Nobel

Real change is always violent, but it may hurt a lot less than what's in place before the violence occurs.

- John Edgar Wideman

Always, May, Violent, Hurt

Writers transform: they throw a hand grenade into the notion of reality that people carry around in their heads. That's very dangerous, very destructive, but not to do it means you are satisfied with the status quo - and that's a kind of danger as well, because a kind of violence is already being perpetuated.

- John Edgar Wideman

Dangerous, Very, Quo, Status Quo

My aunt Geraldine was the unofficial historian and storyteller. She had all the information about family members and the gossip that came out of the church because we were very much part of the African Methodist Episcopal Zion Church. At family gatherings, the older folk had the floor, had pride of place, and it was their stories I remember.

- John Edgar Wideman

Church, I Remember, Very, Aunt

A lot of people think the best work I've done was nonfiction - the 'Brothers and Keepers' book. But I think of myself as a fiction writer. And I think, if my work is put in perspective, all the books would be a continual questioning of what's true and what's not true, what's documented and what's not documented.

- John Edgar Wideman

Fiction, I Think, Brothers, Nonfiction

My father was a veteran. He fought in World War II. He was a patriot. On the other hand, he had no illusions whatsoever about how Uncle Sam had mistreated him and other black soldiers.

- John Edgar Wideman

Other, Whatsoever, Fought, Mistreated

I don't understand why black people have been so quiescent, so passive over the hundreds of years of American history. Why hasn't there been more violence, more armed struggle? I know answers to some of that, but it seems to me it's an issue of faith, an abiding faith in some sort of great beyond, or great spirit, or even in the American dream.

- John Edgar Wideman

Answers, Some, Been, Abide

I have written about the women around me. My ancestors, my relatives, lovers. It was a way of trying to make it all make sense.

- John Edgar Wideman

Sense, Around, About, Relatives

I think I was kind of melancholy as a kid. I spent a lot of time inside my own head, a lot of time sort of staring into space wondering the hell was going on.

- John Edgar Wideman

Think, Going, I Think, Melancholy

I try to cope by doing what I do, what I find purpose and joy in. For me, that has been writing and playing ball. It doesn't make the pain go away, but what else can I do?

- John Edgar Wideman

Pain, Doing, Been, Cope

Silence marks time, saturates and shapes African-American art. Silences structure our music, fill the spaces - point, counterpoint - of rhythm, cadence, phrasing.

- John Edgar Wideman

Art, Marks, Fill, Spaces

The whole idea of spellbinding, of being an entertainer, being the center of the stage, making up words - that let me know that writing is nice.

- John Edgar Wideman

Making, Center, Idea, Making Up

My mother was a reader; my father was a reader. Not anything particularly sophisticated. My mother read fat historical or romantic novels; my father liked to read Westerns, Zane Grey, that kind of stuff. Whatever they brought in, I read.

- John Edgar Wideman

Sophisticated, Read, Brought, Novels

In Haiti, as I understand it, storytelling and history itself are not a business of necessarily elucidating facts or the truth of an incident, but finding the version that is most entertaining and therefore will get retold and live in immortality.

- John Edgar Wideman

Business, Haiti, Immortality, Incident

I call people by their initials when they're good buddies, and that's a kinda street thing, too - 'Here comes JF,' or, 'Here comes KC.' It's fun; it's intimate.

- John Edgar Wideman

People, Here, Intimate, Buddies

I assume the risk of allowing my fiction to enter other people's true stories. And to be fair, I let other people's stories trespass the truth of mine.

- John Edgar Wideman

Other, Stories, Mine, Assume

That's been my routine for years and years... Up early before everybody else, before I get connected, before I get bugged, before I have obligations. Get the writing done first, then be the person I want to be in other ways after that.

- John Edgar Wideman

Other, Been, Everybody, Bugged

A great artist transforms our world, removes scales from our eyes, plugs from our ears, gloves from our fingertips, teaches us to perceive reality differently.

- John Edgar Wideman

Great, Artist, Our World, Gloves

Stories are told over time, and so they naturally accrue meanings.

- John Edgar Wideman

Over, Stories, Naturally, Meanings

All my life, I've been very aware of my body. I have always used it as a gauge of things. When I look at a person, and I see their body, that's the beginning of knowledge about them. Furthermore, I respect the body.

- John Edgar Wideman

My Life, Been, Very, Gauge

The title of my book is 'American Histories,' plural. And as far as I'm concerned, my reading of history is it is a sort of nightmare. It is a sort of nightmare, and I'm trying to wake up from it. And as any nightmare, it's full of much that is unspeakable.

- John Edgar Wideman

Book, Wake Up, Concerned, Histories

I write what I want to write, and then, when it's finished, I use my judgment to see whether or not I think it's intrusive. If it is problematic, then I ask those involved. I won't necessarily do what they say. But I do consult. I haven't had too many problems. Nobody's really gotten angry at me. Nobody, as far as I know, has felt betrayed.

- John Edgar Wideman

I Think, I Write, Gotten, As Far As

Writing 'Hoop Roots' was a substitute or a surrogate activity. I can't play anymore - my body won't cooperate - so in the writing of the book, I was looking to tell a good story about my life and about basketball, but I was also looking to entertain myself the way that I entertain myself when I play.

- John Edgar Wideman

My Life, Play, Entertain, Surrogate

What basketball expresses is what jazz expresses. Certain cultural predispositions to make art. All African-American art has a substratum, or baseline, of improvisation and spontaneity. You find that in both basketball and jazz.

- John Edgar Wideman

Art, Jazz, Expresses, Improvisation

For a young person, anybody who's sorting out and trying to make a life for himself or herself, to have the opportunity each day to set down - sit down and then set down thoughts, words - it's a crucial, crucial way of staying alive, of not allowing yourself and not allowing the culture outside yourself to totally dominate your life.

- John Edgar Wideman

Young, Alive, Anybody, Herself

My particular lifetime, my individual profile, represents something very basic to African-American history and culture because I was a second generation immigrant, so to speak, from the South. My grandfather was born in South Carolina - well, both grandfathers were born in the South.

- John Edgar Wideman

Lifetime, Very, South, Profile

I feel compelled not to pass on a vision of bleakness, destruction or cynicism. I want to tell the truth as I see it, but I also have to believe that individuals - my kids, your kids, whoever - can do something about it, and I want to show the ways in which they can do something about it.

- John Edgar Wideman

Tell, Show, About, Compelled

When I wake up in the morning, I need the writing to go to. I begin there. And that's not an accident, I mean, that habit of getting up in the morning and going to my writing first thing.

- John Edgar Wideman

Go, Need, Going, Accident

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