Duane Michals Quotes

Powerful Duane Michals for Daily Growth

About Duane Michals

Duane Michals (born October 7, 1932) is an American photographer, best known for his conceptual and narrative work that blends photography with text and poetry. Born in Pittsburgh, Pennsylvania, Michals was initially drawn to painting but became fascinated by photography during a high school trip to the Carnegie Museum of Art. He later studied at Carnegie Mellon University before serving in the Army. Upon his return from military service, Michals began his professional career as a photographer. His work was heavily influenced by Surrealism, Dada, and Beat Generation literature. In 1963, he moved to New York City where he quickly became part of the avant-garde art scene. It was during this time that he started creating his unique photographic sequences, which tell stories through a series of images connected by text or captions. One of Michals' most famous works is "Male Nude in a Mirror" (1967), a series of self-portraits that explore gender identity and sexuality. Other notable series include "Self-Portrait as Dandy" (1969) and "The Spiritual Self-Portraits" (1973). These works often challenge traditional notions of photography, using it as a medium for self-expression and personal exploration rather than objective documentation. Throughout his career, Michals has received numerous awards, including a Guggenheim Fellowship in 1968 and the Lifetime Achievement Award from the International Center of Photography in 2005. His work can be found in major museum collections around the world, including the Museum of Modern Art and the Metropolitan Museum of Art in New York. Today, Duane Michals continues to create photographic art that pushes boundaries and challenges conventions. His unique approach to photography has made him a significant figure in the history of contemporary art.

Interpretations of Popular Quotes

"Photographs are a magic but fragile medium."

Duane Michals' statement "Photographs are a magic but fragile medium" captures the dual nature of photography. On one hand, photographs have a magical quality, they can freeze moments in time, transport us to different places, and evoke powerful emotions. However, these moments captured are inherently fragile, subject to decay, loss, or misinterpretation over time, making their magic all the more precious and fleeting.


"I am primarily concerned with making emotional statements."

Duane Michals, in this statement, expresses his main artistic focus: communicating emotions through his work. He prioritizes creating art that resonates emotionally rather than being driven solely by technical skill or intellectual themes. This emphasis on emotion gives his photography a deeply personal touch, allowing viewers to connect with the underlying feelings and experiences he conveys.


"The photograph is a way of saying something that can't be said any other way."

This quote by Duane Michals emphasizes photography's unique ability to communicate emotions, ideas, or experiences that might be challenging to express through words alone. It highlights the power of visual storytelling in conveying complex feelings, universal truths, or abstract concepts that can resonate deeply with viewers, transcending language barriers and creating a powerful connection between the image and its audience.


"I want to be remembered for the photographs, not for the words."

This quote suggests that the visual impact and artistic expression captured in Duane Michals' photography is his primary means of making a lasting impression, rather than through any accompanying written or spoken words. His work speaks for itself, conveying emotions, stories, and ideas in a way that transcends language barriers and engages viewers on an emotional level.


"If a photograph doesn't shock me, I won't take it."

This quote emphasizes that for Duane Michals, photography should challenge or surprise him to some degree in order to be worth creating. He seeks novelty and originality in his work, pushing the boundaries of what is conventionally considered a good photograph. Shock value doesn't necessarily mean offensive or disturbing; instead, it implies an image that stirs strong emotions, provokes thought, or challenges one's perception. Essentially, Michals strives for photographs that make an impact and stand out from the ordinary.


I still find doing portraits a terrific challenge, but even though I've done hundreds of them, I've never stopped questioning the very nature of portraiture because it deals exclusively with appearances. I've never believed people are what they look like and think it's impossible to really know what people are.

- Duane Michals

Doing, Questioning, Very, Portraits

My work is about my life as an event, and I find myself to be very temporal, transient.

- Duane Michals

Work, My Life, Very, Transient

Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.

- Duane Michals

Death, My Life, Very, Transient

Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?

- Duane Michals

Questions, Deal, Other, Real Value

You can't see fear or lust; you can't photograph someone's anxieties, how disappointment feels. Photographs are approximations.

- Duane Michals

How, Feels, Anxieties, Lust

Photography is very presumptuous. Photographers are always photographing other people's lives - something they know nothing about - and drawing great inferences into it.

- Duane Michals

Always, Other, Very, Inference

I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways.

- Duane Michals

Magic, Think, New, Reproduce

People of my generation who became photographers in the late fifties, early sixties, there were no rewards in photography. There were no museum shows. Maybe MOMA would show something, or Chicago. There were no galleries. Nobody bought photographs.

- Duane Michals

Show, Maybe, Became, Sixties

I'm very hard on the art world just being a big business.

- Duane Michals

Art, Big, Very, Big Business

I'm a terrible punster. And I love to rhyme. I just can't help myself.

- Duane Michals

Love, Help, I Love, Rhyme

In the West, people tend to look at life as spectators, but in the East, people are the thing.

- Duane Michals

West, East, Tend, Spectators

The only thing I know anything about are my own fantasies and anxieties. I don't trust my eyes. I consider myself to be a short-story writer.

- Duane Michals

Trust, My Own, Fantasies, Anxieties

The question of truth is forever in the air, and people look for it with particular fervor in art.

- Duane Michals

Truth, Art, Question, Fervor

I believe in the imagination. What I cannot see is infinitely more important than what I can see.

- Duane Michals

Imagination, Important, See, I Believe In

I've done a lot of commercial work. I'm the complete photographer.

- Duane Michals

Work, Commercial, Lot, Complete

Photography deals exquisitely with appearances, but nothing is what it appears to be.

- Duane Michals

Nothing, Appearances, Deals, Exquisitely

There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.

- Duane Michals

Career, Doing, Commercial, Museum

The majority of photographers focus on the obvious. They believe and accept what their eyes tell them, and yet eyes know nothing.

- Duane Michals

Focus, Nothing, Tell, Photographers

I got a lot of flak originally for writing with photographs, because the great cliche in photography is that one photograph is worth a thousand words, and photographers are usually dodo birds anyway.

- Duane Michals

Words, Birds, Thousand Words, Photographers

I think photographers are too polite. There is not enough anger in photography; it's pretty much trivialized.

- Duane Michals

Think, Pretty, Polite, Photographers

A lot of photographers walk around looking for something 'out there,' but I'm very much interested in what's 'in here.'

- Duane Michals

Here, Very, Around, Photographers

Even in the deepest love relationship - when lovers say 'I love you' to each other - we don't really know what we're saying, because language isn't equal to the complexity of human emotions.

- Duane Michals

Love, Other, Complexity, Saying

Most photographs, to me, are description, but they lack insight.

- Duane Michals

Me, Insight, Most, Photographs

Usually when painters use photographs, they enlarge and copy them and simply make a large, boring painting of a large, boring photograph.

- Duane Michals

Use, Them, Large, Photographs

All good work has magic in it, and addresses the mind in a subtle way.

- Duane Michals

Mind, Magic, Subtle, Good Work

To photograph reality is to photograph nothing.

- Duane Michals

Reality, Nothing, Photograph

I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.

- Duane Michals

Father, Thought, I Write, Photograph

I already know what things look like - I don't want description. People believe in appearances, and I don't believe in appearances at all.

- Duane Michals

Want, Like, Description, Appearances

To fulfil a fantasy is the quickest way to destroy it.

- Duane Michals

Fantasy, Way, Fulfil, Destroy

Art has to address eternal issues.

- Duane Michals

Art, Issues, Address, Eternal

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