"I'm not a big believer in fate, but I do believe in the hand you're dealt."
This quote suggests that the speaker doesn't subscribe to the idea of predetermined destiny or fate, but acknowledges the importance of circumstance or chance in shaping one's life (the hand you are dealt). It encourages individuals to understand and make the most of their starting position, rather than focusing on external forces beyond their control. Essentially, it underscores personal responsibility in navigating one's own path through life.
"The only thing harder than coming up with an original idea is coming up with an original cliché."
This quote by Joe Carnahan underscores the difficulty in creating both original ideas and original expressions, particularly in the realm of cliches. Cliches are phrases or ideas that have been overused to the point of losing their freshness, becoming trite and predictable. Thus, coming up with an original cliche - a new, unique expression that has already become worn-out and uninspiring - is an even greater challenge than devising an entirely novel idea. It suggests the need for creativity not just in the conception of new thoughts, but also in the artful way we express them to remain fresh and engaging.
"In filmmaking, fear is your friend."
In this quote, Joe Carnahan suggests that fear can be a valuable tool in filmmaking. Fear of failure, of not meeting expectations, or of making a mistake can drive filmmakers to push their creative boundaries, strive for perfection, and take risks that might lead to innovative and impactful work. Therefore, rather than being an enemy, fear can function as a friendly motivator, fostering growth and creativity in the process of creating films.
"Stories have to be about something more than just what's on the surface."
The quote emphasizes that for a story to be impactful, it must delve deeper than superficial elements. It suggests that beneath the obvious plot or events, there should be a thematic depth or underlying meaning, which enriches the narrative and engages the audience on multiple levels. This is what makes a story memorable and meaningful.
"I think the best movies are the ones that make you feel like you're living the story, and you don't realize it until it's over."
This quote by Joe Carnahan emphasizes the power of immersive storytelling in cinema. He suggests that the most effective films transport viewers into a narrative world so seamlessly that they become engrossed, losing track of time and self-awareness. Only when the story concludes does the audience recognize the depth of their emotional investment and realize they have lived the story along with the characters on screen.
My hope, my real hope, is that whatever you hold in your heart, whatever you truly believe, and you've put your faith in, that that's what 's waiting for you. I think that'd be wonderful. You know what I mean? I think that would be the culmination of the life of the devout, or the believer.
- Joe Carnahan
So much of Hollywood is this kind of overly machismo, nonsensical view of masculinity, which I just don't find honest. I think it's this idea of - you know, we're told, well, 'Be a man, be a man.' But what does that mean, exactly? Does that mean you can't carry yourself with any fear? That you can't acknowledge that you're scared?
- Joe Carnahan
Think about a guy like Bob Mitchum, with his kind of chest gut not defining itself one way or the other. Was there anybody tougher? Lee Marvin was a marine sniper during the Second World War. They had this sense of themselves, and they had this product of being a man in a masculine way.
- Joe Carnahan
I can never kind of fathom a character's journey beyond the moment when you go to black, any more than when people ask me what Jason Patric did with the tape recorder at the end of 'Narc,' you know what I mean? Even in 'Blood, Guts,' like, what happens down the road with these characters?
- Joe Carnahan
I love the ambiguous kind of endings. I think, oftentimes, that's what life really is - there's no concrete path for you to take. It's always kind of a jumble of variables. Behind this door could be a beautiful woman, and behind the same door could be a tiger, you know? You don't know.
- Joe Carnahan
'The Blacklist' was really right place, right time. I read the script and met with Jon Bokenkamp, John Eisendrath, John Fox and John Davis, and we just hit it off. They understood that I was not so much trying to adapt to television, but adapt a cinematic style to the things that we were gonna do.
- Joe Carnahan
I always thought that as much as I love 'White Jazz,' it became almost unfilmable at some point, because there are so many strands, so much, and it became so psychotic... that's what made it such a great book, but those things would not carry over into the filmic realm, I thought, with ease.
- Joe Carnahan
I always look for... hopefully look for a challenge. And you're always looking for the next summit to hit. Even if it's a personal one. It needn't be some great sense of monumental... It just has to be important to you and big enough and special enough and individual enough that you get up for it. And that can be anything.
- Joe Carnahan
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