Colm Toibin Quotes

Powerful Colm Toibin for Daily Growth

Everyone who's in America spends the first few years not experiencing it. The person is frightened by the newness of the place and doesn't see things. Her emotional universe becomes the entire universe. And then when she thinks of home, her distance in space can seem like a distance in time.

- Colm Toibin

Distance, Years, Entire, Newness

I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory is very much the Republic of Ireland rather than the North. Even though, if I wrote a novel about the North, it might sell more.

- Colm Toibin

Republic, Very, South, Northern Ireland

While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone.

- Colm Toibin

Wait, Tone, Another, Defining

The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.

- Colm Toibin

Trust, Play, Next, Next Time

The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.

- Colm Toibin

Fountain, Some, Paragraph, Rewrite

I did think of becoming a priest quite late on, when other boys were thinking of knocking over fences and going out with girls. I would have made a very good bishop: nice housekeeper, nice clothes - god, the clothes.

- Colm Toibin

Other, Becoming, Very, Fences

I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room.

- Colm Toibin

Long, Fountain, I Write, Longhand

I still have a stammer that I can control by not opening a sentence with a hard consonant, or by concentrating for a moment, breathing softly down. Growing up, the 'Our Father' was lovely, made for me, the 'Hail Mary' was gorgeous, and 'Glory Be to the Father' was an absolute nightmare.

- Colm Toibin

Father, Down, Concentrating, Stammer

Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, then a period of solitude. No flashbacks and no backstory. Let's have no more back story!

- Colm Toibin

More, Back, Period, Solitude

Solitude is good in the evening. Dublin is a quiet city when you get to a certain age, when your friends settle down and have kids. Nothing much happens here.

- Colm Toibin

City, Here, Dublin, Solitude

My first novel was turned down by about twenty publishers over a period of two and a half years. Because my name is Irish and would not be familiar to English editors, one of them said: 'If she writes anything else, do let us know.' Slowly, very slowly, the books began to sell and be noticed.

- Colm Toibin

Very, Half, Turned, Writes

The best thing about New York is working late into the night. At 1 in the morning on a Saturday, to be still working, there's an immense satisfaction in being enclosed by it.

- Colm Toibin

New, Saturday, Still, Immense

I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what should happen.

- Colm Toibin

Think, Happen, Surrounding, Versus

I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.

- Colm Toibin

Some, Symphonies, Mostly, Mozart

I think that was one of the things that happened, especially in Ireland, that you left in order to improve yourself, and you couldn't write home and tell people, 'Look, I'm really lonely,' because you'd realize how much those letters were going to matter, that you needed to put good news or uplifting news into them.

- Colm Toibin

I Think, One Of The Things, Uplifting

John McGovern taught me that it's OK to write repeatedly about the same things.

- Colm Toibin

Same, Taught, Repeatedly, OK

The Roman Catholic Church and its rituals were so much part of life that, although my parents would often question a small matter of dogma and none of us seemed more religious than anyone else, no one ever questioned the rituals or the basic tenets of belief.

- Colm Toibin

Small, Religious, Roman, Catholic Church

In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation. Imagined worlds can lodge deeply in the private sphere, dislodging much else, especially when the public sphere is fragile.

- Colm Toibin

Private, Theatrical, Worlds, Sphere

I feel just fine about ignoring or bypassing the rights of people I have known and loved to be rendered faithfully, or to be left in peace, and out of novels.

- Colm Toibin

Feel, About, Faithfully, Novels

Three of my novels and a good number of my short stories are told from the point of view of men. I was brought up in a house of women.

- Colm Toibin

Three, Stories, Brought, Novels

The old Victorian laws against homosexuality were still on the statute books until the early 1990s. As a gay man living in Ireland, I and people like me found it easy to feel less than citizens.

- Colm Toibin

Feel, Against, Homosexuality, 1990s

History is a way of interpreting, rather than, say, knowing, the past. It is usually a set of disputes between those who have access to the same sources. It depends on ideology as much as voting in an election does.

- Colm Toibin

Access, Set, Interpreting, Disputes

I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?'

- Colm Toibin

Irish, Careful, About, Towers

It may be enough to study history in all its nuance and ambiguity for its own sake. But there is no country free of the need to find new ways of reading the past as an inspiring way of thinking about everything else, including the present.

- Colm Toibin

Country, Study, Nuance, Everything Else

When a book comes from the publisher and you see it for the first time... Of course it's not remotely like seeing a baby for the first time, but I can remember with each book what room I was in when I opened it. That would be excitement, though, I think. Not pride.

- Colm Toibin

Book, I Can, I Think, Publisher

It is important to find a publisher and equally important not to be noticed until your third or fourth book.

- Colm Toibin

Important, Find, Third, Publisher

When I was 19, I thought I wanted to be an English civil servant. It was the most exotic thing at the time - can you imagine, in the middle of the IRA bombing campaigns? I saw an ad inviting Irish applicants for an induction course, so I signed up.

- Colm Toibin

Thought, Civil Servant, Exotic

You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that.

- Colm Toibin

Been, Crumble, Rooms, Ceases

I write with a sort of grim determination to deal with things that are hidden and difficult, and this means, I think, that pleasure is out of the question. I would associate this with narcissism anyway, and I would disapprove of it.

- Colm Toibin

Think, Deal, Means, Narcissism

The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize.

- Colm Toibin

Irish, Anybody, Telling, Bald

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