Elia Kazan Quotes

Powerful Elia Kazan for Daily Growth

About Elia Kazan

Elia Kazan (1909-2003), an influential American director, playwright, and actor, is renowned for his significant contributions to the world of theater and film. Born on September 26, 1909, in Istanbul, Turkey, Kazan was raised in a family with Greek and Armenian roots before moving to the United States at the age of thirteen. Kazan's early life experiences, particularly his family's struggles to assimilate into American society, significantly influenced his perspective on identity, social justice, and artistic expression. He attended Williams College and the Yale School of Drama, where he honed his skills as a writer and actor. Kazan's career took off in 1947 when he directed "A Streetcar Named Desire," starring Marlon Brando and Vivien Leigh, which won him the Tony Award for Best Director. This success was followed by other notable productions, such as "Death of a Salesman" (1949) and "Cat on a Hot Tin Roof" (1955). Kazan's impact extended to film, where he directed classics like "On the Waterfront" (1954), for which he won an Academy Award for Best Director, and "East of Eden" (1955) starring James Dean. His works often explored themes of power, morality, and the human condition, with a particular focus on the working class and social issues. In 1952, Kazan testified before the House Un-American Activities Committee about past membership in the Communist Party, a decision that remains divisive to this day. Despite the controversy, his body of work continues to be celebrated for its artistic merit and enduring impact on American theater and film. Elia Kazan passed away on September 28, 2003, leaving behind an indelible mark on the world of drama and a legacy that continues to inspire new generations of artists.

Interpretations of Popular Quotes

"The secret of a good acting is truth, simplicity, straight humanity. You are expressing feelings and telling the truth about the character and the situation in which he finds himself."

Elia Kazan's quote emphasizes that effective acting revolves around three key elements: truth, simplicity, and straightforward human emotion. To portray a character authentically, an actor should convey genuine feelings, avoiding excess or over-dramatization. The truth lies in the emotional depth of the performance, while simplicity keeps it relatable to the audience, allowing them to see themselves in the character's situation. Ultimately, good acting means communicating human truth through straight-forward and relatable performances.


"I'm not a great director. I'm a lucky director who has had some great actors."

This quote by Elia Kazan signifies that he acknowledges his good fortune in working with exceptional talent, rather than attributing his success solely to his own directing skills. It implies humility in recognizing the vital role that actors play in bringing a director's vision to life on screen. Additionally, it emphasizes the importance of collaboration between directors and performers for creating compelling cinema.


"The director must be a man of the theater, but a poet as well. He must have the imagination to understand the playwright's vision and the discipline to realize it in terms of production."

Elia Kazan's quote emphasizes that a successful director in theatre should possess two key traits: a deep understanding of theatrical production (being "a man of the theater") and a rich, creative imagination ("a poet"). In other words, they must be skilled technicians who can bring plays to life on stage while also having the ability to appreciate the playwright's unique vision and interpret it in a compelling way. This balance between practicality and artistry allows directors to create engaging and meaningful productions that resonate with audiences.


"A film is never really good unless the camera is an eye in the head of a poet."

Elia Kazan's quote suggests that a successful film is one where the camera functions as the "eye" of a poet, meaning it captures and communicates deep, emotional, or profound visual stories. This implies that the cinematography should not just record events but also convey feelings, emotions, and perspectives in a way that mirrors the creative process of poetry. A film thus becomes an artistic expression through the visual medium, much like poetry is through words.


"The director has to be prepared to give up his life if he wants to make a good movie. If he's not ready to do that, he should go home and take up bridge."

This quote emphasizes the immense dedication and passion required from film directors to create a great movie. Elia Kazan suggests that directing a film is such an all-consuming task that it may seem as if one is sacrificing their life for the project. If a director is not fully committed, willing to make personal sacrifices, and ready to pour their heart and soul into the work, they should consider other less demanding pursuits like playing bridge. This quote underscores the artistic drive and relentless determination needed to succeed in filmmaking.


I was both very successful and very left; the living demonstration of how you could be on the left and still be in the gossip columns and be envied for the money you made.

- Elia Kazan

Living, Very, Still, Columns

I don't remember anything anybody said in any Jack Ford picture. Nothing happens except action.

- Elia Kazan

Nothing, Anybody, Any, Ford

To be a member of the Communist Party is to have a taste of the police state. It is a diluted taste but is bitter and unforgettable.

- Elia Kazan

Unforgettable, Communist, Diluted

Whatever hysteria exists is inflamed by mystery, suspicion and secrecy. Hard and exact facts will cool it.

- Elia Kazan

Cool, Mystery, Inflamed, Secrecy

I want to thank the Academy for its courage and generosity.

- Elia Kazan

Want, Thank, Academy, Generosity

The Communists automatically violated the daily practices of democracy to which I was accustomed.

- Elia Kazan

Daily, Violated, Which, Automatically

I wouldn't go up on a stage now if you paid a thousand dollars for one minute of acting. It's a nasty experience. You're up there all by yourself. You're so damn exposed.

- Elia Kazan

Experience, Go, Dollars, Nasty

The more ambivalent you are and the more uncertain you are, then you can get something that you cannot anticipate.

- Elia Kazan

More, Get, Ambivalent, Anticipate

I was not a collective person or a bohemian; I was an elitist.

- Elia Kazan

Person, Collective, Bohemian, Elitist

I knew the exuberance of playing before an admiring audience and hearing my secret voice.

- Elia Kazan

Voice, Audience, Before, Admiring

I said to Tennessee, this thing is becoming the Marlon Brando show.

- Elia Kazan

Becoming, Marlon Brando, Tennessee

The world was like a huge red carpet out ahead of me to be walked on. And it stretched on and on, no end.

- Elia Kazan

Red, World, Walked, Red Carpet

When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on.

- Elia Kazan

Reach, Actor, Going, Arouse

The thing about Brando was that I'd make these directions, and he'd walk away. He'd heard enough... to get the machine going.

- Elia Kazan

Away, Going, About, Brando

I was taken in by what might be called the Hard Times version of the Communists' advertising or recruiting technique.

- Elia Kazan

Might, Taken, Times, Recruiting

The motion pictures I have made and the plays I have chosen to direct represent my convictions.

- Elia Kazan

Motion, Made, Plays, Convictions

I question the value of stars. I think they're overrated. They get too much money, too much praise.

- Elia Kazan

Think, Question, I Think, Overrated

I would rather do what I did than crawl in front of a ritualistic Left and lie the way those other comrades did betray my own soul.

- Elia Kazan

Other, My Own, Rather, Comrades

I hate the Communists and have for many years and don't feel right about giving up my career to defend them. I will give up my film career if it is in the interests of defending something I believe in, but not this.

- Elia Kazan

Career, Giving Up, About, Communists

I was even superior to the Communists and when they didn't go along with me, I quit them.

- Elia Kazan

Along, Superior, Even, Communists

For years after I resigned, I was still faithful to their way of thinking. But not in the American Communists.

- Elia Kazan

American, Still, After, Communists

Hey, you must be doin' good, 'cause I never hear from you.

- Elia Kazan

Never, Good Cause, Cause, Hey

I was not what you'd call a first-class actor, but I did all right.

- Elia Kazan

Actor, Right, Call, First-Class

I have no spy stories to tell, because I saw no spies. Nor did I understand, at that time, any opposition between American and Russian national interest.

- Elia Kazan

Tell, Stories, Russian, Spies

There is only one thing I respect in so-called Broadway actors... and that is their competitive sense.

- Elia Kazan

Sense, Broadway, One Thing, So-Called

I was the true future. I understood Communism better than they did.

- Elia Kazan

Future, Better, Than, Understood

There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway.

- Elia Kazan

Hollywood, Making, Which, Fools

Stylized acting and direction is to realistic acting and direction as poetry is to prose.

- Elia Kazan

Acting, Realistic, Prose, Stylized

Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.

- Elia Kazan

Death, Waiting, Turned, Loose

I joined the Communist Party late in 1934. I got out a year and a half later.

- Elia Kazan

Communist, Later, Half, Party

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