Doug Liman Quotes

Powerful Doug Liman for Daily Growth

About Doug Liman

Douglas William Liman, born on October 20, 1965, is an acclaimed American film director, producer, and screenwriter known for his innovative storytelling and action-packed cinema. Raised in New York City, Liman developed a passion for filmmaking at a young age, inspired by the works of directors like Steven Spielberg and Martin Scorsese. He graduated from Harvard University with a degree in Visual and Environmental Studies before embarking on his career in the film industry. Liman began his career as an assistant director, working on films such as Back to the Future Part III (1990) and The Hunt for Red October (1990). He made his directorial debut with the cult classic movie "Swingers" (1996), which showcased Liman's talent for capturing the spirit of youth culture. In 1998, Liman directed one of his most influential works, "Go," a fast-paced drama that combined elements of comedy, tragedy, and crime. The film earned critical acclaim and solidified Liman as a director to watch. Liman's breakout success came with the action-packed war film "The Bourne Identity" (2002), starring Matt Damon as Jason Bourne. The film was a massive box office hit, launching a successful franchise that included three subsequent films directed by Liman. In recent years, Liman has continued to push boundaries with films like "Edge of Tomorrow" (2014) and "Mr. & Mrs. Smith" (2005). He is known for his collaborative approach to filmmaking, often working closely with actors and crafting complex, character-driven stories within high-octane action settings. Throughout his career, Doug Liman has proven himself to be a visionary director, consistently delivering thought-provoking and entertaining films that resonate with audiences around the world. His innovative style and dedication to storytelling have cemented his place as one of Hollywood's most respected filmmakers.

Interpretations of Popular Quotes

"The best moments in life are free. The artistry is in the choosing."

This quote emphasizes that some of life's most treasured moments come at no cost, suggesting they are inherently valuable. The "artistry" refers to the human ability to make discerning choices, implying that one should strive to make meaningful decisions that lead to these free, fulfilling experiences. Essentially, Liman encourages us to appreciate and seek out life's simple joys while exercising good judgment in our choices.

"Movies are about capturing the truth of life."

Doug Liman's quote emphasizes that movies serve as a medium to encapsulate and portray the authentic essence of real-life experiences, emotions, and situations. By conveying relatable stories, characters, and themes, films can offer audiences an immersive experience that reflects and resonates with their own human journey. This notion underscores the profound impact movies have on shaping culture, fostering empathy, and connecting people across diverse backgrounds.

"The more you believe in your idea, the more you're willing to fight for it."

This quote suggests that an individual's conviction in their idea or belief plays a significant role in their determination to defend it. When one strongly believes in what they propose, they are more likely to be resilient, persistent, and tenacious in advocating for it, even in the face of opposition or challenges. This mindset is often crucial in achieving success and realizing goals.

"Great movies should be like an iceberg: Most of what you need is hidden beneath the surface."

This quote by Doug Liman implies that great films should not rely solely on surface-level elements like visual spectacle, but also have a deep, substantial foundation that includes complex themes, character development, and meaningful storylines. Just as an iceberg is larger under the water than it appears above, great movies should engage viewers with more than just what they see, offering a rich, profound experience beneath the surface.

"I always find a way to have a little fun on set."

This quote indicates that Director Doug Liman prioritizes maintaining a positive and enjoyable atmosphere during filmmaking, even amidst potentially challenging or stressful situations. By infusing fun into the process, he fosters a more productive and creative environment for everyone involved in the production.

When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan.

- Doug Liman

Play, Think, Audience, Manhattan

I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies.

- Doug Liman

Thought, Dumb, Got, Robert

Almost anything can be justified as a style of filmmaking if it works.

- Doug Liman

Works, Almost, Justified

I have a rebellious nature, and being told no is almost the surest way to get me to do something.

- Doug Liman

Nature, Almost, Surest, Rebellious

I realize I am contradictory: I have an independent filmmaker's sensibility and a Hollywood director's short-attention span.

- Doug Liman

Hollywood, Contradictory, Sensibility

I do take things away from reading reviews. I think they keep you honest.

- Doug Liman

Think, I Think, Take, Reviews

The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.

- Doug Liman

Other, Studios, Your, Beating

VR should be more emotionally involving, but that doesn't happen automatically by just taking a VR camera and sticking it onto what would be a traditionally blocked scene for 2D.

- Doug Liman

More, Happen, Onto, Automatically

When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all.

- Doug Liman

Father, Tell, About, Deadly

Being on a commercial airplane is actually one of the safest places you can be on the planet.

- Doug Liman

Places, Commercial, Actually, Airplane

Flying small airplanes is not like being on airlines.

- Doug Liman

Flying, Small, Like, Airplane

I'm really drawn to adventure, and characters being plucked from normal life and sent on extraordinary adventures.

- Doug Liman

Normal, Being, Plucked, Normal Life

I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does.

- Doug Liman

Hollywood, Franchise, Events

'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.'

- Doug Liman

Need, Reaction, Like, Simpler

The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few more steps in that direction. In fact, I discovered this whole other world that I had ignored in the 'Bourne' franchise, which is the domestic life of a spy, and how you make the two halves of your life coexist.

- Doug Liman

Game, Other, Discovered, Coexist

I'm interested in the kind of anti-establishment ethos that goes with making an independent movie. I like to bring that to studio films - usually to the consternation of the studios.

- Doug Liman

Making, Studio, Films, Consternation

I didn't grow up like Quentin Tarantino, watching esoteric art films at the video store. I'd go to the multiplex and see big, mainstream movies, and I'd go, 'I want to make one of those one day.'

- Doug Liman

Big, One Day, Video, Mainstream

That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.

- Doug Liman

Shooting, Why, Part, Matt

Artistic mediums go through phases where progress happens really rapidly, and then other moments where it slows down.

- Doug Liman

Go, Through, Other, Mediums

I started making Super 8-mm films when I was about six years old and just never stopped. It was always just a hobby, but it's one of the few hobbies that can actually become a career. You know what? I think it was my plan from when I was six that this is what I was going to do.

- Doug Liman

Career, I Think, About, Hobby

I've got a short attention span, so it makes sense that I like movies because, for the most part, they immerse you in lots of action.

- Doug Liman

Like, Part, Makes, Immerse

I populated 'The Bourne Identity' with real characters from American history, specifically characters from the Iran-Contra affair, which my father ran the investigation of. But at the heart of it was a fictional character.

- Doug Liman

Father, American, Which, Fictional

I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that.

- Doug Liman

Process, Move, About, Analyze

Finding original source material is not easy, but when something special like 'Edge of Tomorrow' comes along, everybody recognized it. I wasn't swimming against the stream. Warner Brothers immediately supported it, Tom Cruise signed on instantly; Emily Blunt, who was our first choice, signed on immediately.

- Doug Liman

Against, Everybody, Brothers, Emily

I've always been interested in giving the audience a first-person experience in my movies.

- Doug Liman

Movies, Always, Been, First-Person

I like making movies that have some of the qualities of first-person shooter games. That was very important to me for the 'Bourne' franchise.

- Doug Liman

Some, Making, Very, First-Person

Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting.

- Doug Liman

Proud, Career, Amount, Casting

I love 'Bringing Up Baby.' Anything that Katharine Hepburn's in. I'm committed to the Humphrey Bogart, Cary Grant, Katharine Hepburn era of filmmaking.

- Doug Liman

Love, Filmmaking, Committed, Grant

I don't necessarily think that having more money helps make you make a better film. Sometimes having less money is better. You're forced into being more original; you're forced into hearing something versus seeing it.

- Doug Liman

Think, Original, Having, Versus

My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'

- Doug Liman

Through, Very, Plane, Scripts

I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard.

- Doug Liman

Movie, Exact Opposite, Smith, Maintaining

It causes havoc on set anytime a director wants to go backward rather than forward.

- Doug Liman

Director, Rather, Set, Havoc

Aaron Taylor-Johnson and John Cena, in 'The Wall,' are superheroes. They're very grounded, but the amount of training and stuff that soldiers bring to the field, they're like Iron Man.

- Doug Liman

Like, Very, Amount, Superheroes

There would be no Marvel without 'Swingers'; there would be no Jon Favreau directing 'Iron Man,' no Robert Downey Jr. playing Iron Man; no 'Avengers.'

- Doug Liman

Iron Man, Without, Jon, Avengers

'North by Northwest' was a big influence for 'The Bourne Identity.'

- Doug Liman

Identity, Big, North, Big Influence

Normally, the action is just a gratuitous thing. In the case of Bourne, he was going to learn about himself in the action scenes.

- Doug Liman

Learn, Going, Gratuitous, Normally

Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic.

- Doug Liman

Old, Surrounded, Centre, Normally

I understand that it's a huge luxury for people to dwell on the problems in Washington. Things have to be pretty tidy in your own life that you have the time to worry about what's going on in Washington. Most of us spend our time worrying about the things that are directly around us: our love lives, our careers, and our banking accounts.

- Doug Liman

Love, Own, About, Accounts

What I really found was that the one similarity between 'Covert Affairs' and 'Fair Game' is a deep love and admiration and fascination with the home life of a spy.

- Doug Liman

Love, Game, Home Life, Affairs

I always wanted to make big action movies as a kid, and that was my dream. In a way, 'Swingers' was the thing I suffered through the most doing because of all that dialog, so I could eventually be allowed to do a big dumb action movie, honestly.

- Doug Liman

Doing, Big, Through, Dialog

I had one scene in 'Invisible' with 12 actors delivering dialog at the same time.

- Doug Liman

Same, Delivering, Same Time, Dialog

Somehow super power and hero are so synonymous that they get combined into one word, 'superhero,' whereas I'm kind of more interested in separating those two ideas out. You have characters with super powers who may or may not be heroic, because human beings aren't all heroic. I tend to be drawn to antiheros.

- Doug Liman

Hero, Superhero, Two, Whereas

For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had.

- Doug Liman

Process, Been, Given, Creative Process

I'm really attracted to anti-heroes, and I'm a little bit of a troublemaker myself, and a little bit of a rule-breaker, and I like spies.

- Doug Liman

Myself, Like, Little Bit, Spies

If you go to a restaurant with Tom Cruise, it's like walking in with Santa Claus. Everybody is in a better mood because he's there.

- Doug Liman

Mood, Like, Everybody, Santa Claus

I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done.

- Doug Liman

Think, United States, Accomplishments

I got in trouble in film school at USC because one of my Super-8 movies there, in the first semester, involved a snowmobile chase scene. I made an action scene, and they were like, 'That wasn't what you were supposed to be doing.'

- Doug Liman

Doing, Film School, USC, Semester

I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise.

- Doug Liman

Career, Wanting, Franchise, Changed

With 'Invisible,' I didn't want to create something that requires you to watch it more than once; I don't even expect people to watch it more than once per se. I just wanted you to have the experience and knowing that if you watch it a second time, it would be different because you would see different things.

- Doug Liman

Experience, Invisible, See, Different Things

I make movies for me and posterity. I'm more scared of history than I am of the studio.

- Doug Liman

History, More, Studio, Scared

My older brother took me to Woody Allen double features when I was still teething.

- Doug Liman

Older Brother, Still, Took, Woody

The reality is, the movies that were most impactful to me growing up, when I decided I wanted to make movies, I was going to see Woody Allen double features with my brother, back when they had double features.

- Doug Liman

Back, Had, Allen, Woody

What happened on 'Mr. & Mrs. Smith,' I was given a big budget and given too many choices, and I made a lot of mistakes and missteps early on until I squandered all that extra money. But then, once my back was up against the wall, I made what I consider a really good movie.

- Doug Liman

Big, Movie, Smith, Extra

The 'Bourne' franchise means the world to me. I love that Universal wants to put one out every two years. Because it is a safe investment, I benefit from that on many levels.

- Doug Liman

Love, Means, Franchise, Levels

Sometimes there are films like 'Mr. and Mrs. Smith' which turned out better than it deserved to be, but in the case of 'Edge of Tomorrow,' there was just such enthusiasm from fans.

- Doug Liman

Which, Films, Smith, Deserved

It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.

- Doug Liman

Process, Secret, Studio, No Secret

I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported.

- Doug Liman

Big, Away, Been, Limits

VR is so immersive, and when it works, it draws you into the story in a way that is truly unique and powerful.

- Doug Liman

Powerful, Way, Works, Draws

I'll just say that there are certain people who continue to be hired in Hollywood, and that leaves me truly shocked.

- Doug Liman

People, Say, Hollywood, Hired

The way I see it, the expensive people who get hired when you have money are the fancy people who tell you what you can't do.

- Doug Liman

Fancy, Tell, I See, Hired

All of my fellow directors, I think, would agree that in whatever medium you are working, the challenges and obstacles push them to be more creative. That's the case with VR.

- Doug Liman

Challenges, Think, I Think, Case

I thought I was done making CIA movies after 'The Bourne Identity.' I really had used my father's work in Iran-Contra on 'The Bourne Identity.' You get one experience like that in your life where you have personal exposure to something, and you put it in a movie. That's it.

- Doug Liman

Father, Thought, Movie, CIA

I love that Barry Seal is working for the CIA, and he's an awful liar. It just goes to how honest this character is at the end of the day, even as he rips off the country and the world to the tune of becoming one of the wealthiest men in America. There's an innate honesty, a purity to him.

- Doug Liman

Love, Country, Becoming, CIA

I never want to repeat myself. I can't imagine anything else as upsetting as realizing I'm redoing something I did before. For some reason, when it comes to film, I'm very good at not repeating myself. Even though in the rest of my life, I'm constantly repeating my mistakes.

- Doug Liman

My Life, Reason, Some, Repeating

More of 'The Bourne Identity's script was taken from the events of the Iran Contra, which my father investigated for the Senate, than what was taken from Robert Ludlum's novel.

- Doug Liman

More, Which, Iran, Novel

I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.

- Doug Liman

Dangerous, Movie, I Think, Sequence

My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.

- Doug Liman

Some, Very, Films, Film-Makers

When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise.

- Doug Liman

Mantra, Became, Franchise, James Bond

I always wanted to make a 'James Bond' film, and they only seemed to hire British directors, and I'd made 'Swingers' - they were never going to hire me for a 'James Bond' film off 'Swingers.'

- Doug Liman

Always, Hire, Seemed, James Bond

I live in New York City, and I'm making huge action movies. The people that make huge action movies live in L.A., and they're surrounded by other people who make huge action movies. I'm surrounded by people making documentaries!

- Doug Liman

New, Making, Surrounded, Documentaries

My characters in my movies are all flawed. You'll probably never see Tom Hanks in a Doug Liman film. He plays, you know, very earnest and unflawed.

- Doug Liman

Film, Very, Plays, Earnest

If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that.

- Doug Liman

Thought, About, Viewing, Crafting

'Mr. and Mrs. Smith' - every scene is from those characters' point of view. They're in literally every scene, very unusual in a big studio film.

- Doug Liman

Big, Studio, Very, Unusual

To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic.

- Doug Liman

Romantic, Me, Lone, Filmmaker

I don't think I'm all that twisted in my life. I'm not like some tattooed filmmaker who, you know, hangs out on the Lower East Side and is part of some satanic cult or something.

- Doug Liman

My Life, Some, Part, Filmmaker

Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of VR before I even tried watching anything in VR.

- Doug Liman

Give, Been, Given, Filmmaker

In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him.

- Doug Liman

Filmmaking, Watching, Behind, Aaron

'The Wall' doesn't recount a specific soldier's experience in Iraq, but it captures the spirit of many experiences that were shared with me and with Aaron Taylor-Johnson and with John Cena.

- Doug Liman

Shared, Captures, Iraq, Aaron

With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look.

- Doug Liman

Very, TV, Viewer, Directing

So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.

- Doug Liman

Growing, Thought, British, Waking

The audience has a level of control, when you watch 'Invisible,' that nothing in 2D can give you. The overall climax of the series will work no matter how you get there, and the climax of each episode will work no matter how you get there, but no two viewings of an episode will ever be the same.

- Doug Liman

Give, Audience, Level, Climax

Antiheroes who are sort of honest to themselves are the ones you root for. Like, Barry Seal isn't trying to be anything other than he is. He isn't fooling anybody per se.

- Doug Liman

Other, Like, Anybody, Per

When you have films like 'Bourne' that succeed, not only does it beget sequels, but it begets people taking chances.

- Doug Liman

Like, Taking Chances, Films, Chances

There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies.

- Doug Liman

Doing, Storytelling, Reason, No Reason

I like to keep my options open. I'm known for changing my mind.

- Doug Liman

Mind, Like, Known, Options

In hindsight, everything in my life looks a little rosy. But the reality is that with, say, 'Swingers,' when we finished, it was considered a total failure.

- Doug Liman

My Life, Say, Hindsight, Rosy

To be honest, when I started watching VR content, I was mostly disappointed and thought people could do better - not that different from when I set out to make 'Swingers' and thought, 'There's a better way to make an independent film.' Which is why 'Swingers' ended up being so much less expensive than anything like it.

- Doug Liman

Thought, Independent, Mostly, To Be Honest

I'm really interested in real people in extraordinary situations. The detail and reality to that.

- Doug Liman

Extraordinary, Real People, Situations

I don't really make movies with an intention other than asking myself, 'Do I love the character, and do I love the story?'

- Doug Liman

Love, Asking, Other, Intention

I always liked photography in film - I studied photography growing up. I like the medium of film; I like physically holding 35-mm film. I like the way it looks, the quality when it's projected. I like the way it frames real life.

- Doug Liman

Always, Like, Frames, Projected

When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.

- Doug Liman

Away, Feels, Franchise, Far Away

My family went to the Hamptons, so I understand what happens when a slice of perfect utopia gets overdeveloped, when one way of living is replaced by another.

- Doug Liman

Living, Perfect, Utopia, Replaced

Ultimately, if you look at the characters in my films, you'll see a lot of similarities going all the way back to 'Swingers' with Vince Vaughn's character.

- Doug Liman

Back, Going, Films, Similarities

I'm very interested in politics, and I feel TV is a more political medium than film.

- Doug Liman

Politics, Very, TV, Medium

I went to USC film school, briefly, which is a very traditional film school.

- Doug Liman

Very, Which, Film School, USC

I really love the movies of Katherine Hepburn, movies like 'The African Queen.' I love 'Midnight Run' and I suppose, to pick something out of a different genre, I love 'Aliens.'

- Doug Liman

Love, Midnight, Like, Katherine

One thing about pushing yourself outside your comfort zone is that you're going to make mistakes, and you're going to fall flat on your face sometimes.

- Doug Liman

Sometimes, Going, One Thing, Comfort Zone

It turns out that it's easier to do politics in a movie. People really don't want it in their TV.

- Doug Liman

Politics, Movie, TV, Easier

At the end of the day, the less money you have, the easier it is to make a movie.

- Doug Liman

Money, Movie, Less Money, Easier

I subscribe to the school that there are no dumb questions.

- Doug Liman

School, Questions, Dumb, Subscribe

Amazon may be the only studio that's run by people who come out of making independent movies, real hands-on moviemaking.

- Doug Liman

Making, May, Studio, Amazon

VR should offer an experience that's more exciting than watching in 2D, and we're pretty good at 2D storytelling, so the bar's already pretty high.

- Doug Liman

Storytelling, More, Pretty, Bar

The one thing about reality is sometimes it gives you material that is wilder than some of your wildest imagination could come up with.

- Doug Liman

Sometimes, Some, Could, Wildest

I have to have a passionate connection to my films, which I do with 'Justice League Dark.' I have a way into the story that's personal, the way I have a connection to 'The Wall.'

- Doug Liman

Passionate, Which, Films, Connection

In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.

- Doug Liman

Love, Big, Worlds, Particular

A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kind of lost my indie credibility over 'Mr. and Mrs. Smith.' I know I haven't lost it. I just have to go make an independent movie. I just have to do it. Just for me.

- Doug Liman

Politics, Indie, Smith, Yorker

Even more than 'Swingers,' 'Go', for me, defines my career.

- Doug Liman

Career, More, Even, Defines

When I read the script of 'The Wall,' I saw how much different the war looks from the point of view of a soldier fighting it.

- Doug Liman

Point Of View, Read, Saw, Wall

My films have been successful, and therefore, the process has accommodated me. When the studio said 'no,' I did it anyhow. Now they don't say no to me.

- Doug Liman

Been, Studio, Films, Therefore

I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane.

- Doug Liman

Doing, Part, Telling, Commercials

Trust me: you make a movie about time travel, and you know for a fact humans will never travel through time. The paradoxes that come up just from trying to tell a story with time travel really illuminates the fact that it's impossible. It will never happen. We can barely get through a movie that involves time travel.

- Doug Liman

Trust, Fact, Through, Humans

I really have thought about immersive storytelling my whole career, so when I first heard about VR, I was like, 'Oh, this sounds like it's for me.'

- Doug Liman

Career, Storytelling, Like, Oh

I think of myself as making independent films within the studio system. Yes, I've made movies with significantly larger budgets, and I've also made movies with smaller budgets.

- Doug Liman

Think, Studio, Larger, Budgets

I'm really anxious not to repeat what I've done before, to keep pushing and learning.

- Doug Liman

Anxious, Keep, Before, Repeat

There's a weird intellectual approach to filmmaking, where I pose a question to myself and use the film to try and answer it.

- Doug Liman

Question, Pose, Use, Intellectual

I'm not really in a rush to grow up.

- Doug Liman

Grow, Grow Up, Up, Rush

I feel like, Barry Seal, he's pure of heart.

- Doug Liman

Feel, Like, Barry, Seal

It's kind of hard to work with Tom Cruise and not be aware that you're working with one of the biggest movie stars in the world.

- Doug Liman

Work, Kind, Movie, Movie Stars

From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.

- Doug Liman

Independent, Firmly, Planted, Foot

I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.

- Doug Liman

Treat, Therapy, Keeping, Interviews

A movie like 'Edge of Tomorrow' is so huge and complex - the spectacle and action is all-consuming - and that on its own is enough of a reason for a lot of people to see it.

- Doug Liman

Reason, Movie, Like, Spectacle

You gotta understand, 'Swingers' was a resume film for me. I never thought anybody would see the movie who I wasn't in the room with showing it to them.

- Doug Liman

Thought, Movie, Gotta, Resume

The thing about TV is it's a meritocracy. I love that aspect of it - and I've had shows that have gone on the air and been canceled. I've seen the good and the bad of it.

- Doug Liman

Love, Been, TV, Aspect

I've made a career of being a contrarian. If I'm going to work with Tom Cruise, it's my instinct to be like, 'Well, I'm going to do the anti-Tom Cruise movie.'

- Doug Liman

Career, Movie, Going, Tom

The movie I end up with is the movie I aspired to make.

- Doug Liman

End, Movie, Up, Aspired

I was a troublemaker. For a long time, I didn't fit in.

- Doug Liman

Time, Fit, Troublemaker, Long Time

When I was making 'Bourne Identity,' I wasn't making a dumb action movie like they were expecting it to be.

- Doug Liman

Movie, Making, Like, Expecting

When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it.

- Doug Liman

Other, Making, Side, Soldier

I think that I learned a studio system prefers a sort of professionalism from the director.

- Doug Liman

Think, I Think, Studio, Studio System

We love movies like 'Edge of Tomorrow.' It's why we go to the movies, and it's why we make movies.

- Doug Liman

Love, Movies, Like, Edge

On 'Edge of Tomorrow,' we discovered that movie while we were making it.

- Doug Liman

Movie, Making, Discovered, Edge

The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that.

- Doug Liman

Proud, Fact, Means, Stood

I've been really lucky in terms of the people I've gotten to work with.

- Doug Liman

Been, Gotten, Terms, Lucky

Making 'American Made' really was an adventure.

- Doug Liman

American, Making, Made, Adventure

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