"Fantasy is a means of taking more active control of our dreams and giving them more reality."
This quote by Henry Selick suggests that fantasy, in the context of creative expression, serves as a tool for people to exert greater influence over their dreams or imaginative thoughts, making them feel more tangible or real. Essentially, engaging with fantasy can help transform our intangible desires and ideas into something we can experience, understand, and manipulate, thereby giving them a sense of reality.
"There's something about puppets that makes people let their guard down."
This quote suggests that there is a unique quality about puppets which allows individuals to feel more at ease, lessening their defenses or "guards." The simplified form of human expression through puppetry may evoke empathy, creating an intimate connection between the audience and the puppet. This emotional bonding can lead people to share feelings or ideas they might not in other situations, making them more open and vulnerable.
"I love the idea of making films with real actors but having the freedom to manipulate time, space, and emotions in ways that you can't do in live-action filmmaking."
This quote by Henry Selick reflects his appreciation for both animation and live-action filmmaking. He values the ability to control and manipulate elements like time, space, and emotions more freely in animated films than in live-action productions. Animators can use these artistic tools to create fantastical worlds, exaggerate or subtly express feelings, and stretch or compress storytelling sequences in ways that wouldn't be feasible with real actors and practical settings. This freedom allows for a more imaginative and surreal cinematic experience.
"The best ideas come out of the collaboration between the director and the artists, not just from one source."
This quote underscores the importance of collaboration in creative endeavors, particularly in filmmaking. By suggesting that the best ideas emerge from a partnership between the director and the artists involved, Henry Selick emphasizes the value of diverse perspectives and combined brainpower for generating innovative solutions and exceptional work. The collaborative process not only fosters creativity but also encourages mutual understanding, respect, and growth among team members, ultimately leading to a more vibrant and impactful end product.
"I like the idea that movies can be magical and transporting but also have a bit of darkness and complexity."
This quote suggests that Henry Selick values films that offer both enchantment and escapism, as well as deeper, thought-provoking elements. He appreciates stories that can whisk audiences away to another world while also challenging them with complex themes or darker aspects, making for a more engaging and meaningful viewing experience.
When you're writing, it's all up to you, and you don't have to make any compromises. And when you're directing, there's this intense pleasure you get from working with all these really talented people, and pooling the efforts towards a common goal. I like all the aspects of film-making.
- Henry Selick
I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters.
- Henry Selick
There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling.
- Henry Selick
I was at Disney for about four years, so I made good friends there. It was a time of not a lot of creativity. It was the end of the first great era, with a few of the original animators. They called them the Nine Old Men. I learned a lot from them, but it wasn't going to be a future home for me.
- Henry Selick
You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect.
- Henry Selick
I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet.
- Henry Selick
My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that.
- Henry Selick
CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories.
- Henry Selick
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