John Berger Quotes

Powerful John Berger for Daily Growth

About John Berger

John Berger (November 5, 1926 – January 2, 2017) was a renowned British art critic, novelist, painter, and television presenter. Born in London to Jewish parents, his childhood was marked by poverty and displacement due to World War II. The family moved frequently before settling in London's East End. These experiences instilled in Berger a deep empathy for the marginalized and oppressed. Berger studied at Royal Grammar School in Newcastle-under-Lyme, then went on to Oxford University where he read Philosophy, Politics, and Economics. However, his true passion lay in art and literature. In 1952, he married the painter Beverly Broughton with whom he collaborated for much of his career. They moved to Paris in 1954, where Berger immersed himself in the vibrant artistic community. Berger's career spanned over six decades and encompassed numerous fields. As an art critic, he contributed to major publications like The Observer and The New Statesman. His influential book "Ways of Seeing" (1972) deconstructed the role of images in society and remains a seminal text in media studies. As a novelist, Berger is best known for his Booker Prize-winning novel "G" (1978), a modern retelling of the biblical story of Job set against the backdrop of rural France. His other notable works include "A Fortune", "Into Their Labours", and "From A to X". Berger's work often explored themes of class, power, identity, and the relationship between humans and nature. He was a committed Marxist and humanist, using his art to challenge societal norms and advocate for social justice. His influence continues to resonate in contemporary art criticism, literature, and cultural theory.

Interpretations of Popular Quotes

"Every image embodies a way of seeing."

This quote emphasizes that every photograph, painting, or other visual representation is not just an aesthetic object, but also carries a perspective or "way of seeing" that its creator or viewer brings to it. It suggests that our understanding and interpretation of images are influenced by our own experiences, beliefs, and cultural contexts, which in turn shape how we see the world around us. The quote underscores the subjective nature of perception and encourages viewers to question not only what they see but also how they see it.


"Things which lack a name possess the power of a secret."

This quote by John Berger suggests that things or phenomena without a clear, widely accepted definition or label hold an element of mystery or secrecy. Naming something gives it a specific identity and context, but when something remains nameless, it can evoke curiosity, intrigue, and a deeper, more profound understanding. It implies that the unknown or unnamed has the potential to be more powerful or captivating than what is commonly understood or named in society.


"Photographs do not change the world. But they can beauty to a fight."

This quote suggests that while photographs alone cannot bring about substantial change in the world, they have the power to elevate a cause or struggle with beauty, thus making it more compelling, memorable, and emotionally resonant for those who engage with it. By capturing the essence of what is being fought for in an aesthetically pleasing manner, photographs can stir empathy, inspire action, and contribute significantly to the impact of social and political activism. In essence, John Berger's quote underscores the value of visual storytelling as a powerful tool for change.


"The function of photography is to explain man to man."

This quote by John Berger suggests that photography, as a medium, serves a crucial role in fostering understanding and connection between people. It implies that through photography, we can present and interpret the complexities of human existence to our fellow beings in a way that promotes empathy, knowledge, and shared experience. Essentially, photography helps bridge gaps, fosters compassion, and encourages a deeper understanding of the human condition.


"To see and to know are two different things."

This quote by John Berger highlights that perception (seeing) is not always equivalent to understanding or comprehension (knowing). Simply observing something doesn't necessarily provide insight into its true nature, significance, or context. To truly understand, one must delve deeper, seek knowledge, and interpret what is observed in a meaningful way.


The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.

- John Berger

Rest, Other, Imposed, Scarcity

A boycott is directed against a policy and the institutions which support that policy either actively or tacitly. Its aim is not to reject, but to bring about change.

- John Berger

Aim, Which, Directed, Institutions

We live in a dominant culture of ceaseless Departure and Progress that has so far lasted two or three centuries.

- John Berger

Culture, Dominant, Ceaseless, Centuries

The point about hope is that it is something that occurs in very dark moments. It is like a flame in the darkness; it isn't like a confidence and a promise.

- John Berger

Confidence, Like, Very, Occurs

Without ethics, man has no future. This is to say, mankind without them cannot be itself. Ethics determine choices and actions and suggest difficult priorities.

- John Berger

Mankind, Say, Determine, Suggest

What makes photography a strange invention is that its primary raw materials are light and time.

- John Berger

Art, Light, Raw Materials, Materials

As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances. A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.

- John Berger

Out, Principle, Distinct, Pointed

Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.

- John Berger

Reflection, Emotive, Stifle

Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.

- John Berger

Way, Like, Metaphor, Separated

Emigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time.

- John Berger

Frontiers, Quintessential, Metropolis

A line, an area of tone, is not really important because it records what you have seen, but because of what it will lead you on to see. Following up its logic in order to check its accuracy, you find confirmation or denial in the object itself or in your memory of it.

- John Berger

Memory, Denial, Tone, Confirmation

Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.

- John Berger

Other, Image, However, Imitation

Glamour cannot exist without personal social envy being a common and widespread emotion.

- John Berger

Envy, Emotion, Exist, Glamour

Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.

- John Berger

Always, Against, Established, Injustices

Being a unique superpower undermines the military intelligence of strategy. To think strategically, one has to imagine oneself in the enemy's place. If one cannot do this, it is impossible to foresee, to take by surprise, to outflank. Misinterpreting an enemy can lead to defeat. This is how empires fall.

- John Berger

Impossible, Defeat, Enemy, Foresee

I wanted to write about looking at the world, so it's more about helping people, or persuading people, to see what is around us; both the marvellous and the terrible.

- John Berger

More, Helping, Persuading, Helping People

When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.

- John Berger

Passionate, Became, Hundred, Hundred Years

Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.

- John Berger

Thought, Over, Transferred, Triumphant

In Degas's compositions with several dancers, their steps, postures and gestures often resemble the almost geometric, formal letters of an alphabet, whereas their bodies and heads are recalcitrant, sinuous and individual.

- John Berger

Dancers, Individual, Almost, Letters

The human imagination... has great difficulty in living strictly within the confines of a materialist practice or philosophy. It dreams, like a dog in its basket, of hares in the open.

- John Berger

Practice, Living, Basket, Materialist

In drawing after drawing, pastel after pastel, painting after painting, the contours of Degas's dancing figures become, at a certain point, darkly insistent, tangled and dusky. It may be around an elbow, a heel, an armpit, a calf muscle, the nape of a neck.

- John Berger

Dancing, Elbow, Figures, Heel

Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace. For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.

- John Berger

Through, Metaphysical, Mountain Top

Words are so often used in the opposite sense, as a screen of diversion. It's the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.

- John Berger

Words, Which, Truthfulness, Struggle

Autobiography begins with a sense of being alone. It is an orphan form.

- John Berger

Alone, Begins, Form, Orphan

Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.

- John Berger

Political, Greek, Might, From Time To Time

That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to believe.

- John Berger

Crystal, Poppy, Means, Single Life

It can happen that a book, unlike its authors, grows younger as the years pass.

- John Berger

Happen, Younger, Grows, Authors

One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.

- John Berger

Only, Dwelling, Hostile, Potentially

The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.

- John Berger

Memory, Other, Been, Cynical

Never chain your dogs together with sausages. One must accustom one's self to be bored.

- John Berger

Dogs, Never, Chain, Bored

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