Ennio Morricone Quotes

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About Ennio Morricone

Ennio Morricone (1928-2020), an Italian composer, orchestrator, and conductor, was a titan in the realm of film scoring, leaving an indelible mark on cinematic history with his distinctive fusion of Western, classical, and traditional Italian music. Born on November 10, 1928, in Rome, Morricone's love for music began at an early age. He was heavily influenced by American jazz, country, and blues records that he would listen to secretly as a teenager. After attending the Santa Cecilia Conservatory in Rome, Morricone launched his career in the 1950s, scoring movies and television shows. His big break came with Sergio Leone's "A Fistful of Dollars" (1964), the first film of the iconic Dollars Trilogy, which established Morricone as a master of the Western genre. The unforgettable theme for this film, characterized by its haunting whistling and gunshot-like guitar riffs, set a new standard for cinematic music. Morricone's subsequent collaborations with Leone on "For a Few Dollars More" (1965) and "The Good, the Bad and the Ugly" (1966) further solidified his reputation as a film music genius. He also scored many other influential films, including "Once Upon a Time in the West," "Cinema Paradiso," and "The Mission." Throughout his prolific career, Morricone won an Oscar for the score of Quentin Tarantino's "The Hateful Eight" (2015), five Grammy Awards, and numerous other accolades. His innovative approach to film scoring, characterized by his ability to create unique themes that embodied the essence of each film, cemented his status as a legend in the world of cinema. Ennio Morricone passed away on July 6, 2020, leaving behind an unparalleled legacy that continues to inspire new generations of composers and filmmakers.

Interpretations of Popular Quotes

"Music is the third language and the universal passport."

Ennio Morricone's quote underscores the transcendent power of music as a means of communication that can surpass linguistic and cultural barriers. Like language, music has the ability to express emotions and ideas in a way that resonates universally. This metaphorical "universal passport" allows us to connect with others, fostering empathy, understanding, and unity across diverse societies.


"I don't want to be understood, I want to be believed."

Ennio Morricone's quote "I don't want to be understood, I want to be believed" suggests a desire for authenticity and trust over simple comprehension of his work or persona. He may seek not only to convey information but also to evoke emotions or inspire faith in the power and sincerity of his art, transcending the need for intellectual understanding. It implies that he values belief in his talent and intent more than a literal interpretation of his compositions.


"The best soundtrack is the one that enhances the film but doesn't draw attention to itself."

Ennio Morricone's quote emphasizes the importance of a film score in complementing the visual narrative without overshadowing it. A great soundtrack should subtly amplify emotions, set moods, and enhance storytelling, rather than distract or dominate the audience's focus from the main plot. In this sense, the best soundtracks serve as invisible partners that bring depth to the cinematic experience.


"A score should be like a story told without words."

Ennio Morricone's quote emphasizes the power of music to communicate emotion and narrative, much like a spoken or written story. When he says "without words," he implies that music can convey feelings and tell a story through its melodies, rhythms, harmonies, and other elements without relying on literal language. This is the essence of film scoring – creating an emotional backdrop or narrative thread to complement and enhance the visual storytelling in a film. Essentially, Morricone's quote underscores music's unique ability to transcend linguistic barriers and reach audiences deeply, making stories more immersive and impactful.


"I make music for the image and for the director's idea, not just for the pleasure of making music."

Ennio Morricone's quote emphasizes that he composes music as a collaborative process with visual elements and directors' vision in mind, rather than purely for personal enjoyment or artistic expression. This perspective highlights the importance of understanding the context and purpose of the music within the larger narrative or aesthetic framework of a film or project, demonstrating a strong sense of professionalism, dedication, and adaptability as a composer.


I have to see a definitive cut of the film before I even start thinking about the music, I tell the director what my feelings are and what I would like to do. He accepts what I say or discusses it or destroys it. Eventually, we have to find a compromise.

- Ennio Morricone

Tell, Before, Cut, Compromise

I dislike cats. I like horses, some monkeys, and sweet dogs that aren't too aggressive. I used to have a wonderful, big cat, and one day I came into the kitchen and it was on the table, ruining all the food we were about to eat. I was so annoyed that I took it to a friend's house in the country.

- Ennio Morricone

Big, Country, Some, Aggressive

I was born in 1928, so in 1943, 1944, we had the war in Rome. There were a lot of hardships, a lack of food, many shortages. So when I worked with the Americans, the English, and the Canadians soon after the war, when I played with them, they paid me with food. That will give you an idea how widespread poverty was at that time.

- Ennio Morricone

Soon, Idea, Had, Shortages

In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.

- Ennio Morricone

Space, Treat, Very, Blamed

De Palma is delicious! He respects music; he respects composers. For 'The Untouchables,' everything I proposed to him was fine, but then he wanted a piece that I didn't like at all, and of course we didn't have an agreement on that. It was something I didn't want to write - a triumphal piece for the police.

- Ennio Morricone

Music, Him, Composers, Proposed

You can see my decision as either a distinctive factor or as a limitation. I don't feel it is a limitation.

- Ennio Morricone

See, Limitation, Either, Factor

If you scroll through all the movies I've worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So in other words, I'm no specialist, because I've done everything. I'm a specialist in music.

- Ennio Morricone

Love, Through, Other, Scroll

The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.

- Ennio Morricone

Director, Come, Musical, Surrender

My favourite type of pizza is a Napoletana: tomatoes, mozzarella, and very few anchovies. It must have a thin base.

- Ennio Morricone

Very, Favourite, Type, Tomatoes

My more risky or avant garde music is not that well known to a wider audience, but I wish it was.

- Ennio Morricone

Audience, I Wish, Wider, Risky

Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go before my wife, I will leave her alone, and vice versa. The ideal would be to die together.

- Ennio Morricone

Die, Before, About, Frighten

It could have been extremely boring to write musical scores for only westerns of horror films. It was really exciting for me to work in all these various genres.

- Ennio Morricone

Horror, Been, Films, Horror Films

Some movies work really well with music from Bach or Mahler that existed long before the film, so music has its own autonomy.

- Ennio Morricone

Work, Some, Before, Mahler

Music needs room to breathe.

- Ennio Morricone

Music, Needs, Room, Breathe

I often use the same harmonies as pop music because the complexity of what I do is elsewhere.

- Ennio Morricone

Same, Complexity, Pop, Harmonies

In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.

- Ennio Morricone

Thought, Sound, One Day, Cinemas

When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.

- Ennio Morricone

Movie, I Think, About, Pregnant

I never watch the dailies. What I usually do is have a look at the rough or final cut, and I just get something from the story. Sometimes I start composing even before the director has shot anything. The dailies don't help me at all.

- Ennio Morricone

Before, Cut, Rough, Composing

I like composing music, but I love being with my family.

- Ennio Morricone

Love, Music, I Love, Composing

Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I don't understand why this happens in the movie industry.

- Ennio Morricone

Movie, Bernard, Scores, Beethoven

I don't know the names of any pop musicians. Pop music is standardised; it's made to please the largest audience possible. I also compose to please a large audience, but when you listen to my music, you understand that I have studied and applied the whole history of composition.

- Ennio Morricone

Musicians, Largest, Applied, Pop Music

I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly, it has to be listened to by the public.

- Ennio Morricone

Beginning, Director, I Write, Enthusiastic

I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie.

- Ennio Morricone

Bad, Became, Psychological, Theme

I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.

- Ennio Morricone

Away, Films, Images, Far Away

There was a theft! But, of course, if it was up to me, every two years I would win an Oscar.

- Ennio Morricone

Me, Oscar, Would, Theft

I like to feel and understand people's contentment with what I've done.

- Ennio Morricone

Understand, Feel, Like, Contentment

I was offered a free villa in Hollywood, but I said no thank you, I prefer to live in Italy.

- Ennio Morricone

Thank You, Hollywood, Prefer, Italy

I come from a background of experimental music which mingled real sounds together with musical sounds.

- Ennio Morricone

Music, Which, Sounds, Background

It had a very good arrangement by Herbie Hancock, but it used existing pieces.

- Ennio Morricone

Very, Arrangement, Existing, Pieces

There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.

- Ennio Morricone

Think, Some, Very, Score

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