Eleanor Catton Quotes

Powerful Eleanor Catton for Daily Growth

About Eleanor Catton

Eleanor Catton, born on March 24, 1985, is a celebrated New Zealand novelist and short-story writer who garnered international acclaim with her award-winning novel, "The Luminaries." Catton was raised in Timaru, a small coastal town in New Zealand's South Island. She displayed an early aptitude for storytelling, creating her own novels at the age of six. Her interest in writing was further fueled by her love for literature, which she nurtured during her education at Christchurch Girls' High School and later at Victoria University of Wellington. Catton's first major work, "The Rehearsal," published in 2008, is a novel that explores themes of art, power, and sexuality. It won the New Zealand Book Award for Fiction, marking her as a promising new talent in the literary world. In 2013, Catton released "The Luminaries," an epic novel set during the New Zealand Gold Rush. The intricate narrative structure and rich detail earned it the Man Booker Prize, making Catton the youngest author and only the third woman to win this prestigious award. Catton's works are known for their complex narratives, intricate plotlines, and exploration of themes like fate, power, and the human condition. Her influences range from 19th-century literature to modern authors like David Mitchell and Haruki Murakami. In addition to her writing career, Catton is actively involved in environmental activism, using her platform to raise awareness about climate change and sustainability issues. She currently resides in Berlin, Germany, where she continues to write and explore new creative avenues.

Interpretations of Popular Quotes

"The world breaks everyone and afterward many are strong in the broken places."

This quote by Eleanor Catton suggests that life, through its challenges and hardships, has a tendency to fracture individuals, leaving them feeling broken or vulnerable. However, it also implies that this process of being "broken" is not necessarily negative; on the contrary, it can serve as an opportunity for growth and resilience. The "strong places" mentioned in the quote are the areas where healing and personal fortitude have taken root after the initial fracture or trauma, demonstrating a newfound strength that was perhaps hidden or untapped before. Essentially, Catton's words encourage us to recognize that adversity can lead to growth, self-discovery, and increased resilience in our lives.


"Love is a great beautifier."

The quote "Love is a great beautifier" by Eleanor Catton suggests that love has the power to transform and elevate, making whatever it touches more beautiful or attractive. It implies that love can bring out the best in people, situations, and even ourselves, making our lives more fulfilling and aesthetically pleasing. This understanding of love as a force for good emphasizes its significant role in enhancing our world and human experiences.


"A story is a series of events, connected by cause and effect, that take place over time, and which have a beginning, a middle, and an end."

This quote by Eleanor Catton elucidates the structural foundation of a story. It highlights three key elements: causality (the sequence of events connected by cause and effect), temporality (events occurring over time), and narrative progression (a beginning, middle, and end). Essentially, she encapsulates the essence of storytelling as a journey through time where each event influences the next, leading to a coherent and meaningful narrative arc.


"Life isn't about waiting for the storm to pass; it's about learning how to dance in the rain."

Eleanor Catton's quote emphasizes resilience and finding joy amidst life's challenges. It suggests that instead of waiting for hardships or difficult times to end, one should learn to navigate through them gracefully, finding beauty and meaning in the struggle itself. In other words, it encourages us to embrace the difficulties as part of life, adapt, and find moments of happiness even when facing adversity - just like dancing in the rain.


"I think we're all broken in our own ways. I think we all carry heavy loads."

This quote by Eleanor Catton suggests that everyone carries personal struggles, emotional pain, or burdens - a shared human experience of imperfection or hardship. It acknowledges the inherent fragility and complexity of the human condition, emphasizing our commonality rather than differences. By carrying heavy loads, we grow, learn, and ultimately become stronger as individuals, which can foster empathy, understanding, and compassion in others.


A trip to the picture framer's, with a selection of prints, is the most joyous outing I can imagine. I've spent more money on framing than on anything else I own.

- Eleanor Catton

More, Imagine, Framing, Outing

To experience sublime natural beauty is to confront the total inadequacy of language to describe what you see. Words cannot convey the scale of a view that is so stunning it is felt.

- Eleanor Catton

Beauty, Natural, Inadequacy, Scale

I grew up on the South Island of New Zealand, in a city chosen and beloved by my parents for its proximity to the mountains - Christchurch is two hours distant from the worn saddle of Arthur's Pass, the mountain village that was and is my father's spiritual touchstone, his chapel and cathedral in the wild.

- Eleanor Catton

Mountains, Arthur, South, Saddle

I think the adverb is a much-maligned part of speech. It's always accused of being oppressive, even tyrannical, when in fact it's so supple and sly.

- Eleanor Catton

Think, Always, Oppressive, Sly

I highlight everything I find interesting, and then type out everything I've highlighted, and then print out everything I've typed, and reread these printed notes as often as possible.

- Eleanor Catton

Interesting, Often, Notes, Typed

The challenge that I set for myself was to see whether or not plot and structure could coexist, and why it was that we had to always privilege one above the other.

- Eleanor Catton

Always, Other, Set, Coexist

The ability of humans to read meaning into patterns is the most defining characteristic we have.

- Eleanor Catton

Meaning, Most, Read, Defining

I feel very strongly influenced by long-form box-set TV drama... I feel really excited that, at last, the novel has found its on-screen equivalent, because the emotional arcs and changes that you can follow are just so much more like a novel, and so many amazing shows recently have done as much as film can do to show the interior world.

- Eleanor Catton

Very, TV, Equivalent, On-Screen

The readership of Victorian novels, when they were published, was much less diverse. People were probably white, and had enough money to be literate. Very often, there are phrases in Italian, German and French that are left untranslated.

- Eleanor Catton

Very, Had, German, Enough Money

I see disappointment as something small and aggregate rather than something unified or great. With a little effort, every failure can be turned into something good.

- Eleanor Catton

Small, Rather, Turned, Something Good

I went to a state school in Christchurch, New Zealand, and then straight on to the University of Canterbury. But I worked part-time all the way through high school: first with a paper round, then at a fast-food outlet, a video store and a hardware store.

- Eleanor Catton

Through, University, Video, Part-Time

We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive.

- Eleanor Catton

Work, Female Artists, Side, Block

Is the prestige conferred by the Man Booker prize for the book or me? I would prefer it on the book and for me to be treated ordinarily.

- Eleanor Catton

Treated, Would, Prefer, Conferred

One of the things I really like about Victorian novels is the close anatomisation of character. People's gestures and mannerisms and the quality of their thought is very closely identified and analysed.

- Eleanor Catton

Very, Closely, Mannerisms, Identified

In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are - about luck and identity and how the idea struck them.

- Eleanor Catton

Luck, Lucky, Other, Women Writers

Margaret Atwood was the author who took me out of children's literature and guided me towards adult literature.

- Eleanor Catton

Children, Literature, Took, Guided

I don't feel like literature has the power to alienate. I think that's something people feel if they don't connect with a work of art. But I don't think a work of art can actively reject the person who's looking at it or reading it.

- Eleanor Catton

Art, Think, I Think, Actively

My parents took me to the Bronte parsonage in England when I was a teenager. I had a fight with my mum, burst into tears, jumped over a stile and ran out into the moors. It felt very authentic: A moor really is an excellent place to have a temper tantrum.

- Eleanor Catton

Tears, Very, Mum, Burst

In improvising, you've got your scale; you've got the notes that are going to sound good with other notes, the intervals that are going to sound good. But you've also got all the chromatic possibilities, the possibilities of sounding dissident, of being unexpected.

- Eleanor Catton

Possibilities, Other, Notes, Improvising

There are a lot of people of my generation in New Zealand literature, young writers on their first or second books, that I'm just really excited about. There seems to be a big gap between the generation above and us; it seems to be quite radically different in terms of form and approach.

- Eleanor Catton

Young, Big, About, Young Writers

The books that really made an impact on me were not set in New Zealand. Some were New Zealand novels, but the New Zealandness of them was not what carried me or excited me.

- Eleanor Catton

New, Some, Carried, Novels

I had never read Victorian novels before going overseas. I read a handful of authors, but I had not immersed myself in the literature of the 19th century.

- Eleanor Catton

Going, Before, Read, Novels

When I was writing 'The Luminaries,' I read a lot of crime novels because I wanted to figure out which ones made me go, 'Ah! I didn't know that was coming!'

- Eleanor Catton

Which, Figure, Read, Novels

You can tell when a writer moves out of a place of struggle and into a place of comfort, and it's always a bad thing.

- Eleanor Catton

Bad, Tell, Always, Struggle

Writing is exhilarating, but reading reviews is not. I've been really devastated by 'good' reviews because they misunderstand the project of the book. It can be strangely galvanising to get a 'bad' one.

- Eleanor Catton

Bad, Been, Exhilarating, Devastated

There are so many ways of posturing that people associate with being a writer. They imagine you wearing a beret and drinking only red wine and being full of yourself, and so, for a long time, the way I felt about writing was too private. I felt it too important and didn't want to be teased about it. So I lied about it.

- Eleanor Catton

Private, Red Wine, About, Wine

I don't see that my age has anything to do with what is between the covers of my book, any more than the fact that I am right-handed. It's a fact of my biography, but it's uninteresting.

- Eleanor Catton

Book, Fact, More, Uninteresting

It seems pretentious to assume that we are not creatures of action. I think often it takes a situation of extreme absurdity, extreme action, to push us to the limits of what our character is, and to change us as people.

- Eleanor Catton

Think, Creatures, I Think, Pretentious

I think that you have to keep the reader front and centre if you're going to write something that people are going to love and be entertained by.

- Eleanor Catton

Love, Think, I Think, Entertained

I would draw a really sharp distinction between creating and producing. I think that they're very different things.

- Eleanor Catton

Think, I Think, Very, Different Things

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