Evelyn Glennie Quotes

Powerful Evelyn Glennie for Daily Growth

About Evelyn Glennie

Evelyn Glennie, born on July 19, 1965, in Scotland, is a groundbreaking percussionist who has captivated audiences worldwide with her virtuosity and unique approach to her instrument. She lost most of her hearing by the age of eight due to nerve deafness, but this obstacle did not deter her from pursuing her passion for music. Instead, it propelled her to develop an extraordinary ability to feel vibrations and interpret sound through her body. Glennie's musical journey began at the age of 8 when she started learning the drums in a school band. At the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland), she furthered her studies, focusing on percussion. In 1986, Glennie won first prize at the International Marimba Competition in Zlin, Czechoslovakia, launching her professional career. Known for performing without hearing aids and often standing or moving while playing, Glennie's innovative performance style has redefined the boundaries of percussion music. She collaborates with various artists across genres, including Yo-Yo Ma, Sting, and Brian Eno. One of her major works is "The Pulse Within," a multimedia solo performance in which she interprets various sounds from around the world using her body as an instrument. Another significant work is "Takemitsu: Neko-Kodomo" with the BBC Symphony Orchestra, a composition by Toru Takemitsu that explores the relationship between sound and silence. Throughout her career, Evelyn Glennie has been an advocate for deaf awareness and encourages people to embrace their unique abilities. She has received numerous awards, including the Polar Music Prize in 2017 and was appointed a Dame Commander of the Order of the British Empire (DBE) in 2019 for her services to music. Glennie continues to inspire and challenge our understanding of music with her unparalleled artistry and dedication to her craft.

Interpretations of Popular Quotes

"Silence is not the absence of sound, but the absence of perception."

This quote emphasizes that silence, often perceived as the absence of sound, is actually the absence of our ability to perceive or listen. For someone like Evelyn Glennie, a world-renowned percussionist who is deaf in her ears but hears vibrations through her body, silence may not exist in the same way that most people experience it. It underscores the importance of perception and listening skills in our understanding of the world around us, suggesting that what we perceive as silent or insignificant might hold deeper meaning if we pay closer attention.


"Music is the language of the spirit. It opens up so many possibilities."

This quote by Evelyn Glennie suggests that music, like a universal language, transcends physical boundaries to connect us on a spiritual level. Its power lies in its ability to stimulate emotion and communicate feelings beyond words. Music, therefore, serves as an avenue for self-expression, creativity, and exploration of ideas and experiences. Its openness to interpretation allows it to speak to each listener uniquely, fostering personal growth and expanding our collective understanding of the human spirit.


"I often say that my instrument is the air around me."

This quote by Evelyn Glennie, a renowned percussionist who is also deaf, underscores her unique approach to music-making. She views the space around her as her instrument, suggesting she uses the environment itself (acoustics, vibrations, ambient sounds) to create and shape her music, relying less on traditional musical instruments due to her hearing impairment. This perspective emphasizes creativity, adaptability, and a profound connection with sound in its most natural form.


"Every object in our environment has a sound, it's just a question of whether we choose to listen."

This quote by Evelyn Glennie highlights the importance of active listening and perception in understanding our world. It suggests that everything around us – from the rustling of leaves to the hum of a machine – has a unique sound, waiting to be heard. The quote encourages us to open ourselves up to the richness of sounds in our environment, rather than ignoring or overlooking them. This perspective can lead to a heightened appreciation for our surroundings and fosters a deeper connection with the world we inhabit.


"My goal is to have people think about percussion in an entirely new way."

Evelyn Glennie's quote suggests her ambition lies in challenging and reshaping societal perspectives on percussion music. She aims to move beyond the traditional understanding of percussion as a supporting or rhythmic element, instead inviting people to view it as a standalone art form capable of expressing a broad range of emotions and narratives. This fresh perspective could lead to innovative compositions, performances, and collaborations that push the boundaries of what is possible with percussive instruments.


And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won't accept you, because we haven't a clue - you know - of the future of a so-called 'deaf' musician. And I just couldn't quite accept that.

- Evelyn Glennie

Music, London, Deaf, Clue

I think I can only help to expose percussion to all sorts of people. The balance between the lighter and more serious side is important.

- Evelyn Glennie

Think, I Think, Side, Lighter

What I have to do as a musician is do everything that is not on the music.

- Evelyn Glennie

Music, Everything, Musician

I'm not a deaf musician. I'm a musician who happens to be deaf.

- Evelyn Glennie

Deaf, Happens, Who, Musician

Once you're in a particular country, and you're surrounded by musicians who are so adept at traditional music, you suddenly realize how much there is to explore and digest and learn and experience.

- Evelyn Glennie

Explore, Country, Surrounded, Adept

The human body and mind are tremendous forces that are continually amazing scientists and society. Therefore, we have no choice but to keep an open mind as to what the human being can achieve.

- Evelyn Glennie

Mind, Achieve, Human Being, No Choice

My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It's a very powerful instrument, but it can also be soothing, like velvet. It's a real challenge for composers.

- Evelyn Glennie

Very, Composers, Prominent, Velvet

Apart from Scottish traditional music, I wasn't really influenced by any kind of music. I just basically followed my own instincts.

- Evelyn Glennie

Kind, Influenced, My Own, Scottish

There are many collaborations I'd like to explore. One is to co-write a rap concerto with Eminem.

- Evelyn Glennie

Explore, Rap, Collaborations, Concerto

Percussion is physical, as most instruments are. The body must function well in order to play the instruments well. Last year I climbed Mount Kilimanjaro.

- Evelyn Glennie

Play, Last, Last Year, Mount

I want to be able to say on my deathbed that I reached a few people. That would be very nice, just to be able to say that.

- Evelyn Glennie

Want, Say, Very, Deathbed

If I just simply let go, and allow my hand, my arm, to be more of a support system, suddenly - I have more dynamic with less effort. Much more, and I just feel, at last, one with the stick, and one with the drum.

- Evelyn Glennie

More, Last, Allow, Arm

I walk into a kids' store, and it's amazing, the types of instruments - little squeaky things, rattling things, spinning tops.

- Evelyn Glennie

Store, Types, Tops, Rattling

I just assumed the world was full of solo percussionists. I couldn't find sticks or music or anything where I was, but that was expected because there was nothing there anyway. And I think that was possibly the greatest asset for me, just not knowing.

- Evelyn Glennie

Anything, I Think, Anyway, Possibly

The thing about playing percussion is that you can create all these emotions that can be sometimes beautiful, sometimes really ugly, or sometimes sweet, sometimes as big as King Kong and so on. And so there can be a real riot out there, or it can be so refined.

- Evelyn Glennie

King, Emotions, Big, Refined

Music is about communication... it isn't just something that maybe physically sounds good or orally sounds interesting; it's something far, far deeper than that.

- Evelyn Glennie

Interesting, Maybe, About, Just Something

Before my teen years, I was losing my hearing pretty quickly, and I was getting very, very angry. I was beginning to become an angry person because of that.

- Evelyn Glennie

Beginning, Pretty, Very, Teen Years

I love out-of-the-way, rugged places. For me, holidays are about the experiences, and the people, and the memories, rather than sitting on a nice beach getting tanned. I try to plant myself where I am and embrace what is there in front of me.

- Evelyn Glennie

Love, Rather, About, Rugged

Marimba is much more of a wood-type experience and there is no real possibility of getting a dry sound, and getting that contrast in the same way that you can in a vibraphone.

- Evelyn Glennie

Sound, More, Dry, Possibility

If we see someone in a wheelchair, we assume they cannot walk. It may be that they can walk three, four, five steps. That, to them, means they can walk.

- Evelyn Glennie

Wheelchair, May, Means, Assume

There's still a lot I need to do as a player, as a musician, as a sound creator. I have commissioned 170 pieces: that's still not enough, there are still lots and lots of composers I would like to approach. When I see a composer and I see a performer, I think to combine those forces.

- Evelyn Glennie

Sound, I Think, Composers, Combine

Your mallet or your stick goes through the instrument, the sound goes out and then wherever the sound goes nobody knows, you know.

- Evelyn Glennie

Sound, Through, Goes, Wherever

My first real foreign holiday was my honeymoon 20 years ago, and we went to Bali. It was particularly special for that reason, I enjoyed it very much - I had packed music scores and a practice drum pad, suspecting that I would be completely bored, but actually they remained in my case.

- Evelyn Glennie

Practice, Reason, Very, Bored

I suppose I don't hear things, but I listen, if you know what I mean. And there is a big difference between hearing and listening. So it's like a conversation, you know. When you speak to someone, it's one on one, and that's exactly how I play.

- Evelyn Glennie

Play, Listen, Big, Conversation

It's the things that you notice when you're not actually with your instrument that, in fact, become so interesting, and that you - you want to explore, through this tiny tiny surface of a drum.

- Evelyn Glennie

Explore, Fact, Through, Notice

When I was 12, I happened to see a schoolmate playing percussion, and it looked interesting. I asked for lessons, and it felt right.

- Evelyn Glennie

Interesting, Looked, Felt, Lessons

I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.

- Evelyn Glennie

Deep, Play, Side, Orchestra

I am really quite fascinated by echo-locating bats and dolphins and have always wondered how sound affects the unconscious brain.

- Evelyn Glennie

Sound, Always, Unconscious, Dolphins

Hearing is a form of touch. I could hear less through the ears but more through the body.

- Evelyn Glennie

Through, Ears, Form, Hearing

Hearing is a form of touch. You feel it through your body, and sometimes it almost hits your face.

- Evelyn Glennie

Sometimes, Through, Almost, Hearing

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