Ernst Lubitsch Quotes

Powerful Ernst Lubitsch for Daily Growth

About Ernst Lubitsch

Ernst Lubitsch (1892-1947), a German-born American film director, screenwriter, and producer, is renowned as one of the most influential figures in Hollywood's Golden Age of cinema. Born Erwin Scharfstein in Berlin, Germany, he started his career in theater before transitioning to films. Influenced by the works of Max Reinhardt and Ernst Bachrach, Lubitsch honed his skills as a screenwriter and director in German silent films during the early 1900s. His distinctive style, characterized by wit, sophistication, and satire, was already evident in these early productions. In 1923, Lubitsch moved to America, where he quickly rose through the ranks at Paramount Pictures. He directed his first American film, "Ninotchka," in 1939, starring Greta Garbo, which solidified his reputation as a master of comedy and romantic films. Some of Lubitsch's most famous works include "The Shop Around the Corner" (1940), a heartwarming tale of two feuding shop clerks who are unknowingly falling in love via correspondence; "Heaven Can Wait" (1943), a comedy about a man trying to get into heaven, but finds himself sent back to Earth due to a bureaucratic error; and "To Be or Not To Be" (1942), a satire of Nazi Germany featuring Jack Benny and Carole Lombard. Lubitsch's unique blend of comedy, romance, and social commentary made him a trailblazer in Hollywood. His influence can still be felt today, with many modern filmmakers citing him as an inspiration. Tragically, Lubitsch died in 1947 at the age of 54 due to a heart attack while filming "That Lady in Ermine." Despite his untimely death, Ernst Lubitsch's legacy continues to endure.

Interpretations of Popular Quotes

"Every scene should be a miniature play with a beginning, middle and end."

Ernst Lubitsch's quote emphasizes the importance of structure and self-contained narrative in filmmaking. In every scene, there should be a clear setup (beginning), development (middle), and resolution (end). This approach ensures that each scene has a purpose, progresses the story, and leaves an impact on the audience, much like a miniature play or short story within the larger context of the movie. This method enhances the overall coherence and flow of the film, contributing to its effectiveness in engaging viewers and conveying the intended themes and messages.


"The secret of a good scenario is that nothing happens - but everyone changes."

This quote by Ernst Lubitsch emphasizes the power of character development and emotional growth within a story, rather than relying on external events or plot twists for impact. A well-crafted narrative doesn't necessarily require grand action or climactic moments; instead, it should focus on how the characters evolve throughout the course of the story. By showing the internal journey of the characters and their transformation, Lubitsch suggests that a good script can create profound changes within the audience as they connect with and empathize with these evolving individuals.


"I make 'em laugh, I make 'em cry, I make 'em think, and then I make 'em forget it all before they go out to the lobby."

Ernst Lubitsch, a renowned German-American filmmaker, expresses his creative philosophy in this quote. He asserts that through his films, he evokes a range of emotional responses from laughter to tears, stimulates thought, and then intentionally designs the narrative structure to allow audiences to forget the deeper implications before leaving the theater, or "the lobby". This approach suggests a form of escapism, where movies serve as temporary refuge from reality.


"There are no small parts, only small actors."

Ernst Lubitsch's quote, "There are no small parts, only small actors," emphasizes that every role, regardless of its size or significance in a production, is crucial to the overall success of a performance. It suggests that an actor's skill and ability can elevate even the smallest part to make it impactful and memorable for the audience. In essence, Lubitsch highlights the importance of each individual contributing to a piece, regardless of their perceived importance or screen time.


"All you need for a movie is a gun and a girl."

Ernst Lubitsch's quote, "All you need for a movie is a gun and a girl," suggests that classic narrative storytelling can be effectively conveyed through two universal elements: conflict (represented by the gun) and desire or relationships (represented by the girl). These two components have been fundamental in creating engaging stories across various genres, appealing to a wide audience. The essence of this quote lies in its simplicity, encapsulating the core elements of drama, tension, and human connection that are often at the heart of compelling movies.


You could name the great stars of the silent screen who were finished; the great directors gone; the great title writers who were washed up. But remember this, as long as you live: the producers didn't lose a man. They all made the switch. That's where the great talent is.

- Ernst Lubitsch

Title, Screen, Directors, Great Talent

I let the audience use their imaginations. Can I help it if they misconstrue my suggestions?

- Ernst Lubitsch

Help, Audience, Imaginations, Suggestions

I've been to Paris France and I've been to Paris Paramount. Paris Paramount is better.

- Ernst Lubitsch

Paris, Better, Been, Paramount

In Hollywood we acquire the finest novels in order to smell the leather bindings.

- Ernst Lubitsch

Smell, Hollywood, Finest, Acquire

I sometimes make pictures which are not up to my standard, but then it can only be said of a mediocrity that all his work is up to his standard.

- Ernst Lubitsch

Work, Standard, Which, Mediocrity

Nobody should try to play comedy unless they have a circus going on inside.

- Ernst Lubitsch

Play, Going, Unless, Circus

There are a thousand ways to point a camera, but really only one.

- Ernst Lubitsch

Camera, Only, Ways, Thousand

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