Dietrich Fischer-Dieskau Quotes

Powerful Dietrich Fischer-Dieskau for Daily Growth

About Dietrich Fischer-Dieskau

Dietrich Fischер-Diskau (July 28, 1925 – May 5, 2012) was a renowned German baritone, conductor, and Lieder (art song) interpreter, whose career spanned over six decades and solidified his status as one of the most influential vocalists in classical music. Born in Berlin, Germany, Fischер-Diskau displayed an early aptitude for music, beginning his training at age 10 under Elisabeth Schumann, daughter of renowned composer Robert Schumann. In 1943, during World War II, he made his professional debut with the Berlin Philharmonic Orchestra, performing in Richard Wagner's opera "Die Meistersinger von Nürnberg." Despite personal hardships and serving as a prisoner of war from 1945 to 1947, Fischер-Diskau continued to hone his craft, studying voice with Elisabeth Schumann-Heinemann and conducting with Hans Swarowsky. Fischер-Diskau's international breakthrough came in 1951 when he won first prize at the Geneva International Music Competition. His career took off, and he became a regular performer at major opera houses such as La Scala in Milan, Vienna State Opera, and Metropolitan Opera in New York City. Throughout his illustrious career, Fischер-Diskau's repertoire encompassed over 150 operatic roles and an extensive collection of Lieder by composers such as Schubert, Brahms, Mahler, and Wolf. He collaborated with notable musicians like Wilhelm Furtwängler, Herbert von Karajan, Leonard Bernstein, and Georg Solti. Fischер-Diskau's discography boasts over 300 albums, many of which have become benchmarks for Lieder interpretation. His seminal recording of Schubert's "Winterreise" is considered a masterpiece by many critics. In 1972, he made his conducting debut with the Berlin Philharmonic Orchestra and later became the artistic director of the Schubertiade Schwarzenberg festival in Austria. Throughout his life, Fischер-Diskau was recognized with numerous honors, including the Grand Austrian State Prize for Music (1956), the Bavarian Maximilian Order for Science and Art (1972), the German Federal Cross of Merit First Class (1983), and the title "Kammersänger" (Chamber Singer) by the German government in 1990. After a remarkable career spanning six decades, Dietrich Fischер-Diskau passed away on May 5, 2012, leaving behind an indelible legacy as one of the greatest vocal artists and Lieder interpreters in classical music history.

Interpretations of Popular Quotes

"Music is the language of the spirit. It opens the secret of life bringing peace, abolishing strife."

This quote suggests that music is a universal language that transcends human barriers, capable of expressing and revealing profound emotions or truths about life. Its power lies in its ability to evoke feelings of harmony, understanding, and peace, while helping us connect with our inner selves and alleviating conflicts between individuals or societies. Essentially, it's a medium that unites people, bringing a sense of unity and tranquility to the world.


"The art of singing is not a mere vocal technique; it is an expression of the soul, a means of communication between human beings and the universe."

This quote emphasizes that the act of singing transcends mere vocal skills; it's a profound expression of one's inner self or soul. It serves as a unique form of communication, not just between individuals, but also with the universe at large. Singing is a powerful medium that allows us to connect emotionally, spiritually, and universally with others, making it an essential aspect of human experience and expression.


"Singing is an act of love, whether you sing alone or in front of thousands."

This quote underscores the deeply emotional nature of singing as an art form. Regardless of whether one sings privately or on a public stage, the act of singing is an expression of personal connection and affection. Whether it's for oneself or for an audience, the voice carries the sentiment of love, intimacy, and passion that transcends physical boundaries. It serves as a testament to the power of music in connecting people, creating empathy, and bringing joy to others.


"I don't believe that you can learn to sing. You are born with it - or not."

This quote suggests that the ability to sing, like many artistic talents, is largely innate, a natural gift one is born with rather than something that can be acquired through learning or practice alone. The great German baritone Dietrich Fischer-Dieskau implies that while training and skill development are crucial for any performer, the raw talent and innate feel for music may be more fundamental to the success of a singer. This perspective highlights the complex interplay between nature and nurture in the artistic realm.


"A good song can touch us deeply because it contains a universal truth, one that resonates with our own emotions and experiences."

This quote by Dietrich Fischer-Dieskau suggests that the emotional impact of a good song stems from its ability to encapsulate a universally relatable truth, reflecting deeply personal and shared human feelings or experiences. It implies that music, particularly a well-crafted song, can tap into our collective consciousness, evoking emotions by resonating with our individual stories and emotions. In essence, it posits that music serves as a universal language of empathy, connecting us all on a profound emotional level.


In Romanticism, the main determinant is the mood, the atmosphere. And in that regard, you could also describe Schubert as a Romantic.

- Dietrich Fischer-Dieskau

Mood, Atmosphere, Schubert, Romanticism

It's not all that different with the orchestra. There are orchestras that seem to be encased in dough, so that first you have to break through the normal routine, and clear out the openings.

- Dietrich Fischer-Dieskau

Through, Normal, Break, Orchestra

And what unity is to be had, at a time when orchestras are dying out, and when opera houses are about to close their doors; what's going to come next - when nothing new in music, for the orchestra, is truly lasting: pieces are performed once, and then they're thrown away.

- Dietrich Fischer-Dieskau

Opera, Next, Away, Orchestra

You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things.

- Dietrich Fischer-Dieskau

Opera, Singer, Other, Expressions

But, on the other hand, if Schubert were alive today, he would find even richer fields to plow.

- Dietrich Fischer-Dieskau

Alive, Other, Schubert, Richer

Particularly at around the age of 70 you reach a stage where you have to be very careful. If, at that point, you abandon the work you have been doing, there is a good chance that you will just collapse and drift.

- Dietrich Fischer-Dieskau

Doing, Been, Very, Good Chance

What concerns me, is the general social tendency to enforce a level, above which nothing rises and stands out.

- Dietrich Fischer-Dieskau

Social, Which, Tendency, Enforce

Unfortunately, it happens all too seldom that you really disappear behind a work, that you are no longer audible as an interpreter.

- Dietrich Fischer-Dieskau

Work, Behind, Unfortunately, Interpreter

Toward the end of his life, one can sense that he was no longer thinking his way into the minds of others, causing them to speak on his behalf, but that he was now speaking for himself.

- Dietrich Fischer-Dieskau

Sense, Them, Behalf, Causing

With creative people, truly new horizons open up.

- Dietrich Fischer-Dieskau

New, Up, Truly, Open

Anyone who draws attention to himself as an individual, is viewed with suspicion. We acquired this tendency, of course, from America, and we must resist it: levelling, and imitation of what others are already doing.

- Dietrich Fischer-Dieskau

Doing, Individual, Tendency, Draws

In fact, the element of play has an important role in my life, and I think that should be the case in the life of every artist. Our life is occupied with playing, whether we play an instrument or a role.

- Dietrich Fischer-Dieskau

My Life, Play, Think, Element

Which is why, in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.

- Dietrich Fischer-Dieskau

Thinking, Why, Works, Creative Genius

Within each individual young person you meet, you have the same fields to plow. The trick is just to wake thmem up, to sharpen their ears for what's already there in the music.

- Dietrich Fischer-Dieskau

Young, Individual, Within, Sharpen

Rather, I believe that it is very good, if, with the aid of his songs, we can be reminded, among other things, of the social conditions under which Schubert had to work.

- Dietrich Fischer-Dieskau

Other, Very, Which, Conditions

The composition of a single melody is born out of a bit of text, perhaps the first line, but it can also be the entire strophe; it can even be the poem's overall form.

- Dietrich Fischer-Dieskau

Born, Line, Also, Composition

Brahms believed that there was no need to publish absolutely everything that Schubert ever wrote.

- Dietrich Fischer-Dieskau

Need, Publish, Ever, Schubert

When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start.

- Dietrich Fischer-Dieskau

Before, Your, Forced, Return

Many, many composers have only found their way to a certain form, through familiarizing themselves with texts.

- Dietrich Fischer-Dieskau

Through, Found, Composers, Texts

Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they're still alive today.

- Dietrich Fischer-Dieskau

Mirror, Other, Still, Era

It is desirable that people make music on the breath, with the breath.

- Dietrich Fischer-Dieskau

Music, People, Desirable, Breath

If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.

- Dietrich Fischer-Dieskau

Three, Another, Your, Brief

The future? Like unwritten books and unborn children, you don't talk about it.

- Dietrich Fischer-Dieskau

Like, Books, Unborn, Unborn Children

I came together with younger musicians and tried to pass on my own experiences. In the process, I always tried to maintain my curiosity and spontaneity.

- Dietrich Fischer-Dieskau

Curiosity, Process, Always, Spontaneity

But the thing that will always occupy me the most is music.

- Dietrich Fischer-Dieskau

Music, Always, Most, Occupy

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