Harold Prince Quotes

Powerful Harold Prince for Daily Growth

About Harold Prince

Harold Prince (born Harold Smith Pohlman; January 30, 1928 – July 31, 2019) was an American theater director, producer, and author who made significant contributions to the world of musical theatre. Known for his innovative storytelling techniques and collaborations with notable composers, he left an indelible mark on Broadway and beyond. Prince was born in the New York City borough of Brooklyn. His early interest in theatre led him to study drama at the University of Pennsylvania, where he developed a keen understanding of the art form's potential for social commentary. After serving in the U.S. Army during the Korean War, Prince began his career as an assistant director on Off-Broadway productions. In 1953, he made his Broadway debut as an associate producer on "Call Me Madam," followed by his first directing credit with "Candide" in 1956. However, it was his collaboration with Stephen Sondheim that truly cemented Prince's legacy. Together they created some of the most influential musicals of the 20th century, including "West Side Story" (1957), "Fiddler on the Roof" (1964), and "Company" (1970). Prince's innovative approach to storytelling extended beyond Sondheim collaborations. He worked with composers such as Leonard Bernstein, Stephen Schwartz, and Maury Yeston, creating groundbreaking musicals like "Cabaret" (1966), "Phantom of the Opera" (1986), and "Sweeney Todd: The Demon Barber of Fleet Street" (1979). Throughout his career, Prince received numerous accolades, including 21 Tony Awards for Best Director, Best Producer, and Best Musical. In 2006, he was awarded a special Tony Lifetime Achievement Award. Prince's influence continues to be felt in contemporary musical theatre, with many modern productions drawing inspiration from his groundbreaking work. His books, including "Contradictions" (1978) and "Sense of Occasion" (2003), offer valuable insights into the creative process behind some of Broadway's most iconic shows.

Interpretations of Popular Quotes

"In theater, there's an enormous amount of luck involved, but you can increase your chances of success by putting as much knowledge and hard work into a project as possible."

Harold Prince's quote emphasizes the role of both chance and deliberate effort in achieving success in theater. He suggests that while luck plays a significant part in the outcome, one can improve their chances of success by investing as much knowledge and hard work as possible into a project. This highlights the importance of preparation, skill, and dedication in any creative pursuit, along with the recognition that some elements are beyond our control.


"A director has to be a catalyst for the creative process, not a commander-in-chief."

This quote emphasizes that a director's role is not one of rigid control or dictatorship, but rather, they should act as a stimulus for creativity among the team. The "catalyst" in this context refers to an agent that initiates or accelerates a reaction without undergoing a permanent change itself. In the creative process, a director should provide inspiration and guidance, fostering collaboration and allowing ideas to evolve naturally rather than imposing their own vision as a "commander-in-chief." This approach encourages a more organic and dynamic creative environment where everyone's contributions are valued, ultimately leading to a better final product.


"The true collaborative experience is a kind of dance between the director and the performer where they influence each other."

This quote suggests that the relationship between a director and a performer in a theatrical production is not one-sided, but rather an interactive dance or dialogue. The director provides guidance and vision, while the performer brings life to the character and interprets it through their unique talents. In this process, each party influences the other, creating a dynamic partnership that leads to a harmonious performance. This collaboration is key to a successful production as both parties work together towards a common goal, resulting in a symbiotic relationship where they shape and are shaped by each other's contributions.


"Talent only wins games, but teamwork and intelligence and long-term strategy will always outperform talent."

This quote emphasizes that while individual talent is crucial in any endeavor, it is not sufficient to ensure success in the long run. Teamwork, intelligence, and strategic planning are equally important elements for sustained victory. Talent alone may win a game or achieve short-term success, but when facing complex challenges that require adaptability, collaboration, and foresight, teamwork, intelligence, and strategy will consistently outperform pure talent. This insight encourages us to invest in developing not just our individual abilities but also fostering a collaborative environment where ideas can be shared, decisions made collectively, and plans executed with thoughtful consideration.


"A great director is someone who delivers what he promises under any circumstances."

This quote by Harold Prince emphasizes the importance of reliability, consistency, and commitment in the role of a great director. A director who delivers what they promise, no matter the circumstances, signifies their ability to handle challenges, keep faith with their vision, and ultimately fulfill their responsibilities towards the production. This trait instills trust among cast members, crew, and audiences, ensuring that the project is completed to its full potential.


Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.

- Harold Prince

Own, Sign, Artistic, Amateur

It's fine when you careen off disasters and terrifyingly bad reviews and rejection and all that stuff when you're young; your resilience is just terrific.

- Harold Prince

Young, Bad, Disasters, Reviews

When I was a 25-year-old kid, I raised $260,000 for my first show, 'The Pajama Game,' in such a homemade, pathetic, endearing way - a buck here, a buck there.

- Harold Prince

Game, Kid, Here, Homemade

I was nine. I saw Orson Welles in 'Julius Caesar.' It was involving, emotional, imaginative. I've never forgotten it.

- Harold Prince

Emotional, Nine, Julius, None

I feel so much more comfortable when I'm working on material which makes other people scratch their heads and ask, 'You're going to make a musical out of that?'

- Harold Prince

Other, Which, Musical, Scratch

I'm on a single track here - I work to direct what I want to see onstage. I basically have been feeding my own needs - to be working on a specific project at a specific time, and fortunately more often it works than fails.

- Harold Prince

Here, Been, Works, Fortunately

You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.

- Harold Prince

Closely, Large, Looked, Todd

What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.

- Harold Prince

New, Willing, Musical, Missing

'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.

- Harold Prince

Album, Before, Musical, Dictate

All these actors who died before I was born, all the theaters and the artistic movements - all that stuff fills you up and makes you feel like you're the inheritor of all this information and of all its passion.

- Harold Prince

I Was Born, Like, Before, Fills

Everything can't be a postage-stamp-sized project. Everything can't be a chamber piece. Musicals aren't even meant to be that, or identified with it... It's none of it simple.

- Harold Prince

Simple, Project, Meant, Identified

Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage.

- Harold Prince

Chance, Doing, Audience, Bad Idea

I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.

- Harold Prince

Everybody, Flourishing, Golden Age

I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.

- Harold Prince

Never, Lot, Thoroughly, Satisfies

Despite the successes, you remember the failures - rather lovingly.

- Harold Prince

Remember, Failures, Rather, Lovingly

I don't think there's a defined contemporary American musical, do you?

- Harold Prince

Think, Contemporary, Musical, Defined

I always liked the visuals to be choice and at the same time minimalist. And, I love black boxes. After all, that's what theatre is, it's an empty space, and it's both limited and unlimited because the space is the space, but what you can do with people's imaginations is really endless.

- Harold Prince

Love, Endless, Liked, Minimalist

I wouldn't be here if it weren't for 'Show Boat.' The kind of theater I chose to be involved in is completely a direct reflection of what 'Show Boat' made possible.

- Harold Prince

Reflection, Kind, Here, Boat

I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. It's really good to think we got it all nailed - of course you've never got it all nailed.

- Harold Prince

Good, Before, Nailed, Possibly

The perfect expression of receiving a lifetime award is to be working when they're handing it out.

- Harold Prince

Award, Expression, Receiving, Handing

When I started producing, it was George Abbott directing and he would let me do the scenery. He just wanted to know where the doors were - the entrances, the exits; the tables, the props - and then I would hire the designer. I took charge of the visuals - scenery and costumes and so on. And, the shows looked wonderful.

- Harold Prince

Scenery, Hire, Tables, Costumes

I've always loved Victorian melodrama. And I've always liked larger-than-life theater, providing it's truthful and honest. I like what the theater can provide in energy and bombast - I enjoy it when it's large, and by that I don't mean in size, I mean in emotions. Shakespeare did that.

- Harold Prince

Enjoy, Providing, Liked, Truthful

I love big, bold, truthful theater - the tradition of Victorian theater.

- Harold Prince

Love, Big, I Love, Truthful

I really don't spend time thinking about the past. I think about the future. I'm not stopping.

- Harold Prince

Past, Think, I Think, Stopping

I'm always glad to see somebody rethink something rather than reproduce something I did.

- Harold Prince

See, Always, Rather, Reproduce

I don't like abrasion while I'm working. I don't thrive on chaos. I enjoy what I'm doing, and it seems to work better when I am enjoying it.

- Harold Prince

Chaos, Doing, Like, Thrive

Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.

- Harold Prince

Room, Musical, Plenty, Lyrics

I don't know why the guys with the big money don't find five terrific young producers and give each of them enough to commission a musical and to live on for a year. You'd be likely to get at least one project with a future.

- Harold Prince

Young, Big, Big Money, Commission

I would like to see more new productions of new material by new composers/lyricists/book writers. I would like to see people take more chances. I think because everything costs so much they're not taking the chances they used to.

- Harold Prince

Think, New, Costs, New Material

I wouldn't want to be just pigeonholed as an extravagant director.

- Harold Prince

Want, Director, Just, Extravagant

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