Cynthia Ozick Quotes

Powerful Cynthia Ozick for Daily Growth

About Cynthia Ozick

Cynthia Ozick, born on May 17, 1928, in New York City, is a renowned American novelist, essayist, and short-story writer. She was the second of three children to Jewish immigrant parents from Poland and Russia, which greatly influenced her work, often focusing on Jewish identity, history, and culture. Ozick received her Bachelor's degree from Barnard College in 1948, where she studied under the esteemed writer William Maxwell. She went on to earn a Master's degree in English Literature from Columbia University in 1950. In 1960, Ozick published her first novel, "Trust," followed by "The Pagan Rabbi" in 1971, which was nominated for the National Book Award. However, it was her short story collection, "The Shawl" (1980), that brought her significant acclaim, earning her a National Book Critics Circle Award. The haunting tale of two Jewish sisters in the Holocaust has become one of her most enduring works. Throughout her career, Ozick has been recognized for her literary prowess and intellectual rigor. In 1984, she received the PEN/Malamud Award for Short Fiction, and in 2013, she was awarded the National Humanities Medal by President Barack Obama. Notable works include "The Messiah of Stockholm" (1987), a novel exploring the life of a Holocaust survivor who becomes a writer, and "Quarantine" (1994), a collection of essays on Jewish thought and culture. Ozick continues to write and publish today, her work characterized by its deep exploration of moral and philosophical questions through the lens of Jewish history and identity.

Interpretations of Popular Quotes

"The task of a novelist is not to tell people what to think, but to make them think."

This quote by Cynthia Ozick underscores the role of a novelist as a facilitator of thought rather than a purveyor of opinions. Rather than dictating specific beliefs, the task of a novelist is to craft narratives that stimulate readers' minds, encouraging them to reflect deeply, consider various perspectives, and form their own thoughts and judgments. This approach fosters a more meaningful and personal connection with the literary work, promoting intellectual growth and empathy.


"Art, like morality, consists in drawing the line somewhere."

This quote emphasizes that art, like moral principles, requires a decision-maker to establish boundaries or limits. Just as moral decisions involve choosing between right and wrong, artistic creation involves selecting what elements to include or exclude, determining the style, themes, and message in a work of art. The line drawn can be personal, cultural, or universal, but it's crucial for defining an artwork's identity and character. The quote suggests that the act of creating art is not just about expressing oneself, but also about making choices that reflect one's values and perspectives in a deliberate and purposeful manner.


"Time, like life itself, has no inherent meaning; we bring our own meaning to both."

This quote by Cynthia Ozick highlights that the significance or purpose in time (and by extension, life) is not innate but derived from individual perspectives and interpretations. In other words, our personal experiences, beliefs, and values assign meaning to both time and life, rather than inherently possessing a predetermined sense of importance or purpose.


"The past is a foreign country: they do things differently there."

This quote emphasizes that the past, as compared to the present, is a distinct and unfamiliar entity. The customs, beliefs, values, and behaviors in the past are not necessarily the same as those in the present. Therefore, understanding and interpreting historical events requires a degree of empathy and imagination, as we try to "understand" and "do things" like they did "over there," in that foreign country that is the past.


"History is a nightmare from which I am trying to awake."

This quote by Cynthia Ozick suggests a deep unease and discomfort with the past, particularly when it is filled with pain, conflict, or injustice. She yearns for liberation from the burdens of history, as if it were a recurring nightmare. This sentiment implies a desire to move beyond the mistakes of the past and create a new, improved present and future, free from the shadows cast by historical events.


I wanted to use what I was, to be what I was born to be - not to have a 'career', but to be that straightforward obvious unmistakable animal, a writer.

- Cynthia Ozick

Career, Straightforward, Use, Unmistakable

There was a period... when I used to say, with as much ferocity as I could muster, 'I hate Henry James, and I wish he was dead.' Influence is perdition.

- Cynthia Ozick

I Wish, Could, Period, Perdition

Whoever utters 'Kafkaesque' has neither fathomed nor intuited nor felt the impress of Kafka's devisings. If there is one imperative that ought to accompany any biographical or critical approach, it is that Kafka is not to be mistaken for the Kafkaesque.

- Cynthia Ozick

Critical, Mistaken, Felt, Accompany

The novel at its nineteenth-century pinnacle was a Judaized novel: George Eliot and Dickens and Tolstoy were all touched by the Jewish covenant: they wrote of conduct and of the consequences of conduct: they were concerned with a society of will and commandment.

- Cynthia Ozick

Will, Touched, Concerned, Covenant

I think a fictional invention grows according to its own development, not the author's. Characters in fiction are not simply as alive as you and me, they are more alive. Becky Sharp, Elizabeth Bennett, and Don Quixote may not outlive the burning out of the sun, but they will certainly outlive the brief candle of our lives.

- Cynthia Ozick

Alive, Fiction, I Think, Quixote

Profound subject matter can be encompassed in small space - for proof, look at any sonnet by Shakespeare!

- Cynthia Ozick

Small, Profound, Subject, Sonnet

The novelist's intuition for the sacred differs from the translator's interrogation of the sacred.

- Cynthia Ozick

Interrogation, Differs, Translator

In books, as in life, there are no second chances. On second thought: it's the next work, still to be written, that offers the second chance.

- Cynthia Ozick

Second Chance, Next, Offers, Chances

If I've ever regretted anything, it was putting all my eggs in one basket, holing up and kneeling at the altar of literature, instead of going out and at least reviewing, running around and trying to write for magazines. That would've been the intelligent thing to do, but I didn't, and that was because of fanaticism.

- Cynthia Ozick

Basket, Been, Putting, Regretted

In 1952, I had gone to England on a literary pilgrimage, but what I also saw, even at that distance from the blitz, were bombed-out ruins and an enervated society, while the continent was still, psychologically, in the grip of its recent atrocities.

- Cynthia Ozick

Distance, Had, Continent, Ruins

I'm afraid that the act of writing is so scary and anxiety-filled that I never laugh at all. In fact, when people tell me that such and such a scene or story is comical, I tend to gape. I did not intend comedy - ever, as far as I know. It's probably all a mistake. I am essentially a lugubrious writer. Ha ha!

- Cynthia Ozick

Fact, Tell, In Fact, Intend

An article can be timely, topical, engaged in the issues and personalities of the moment; it is likely to be stale within the month. In five years, it may have acquired the quaint aura of a rotary phone. An article is usually Siamese-twinned to its date of birth.

- Cynthia Ozick

Date, Engaged, Quaint, Topical

The Hebrew Bible has long been the world's possession, and those who come to it by any means, through whatever language, are equals in ownership, and may not be denied the intimacy of their spiritual claim.

- Cynthia Ozick

Bible, Through, Means, Claim

No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader.

- Cynthia Ozick

Fiction, Reader, Classes, Self-Knowledge

The engineering is secondary to the vision.

- Cynthia Ozick

Vision, Engineering, Secondary

Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.

- Cynthia Ozick

Voice, Admire, Roth, Gordon

I had the idea in my twenties that a writer could immediately become the late Henry James. Henry James himself had to mature. Even Saul Bellow did.

- Cynthia Ozick

Mature, Idea, Twenties, Saul

To say that such-and-such a circumstance is 'Kafkaesque' is to admit to the denigration of an imagination that has burned a hole in what we take to be modernism - even in what we take to be the ordinary fabric and intent of language. Nothing is like 'The Hunger Artist.' Nothing is like 'The Metamorphosis.'

- Cynthia Ozick

Artist, Nothing, Like, Modernism

I'm a fiction writer, and I do write essays, but I am not a poet. And I absolutely reject the phrase 'woman writer' as anti-feminist. I wrote an essay about this as far back as 1977, at the height of the neo-feminist movement.

- Cynthia Ozick

Woman, Fiction, About, Fiction Writer

An essay is a thing of the imagination. If there is information in an essay, it is by-the-by, and if there is an opinion, one need not trust it for the long run. A genuine essay rarely has an educational, polemical, or sociopolitical use; it is the movement of a free mind at play.

- Cynthia Ozick

Trust, Mind, Play, Essay

In an essay, you have the outcome in your pocket before you set out on your journey, and very rarely do you make an intellectual or psychological discovery. But when you write fiction, you don't know where you are going - sometimes down to the last paragraph - and that is the pleasure of it.

- Cynthia Ozick

Before, Very, Paragraph, Essay

If an essay has a 'motive,' it is linked more to happenstance and opportunity than to the driven will. A genuine essay is not a doctrinaire tract or a propaganda effort or a broadside.

- Cynthia Ozick

Will, Tract, Happenstance, Essay

I don't like to read contemporary fiction while writing - I need a sense of isolation, a kind of silence, and I don't want a jumble of other people's voices or visions getting in my way. Nineteenth-century voices don't create static in that silence.

- Cynthia Ozick

Other, Fiction, While, Visions

Early in the 1990s, I flew alone in a dandelion-yellow, single-engine, 180-horsepower Piper Cherokee from Westchester County Airport in New York westward to the Rocky Mountains, landing and refuelling a good many times in middle-sized cities and towns along the way.

- Cynthia Ozick

Good, Mountains, County, Cherokee

People often ask how I can reject the phrase 'woman writer' and not reject the phrase 'Jewish writer' - a preposterous question. 'Jewish' is a category of civilization, culture, and intellect, and 'woman' is a category of anatomy and physiology.

- Cynthia Ozick

Woman, Question, Intellect, Category

My first encounter with James was when I was seventeen. My brother brought home from the public library a science fiction anthology, which included 'The Beast in the Jungle.' It swept me away. I had a strange, somewhat uncanny feeling that it was the story of my life.

- Cynthia Ozick

My Life, Away, Brought, Science Fiction

I never conceived of not writing a novel. I believed - oh, God, I believed, it was an article of faith! - I was born to write a novel.

- Cynthia Ozick

Born, I Was Born, Oh God, Article

I have lost stories and many starts of novels before. Not always as punishment for 'telling,' but more often as a result of something having gone cold and dead because of a hiatus. Telling, you see, is the same as a hiatus. It means you're not doing it.

- Cynthia Ozick

Doing, Before, Telling, Novels

Novelists go about the strenuous business of marrying and burying their people, or else they send them to sea, or to Africa, or at the least, out of town. Essayists in their stillness ponder love and death.

- Cynthia Ozick

Love, Africa, Burying, Marrying

A novel can be set in motion by an incident, a character, a location, a mood - by anything at all. Sometimes the stimulus can be an idea, which will rapidly clothe itself in character and incident. 'Foreign Bodies' came about through the contemplation of the contrast between post-second world war America and Europe.

- Cynthia Ozick

Mood, Through, Idea, Incident

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