"A play is known by the exit-light."
This quote by James Agate suggests that a play's success or quality is ultimately determined by its audience, as indicated by their decision to stay (keep the stage light on) or leave (turn off the exit lights). In other words, if a play manages to engage and hold an audience, it can be considered successful. Conversely, if the audience leaves early, it implies that the play is not captivating them. This quote underscores the importance of audience engagement in theatre, where the collective response serves as a powerful measure of a production's worth.
"The test of a drama is the extent to which it makes us look at things hitherto unseen."
This quote by James Agate emphasizes the importance of artistic creation, particularly in theater, to provoke new perspectives and reveal previously unnoticed aspects of reality. In other words, a successful play should not only entertain but also challenge its audience to see the world in a fresh light or from a different angle.
"Drama should be an exorcism. Not an incantation."
This quote suggests that drama, as a form of art, should serve to release or purge strong emotions rather than to evoke or summon them without resolution. In essence, the act of creating drama should be cathartic for both the writer and audience, providing an outlet for intense feelings, instead of just stirring up emotions for the sake of manipulation or enchantment.
"I've no objection to a man making a living out of his pen - but I do object to his trying to make a fortune out of it."
This quote highlights James Agate's disapproval towards artists or writers who prioritize financial gain over artistic integrity, creativity, and the love for their craft. Essentially, Agate is suggesting that while it is acceptable for an artist to earn a living from their work, they should not be motivated solely by the pursuit of wealth, but rather, the fulfillment gained from creating and sharing their art.
"The play is the thing, and I will catch the author in it if I can."
James Agate's quote, "The play is the thing, and I will catch the author in it if I can," emphasizes the importance of the work itself over the creator, suggesting that the true essence of a piece lies within its execution and interpretation rather than solely in the intentions or identity of the author. The implication is that critics should focus on understanding and evaluating the play itself, attempting to uncover the author's intentions through their writing, rather than making assumptions about them based on external factors.
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