I. M. Pei Quotes

Powerful I. M. Pei for Daily Growth

About I. M. Pei

I.M. Pei (1917-2019), born in Shanghai, China as Ei-Ming Pu, was a renowned American architect known for his distinctive style that seamlessly blended Eastern tradition with Western modernism. After studying civil engineering at the University of Pennsylvania and architecture at MIT, he began his career working for Hugh Stubbins, who would later become his partner. Pei's life took a significant turn in 1935 when he was invited by Jeanne and Charles Moore to work with them on their firm. This collaboration led to his involvement in the United Nations Headquarters in New York City (1947-1952), his first major project and one that showcased his ability to reconcile diverse cultural influences within an architectural context. In 1955, Pei established I.M. Pei & Associates in New York City. His practice produced iconic structures such as the John F. Kennedy Library (1979), the East Building of the National Gallery of Art in Washington D.C. (1978), and the Louvre Pyramid (1989) in Paris, France – arguably his most famous work. The latter's glass pyramid was a bold reinterpretation of traditional Egyptian architecture, symbolizing the meeting point between the old and new worlds. Pei's work earned him numerous accolades, including two Pritzker Prizes - first in 1983 and again in 1989. His architectural legacy transcends time and cultural boundaries, demonstrating a profound respect for history while embracing the future. Throughout his long and distinguished career, I.M. Pei's designs embodied both elegance and complexity, reflecting not only his personal journey but also the broader discourse on architecture as a medium for human connection across space and time.

Interpretations of Popular Quotes

"Design is a very basic thing inherent in the individual. With every individual comes a sense of design."

This quote suggests that the ability to design, or create solutions for practical needs, is an innate human trait. Each person has their unique perspective and creative capacity, which they can use to shape their environment and solve problems in their own distinctive way. Essentially, Pei is emphasizing that everyone, regardless of profession, possesses an inherent sense of design that guides them in their daily lives.


"You can't just make it look pretty. You've got to make it work."

I.M. Pei's quote emphasizes that aesthetics, or making something look appealing, should not be the only focus in design. Instead, functionality is equally important. It suggests that a successful design must not only be visually pleasing but also serve its intended purpose effectively. This perspective highlights the importance of balance between form and function in design projects.


"Architecture sets the kind of wonderful confrontations between the old and the new."

This quote by I.M. Pei emphasizes the significance of architecture in fostering thought-provoking encounters between past and present. By integrating new designs with existing structures or traditions, architects challenge us to reconsider our relationship with history and innovation. Such confrontations stimulate our minds, enrich our cultural perspectives, and ultimately inspire growth and progress.


"Good architecture is like a good joke, when you have finished with it you forget that it was ever there."

I.M. Pei's quote suggests that great architecture should seamlessly blend with its environment, becoming an integral part of the space rather than drawing attention to itself. Just as a good joke leaves a lasting impression without being explicitly remembered, impressive architecture enhances our experience of a place without calling undue attention to itself. The goal is not just visual appeal, but a harmonious and meaningful integration with the surroundings.


"I think all architects are concerned about society, but some are more vocal than others."

This quote suggests that while architects as a profession strive to consider societal needs and well-being in their designs, the degree of active engagement or vocal expression about social issues varies among individual architects. In other words, all architects aim to design for society, but some architects choose to make explicit statements about their concerns for societal impact through their work, while others might focus more on the technical aspects without overtly addressing broader societal issues.


In northern architecture - the cathedrals of Europe and all the little churches - the details, the carving of stone, become necessary because the light is not there to help you very much. You have to enrich surfaces. The desert reduces form to its simplest nature. There is no need for gargoyles or flying buttresses in the desert.

- I. M. Pei

Very, Northern, Cathedrals, Carving

Contemporary architects tend to impose modernity on something. There is a certain concern for history, but it's not very deep.

- I. M. Pei

Deep, Very, Tend, Impose

The essence of architecture is form and space, and light is the essential element to the key to architectural design, probably more important than anything. Technology and materials are secondary.

- I. M. Pei

Technology, More, Essence, Materials

We had a lot of difficulty in getting the French to accept the pyramid. They thought we were trying to import a piece of Egypt until I pointed out that their obelisk was also from Egypt and the Place des Pyramides is around the corner. Then they accepted it. The pyramid at the Louvre, though, is just the tip.

- I. M. Pei

Thought, Louvre, Import, Pointed

A city, far from being a cluster of buildings, is actually a sequence of spaces enclosed and defined by buildings.

- I. M. Pei

City, Actually, Cluster, Sequence

I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of course, but a very alluring dream for a young man from Canton.

- I. M. Pei

Alluring, Crosby, Buster, None

I arrived in the U.S.A. in 1935, to San Francisco. I got the boat from China, and I didn't even speak English. I could read a little, perhaps write a little, but that was all. It was a 17-day journey, and I learnt to speak English from the stewards.

- I. M. Pei

Got, Arrived, Francisco, Boat

One thing I learn - I've been in practice now for half a century or more, and the most important ingredient for an architect to do a good building is to have a good client. I think a client counts for as much as fifty per cent.

- I. M. Pei

Practice, Been, I Think, Client

I came, I studied architecture in America, so my technical background's completely western. But my seventeen years, the formative years of one's life, and I can't say that the Chineseness in me is not there.

- I. M. Pei

Say, Technical, Studied, Seventeen

Even a beautiful piece of work can be overshadowed, destroyed, by something else.

- I. M. Pei

Beautiful, Destroyed, Even, Overshadowed

The Louvre for me is a wonderful experience. Because it continues; it didn't get cut off. It was actually a continuous involvement all the way, and a lot of people have come and gone, come and gone; but I'm still here.

- I. M. Pei

Here, Still, Cut, Continuous

I have a great love for nature. That must have started somewhere down back home, I think, because my family own one of the better known gardens in Soochow, so I played there, and I lived there, and so I must have absorbed something there. So I continue to have a great interest in nature.

- I. M. Pei

Love, I Think, Gardens, Absorb

The Pyramids are perfect, but you can't put the Pyramids in the middle of Manhattan. In the desert, the combination of light and form makes it perfect.

- I. M. Pei

Perfect, Middle, Manhattan, Combination

I'd been going to the Louvre since 1951. I thought I knew Paris and the French, but I didn't really. You know how easy it is to make friends when you are traveling. People are curious about you, you are curious about them. But you never really make friends that way. After the Louvre, I discovered that I have friends now because I have enemies.

- I. M. Pei

Thought, Been, Discovered, Enemies

I've never left China. My family's been there for 600 years. But my architecture is not consciously Chinese in any sense. I'm a western architect.

- I. M. Pei

Sense, Been, Architect, Western

The first decent building I did with my own practice was a chapel in Taiwan.

- I. M. Pei

Practice, My Own, Taiwan, Chapel

Modern architecture needed to be part of an evolutionary, not a revolutionary, process.

- I. M. Pei

Process, Modern, Needed, Revolutionary

To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function.

- I. M. Pei

Life, Own, Feel, Motivating

Architecture must not do violence to space or its neighbors.

- I. M. Pei

Space, Neighbors, Must, Violence

I think the artistic side of architecture was natural to me. My mother was an artist and a poet.

- I. M. Pei

Mother, Think, Side, Poet

It is good to learn from the ancients. I'm a bit of an ancient myself. They had a lot of time to think about architecture and landscape.

- I. M. Pei

Myself, Learn, Think, Landscape

A lasting architecture has to have roots.

- I. M. Pei

Architecture, Roots, Lasting

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