F. Sionil Jose Quotes

Powerful F. Sionil Jose for Daily Growth

About F. Sionil Jose

Francisco Sionil Jose (1924-2021) was a renowned Filipino novelist, playwright, essayist, and cultural critic, considered one of the country's greatest literary figures. Born on October 30, 1924, in Lingayen, Pangasinan, Philippines, he spent his formative years in the rural village of Balungao, which served as the setting for much of his work. Inspired by the rich oral storytelling traditions of his community and the works of global literary giants like James Joyce, Jose's writing style was characterized by a deep sense of place, vividly portraying the lives of Filipinos in their cultural context. After studying at the Ateneo de Manila University and later at the University of the Philippines, he moved to San Francisco, where he would live for over two decades. Returning to the Philippines in 1964, Jose immersed himself in the burgeoning Philippine literary scene, becoming a founding member of the Philippine Free Press, a forum for intellectuals and artists. His major works include the Rosales Saga, a series of novels set in his hometown that explores the dynamics of Filipino society from the Spanish colonial era to modern times, beginning with "Tree" (1955), followed by "Ermita DO Carlos" (1960) and concluding with "My Brother's Wife" (1973). Jose's other notable works include the novel "Dekada '70" (1972), a seminal critique of Philippine society during the Marcos regime, and the short story collection "Tales of a City and its Ghosts" (1965). Throughout his career, Jose was recognized with numerous awards, including the National Book Award and the Palanca Awards. He was also conferred the rank of National Artist for Literature in 1976 by the Philippine government. Francisco Sionil Jose's enduring legacy lies in his powerful portrayals of Filipino identity, culture, and history, as well as his unwavering commitment to social justice. His works continue to resonate with readers worldwide, cementing his place among the great literary figures of the Philippines and Asia.

Interpretations of Popular Quotes

"We Filipinos have a talent for survival."

This quote by F. Sionil Jose highlights the resilience, adaptability, and tenacity of the Filipino people in the face of adversity. It suggests that throughout history, Filipinos have consistently proven their ability to endure and persevere despite challenging circumstances, which is a testament to their strength and determination as a nation. This survival talent, deeply rooted in their cultural DNA, enables them not only to survive but also to thrive, contributing significantly to the richness of Filipino culture and society.


"Ang hindi lumingon sa pinanggalingan ay hindi makakarating sa paroroonan." (Those who do not look back to where they came from will never reach their destination.)

This quote by F. Sionil Jose highlights the importance of understanding one's roots in order to achieve one's goals. The idea is that knowledge of one's origins provides valuable context, perspective, and guidance for future endeavors. By acknowledging and learning from where we come from, we can navigate our journey more effectively and avoid getting lost along the way. In essence, it emphasizes the role of heritage and culture in shaping our identities and informing our paths towards success.


"Nationhood, like love, is a matter of feeling, not geography or law."

This quote suggests that nationhood, similar to love, is not solely defined by geographical boundaries or legal structures; it's deeply rooted in the emotions and feelings shared among its people. It underscores the idea that a nation is more than just a political entity – it's a community bound together by shared history, culture, language, values, and experiences, which can transcend physical borders. In essence, F. Sionil Jose emphasizes the emotional connection as a fundamental aspect of what constitutes a nation.


"It is the artist's duty to bear witness to his times."

This quote by F. Sionil Jose emphasizes that artists have a significant role in society, serving as observers and interpreters of their times. They are expected to document, reflect, and bring attention to the events, issues, and culture of their era. By doing so, they bear witness to their times, helping to preserve history, provoke thought, and stimulate societal progress.


"To be truly free, one must be able to forget one's name."

This quote by F. Sionil Jose suggests that true freedom lies not just in physical or societal independence, but in psychological liberation from one's personal identity or past. When we can forget our names, or the labels and associations that come with them, we are able to break free from preconceived notions, expectations, and limitations imposed on us by society, history, or ourselves. In this state of anonymity, we can truly express ourselves authentically and live without fear of judgment or conformity.


My wife and I often visit Rosales and the Ilokos as a matter of habit or whim induced by nostalgia, homesickness - whatever draws pilgrims to worshipped sanctuaries. Or, perhaps, what compels moths to seek the votive flame.

- F. Sionil Jose

Wife, Nostalgia, Whim, Worshipped

I can't understand Urdu, Bahasa or Russian, but when the Pakistani Faiz, the Indonesian Rendra and the Russian Rosdentvensky declaim, I can feel the living throb of rhythm and music, the warmth and passion of their poetry, as do the hundreds, not a mere roomful, of poetry lovers in the audience.

- F. Sionil Jose

Music, Feel, I Can, Warmth

Indeed, the existence of class, of social hierarchy, is as old as man himself. It prevails in the jungle where strength determines hierarchy; among men, it has also been savagely the same, whereby rulers vested with power through personal combat, or through lineal heritage as in the case of royalty, ravage their subjects.

- F. Sionil Jose

Strength, Through, Been, Subjects

I envy those Hindus and Buddhists who have in their religion philosophy and ancestor worship which build in the believer a continuity with the past, and that most important ingredient in the building of a nation - memory.

- F. Sionil Jose

Envy, Which, Ingredient, Believer

I write entirely in English; Tagalog chauvinists chide me for this. I feel no guilt in doing so. But I am sad that I cannot write in my native Ilokano. History demanded this; if it isn't English I am using now, I would most probably be writing in Spanish like Rizal, or even German or Japanese.

- F. Sionil Jose

Doing, I Write, German, Native

I have always admired teachers because teaching, like the priesthood, medicine and writing, is a vocation. You don't become a teacher because you want wealth. It is the same with writing.

- F. Sionil Jose

Wealth, Always, Admired, Priesthood

Class - or the economic status of individuals - is evident in all societies, some very well stratified by a rigid caste system determined by birth.

- F. Sionil Jose

Birth, Some, Very, Caste

The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to construct art from the most mundane of human experience.

- F. Sionil Jose

Play, Achieve, Universality, Depth

The Japanese bureaucracy is unique. It is also very powerful, although it is now the object of so much criticism. Many of Japan's brightest made it a pillar of strength and continuity.

- F. Sionil Jose

Strength, Very, Japan, Continuity

What is needed in the theater, in fact for all our art forms, is a vibrant critical tradition.

- F. Sionil Jose

Art, Fact, Vibrant, Art Forms

You perhaps know me as a novelist. Literature is one of the arts - in fact, the noblest of the arts. That is not my opinion; it was first expressed by the ancients. As art, literature has many similarities with the other art forms.

- F. Sionil Jose

Art, Fact, Other, Art Forms

Self-respect, the value of 'face,' is universal but is most pronounced in China, then in Japan where the Confucian ethic is most influential.

- F. Sionil Jose

Self-Respect, Japan, Then, Ethic

You should live in a manner that should enable you to devote time to writing and contemplation. As is often said, the writer is at work even when he is simply looking out the window.

- F. Sionil Jose

Work, Often, Devote, Enable

Tourists as well as natives want to see cultural achievements - whether it's the Banaue Terraces, the old churches or museums.

- F. Sionil Jose

Want, Old, Achievements, Churches

Past middle age, some friends suggested that I should have my eyebags removed, the deepening creases on my face stretched. I often examined my face in the mirror, imagining how I'd look if I followed the suggestion. I decided to retain the old mug. I was too familiar and comfortable with it. And the final hindrance: the cost.

- F. Sionil Jose

Mirror, Some, Hindrance, Suggested

We are shallow because we have become enslaved by gross materialism, the glitter of gold and its equivalents, for which reason we think that only the material goods of this earth can satisfy us and we must therefore grab as much as can while we are able.

- F. Sionil Jose

Reason, Goods, While, Shallow

It was in the sugar hacienda in Negros, Panay and in Central Luzon where I saw the injustices heaped upon the sugar workers, particularly the sacadas, or seasonal workers.

- F. Sionil Jose

Particularly, Saw, Central, Injustices

Language as a communication tool is the primary element from which literature is created. Even in pre-literate societies, it exists as songs, riddles, or epics that are chanted.

- F. Sionil Jose

Which, Riddles, Created, Societies

For decades, as literary editor, I have followed the growth of our creative writing in English. In my Solidaridad Bookshop, half of my stock consists of Filipino books written in English and in the native languages.

- F. Sionil Jose

Editor, Half, Languages, Filipino

In the Western tradition, the first writers were teachers and historians, vastly traveled, who spiced their reports with fantasies. They were also poets who sang and entertained prince and pauper.

- F. Sionil Jose

Historians, Reports, Also, Traveled

At 86, I can easily look back to the last eight decades. Though memory often fails me now, so many images of the past are still clearly polished, and I can yet recall not just an abiding sense of place, but the keen smells, the sensory responses to the events of that past.

- F. Sionil Jose

Memory, Back, Clearly, Abide

I said that if I were an industrialist or entrepreneur, I would invest in agriculture-based enterprises, for there is so much that can be done in manufacturing, in food preservation.

- F. Sionil Jose

Done, Invest, Enterprises, Manufacturing

Always remember: the alleviation of poverty is never a political or economic issue - it is moral.

- F. Sionil Jose

Remember, Never, Always, Economic

I tell young people who ask me about a future in writing not to go into it unless they get married to someone rich.

- F. Sionil Jose

Young, Tell, About, Get Married

Japan is very cosmopolitan - it values its origins, but a world view hovers above this narrow perspective. The interest of the Japanese in their folk culture is transcendental.

- F. Sionil Jose

Values, Very, Japan, Cosmopolitan

Poetry, fiction as novels or short stories - these are autonomous as created by their authors. They should stand on their own, like pieces of furniture that should be judged as to their usefulness, elegance.

- F. Sionil Jose

Fiction, Stories, Usefulness, Novels

A weak people and its equally debilitated leaders are bludgeoned by history. It maims them into the cripples that they are meant to be.

- F. Sionil Jose

Leaders, Meant, Equally, Meant To Be

We recognize the distinctness of Asian art when we turn to its traditional forms, recognize it as Japanese, Chinese and Indian, even Balinese or Thai.

- F. Sionil Jose

Art, Asian, Thai, Indian

I can imagine the writers of China, England and France, crippled and unsure of themselves when they feel that the ghosts of Confucius, Mencius, Chaucer and Shakespeare and Victor Hugo are looking over their shoulders.

- F. Sionil Jose

England, Shoulders, Over, Crippled

Writing is a solitary profession; you are really alone when you write. Then the emotions become well shaped and distinct. But their transition into words must be done deliberately and with rigid artistry.

- F. Sionil Jose

Emotions, Profession, Transition

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