Colleen Atwood Quotes

Powerful Colleen Atwood for Daily Growth

About Colleen Atwood

Colleen Atwood is an eminent American costume designer, renowned for her exceptional contributions to the film industry. Born on March 19, 1960, in San Fernando Valley, California, Atwood developed a passion for design at a young age, sewing her own clothes and learning from her mother who was a seamstress. Her professional journey began when she moved to New York City and worked as an assistant designer for several fashion companies. However, the allure of Hollywood beckoned, and Atwood transitioned into the film industry, working on low-budget films before eventually breaking through with her work in Tim Burton's "Edward Scissorhands" (1990). Atwood's collaboration with Burton continued with iconic films such as "Sleepy Hollow" (1999), "Charlie and the Chocolate Factory" (2005), and the entire 'Dark Shadows' series. Her unique style, characterized by a blend of gothic romance and whimsical fantasy, has become synonymous with Burton's films. Atwood's talent extends beyond Burton's oeuvre, as seen in her work on films like "The Witches of Eastwick" (1987), "Practical Magic" (1998), and the Oscar-winning fantasy drama "Fantastic Beasts and Where to Find Them" (2016). Throughout her career, Atwood has been honored with three Academy Awards for Best Costume Design: for "Chicago" (2002), "Memoirs of a Geisha" (2005), and "Fantastic Beasts and Where to Find Them." Her work continues to inspire and captivate audiences worldwide, making her one of the most influential figures in costume design.

Interpretations of Popular Quotes

"Costume design is not just about making clothes look good on camera; it's about creating a character and telling a story."

This quote by Colleen Atwood highlights that costume design serves a dual purpose in film and theatre: it enhances the visual appeal of clothing on screen, but more importantly, it is an integral part of storytelling. By crafting costumes that reflect a character's personality, backstory, or social status, designers help bring characters to life and contribute to the narrative in a profound way. In essence, costume design tells a story as much as the script or dialogue does, elevating the overall emotional impact and immersion of the audience.


"I think every designer has a different point of view, whether they come from fashion, theater, or film, but you learn so much from the different mediums."

This quote emphasizes that each designer brings a unique perspective to their work, shaped by their individual backgrounds in various artistic mediums such as fashion, theater, or film. The designer's experiences in these distinct realms contribute to their creative process, fostering diversity and innovation in design. By learning from multiple mediums, designers can expand their skills, knowledge, and creativity, resulting in a more enriching and dynamic body of work.


"When I start working on a film, the first thing I do is read the script and start to develop an understanding of who the characters are, what their world is, and how we can bring that to life through costume design."

This quote by Colleen Atwood emphasizes her approach to costume design in filmmaking. She begins by thoroughly studying the script to understand the characters, their personalities, and the settings of the story. Her goal is to translate these elements into costumes that not only accurately represent each character but also contribute to creating a compelling visual representation of the narrative world on screen. In essence, her work aims to make the audience more immersed in the story through the details of the characters' appearances.


"I love collaborating with directors and actors to find the essence of a character and express it visually."

This quote highlights the importance of collaboration in the creative process, particularly in film costuming as exemplified by Colleen Atwood's work. By working closely with directors and actors, she aims to unearth the core or 'essence' of a character and then translate that essence into a visual representation through costumes. This quote underscores the idea that understanding a character deeply is crucial for creating impactful and meaningful visual storytelling in films.


"Costumes are part of the visual language of a film, and they help tell the story in a way that words cannot."

Colleen Atwood's quote emphasizes the crucial role that costuming plays in visual storytelling within films. Costumes serve as a powerful tool for conveying information about characters, their personalities, social status, time periods, and even emotions. While dialogue and narrative can provide some context, costumes help to quickly establish these details visually, allowing audiences to better immerse themselves in the film's world and understand its characters more deeply. In essence, costuming is a vital element in the filmmaker's toolkit for storytelling, complementing and enhancing the narrative through the use of visual language.


Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses.

- Colleen Atwood

Image, Different Type, Type, Clothing

I grew up in the age of polyester. When I got to touch real silk, cotton and velvet, the feel of nonsynthetic fabrics blew me away. I know it's important how clothing looks, but it's equally important how it feels on your skin.

- Colleen Atwood

Away, Feels, Equally, Clothing

I had to work out that it was something that could move, without having everybody in spray painted leotards.

- Colleen Atwood

Everybody, Move, Having, Spray

It's great fun that my grandkids get to see the costumes in 'Alice in Wonderland' or a doll with grandma's dress, but then they also let me know they're bummed I didn't do any of the 'Pirates of the Caribbean' movies.

- Colleen Atwood

Dress, Alice, Grandkids, Bummed

For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span.

- Colleen Atwood

Through, I Think, Very, Jean

I get more distracted by hair or a really bad wig than I do costumes any day of the week.

- Colleen Atwood

Week, Bad, More, Wig

When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture.

- Colleen Atwood

Sometimes, About, Had, Conveying

Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are.

- Colleen Atwood

Makeup, Before, Larger, Perception

I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for.

- Colleen Atwood

Back, Clients, Private, Department Store

Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were.

- Colleen Atwood

Beauty, Them, Directed, Frailty

I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing.

- Colleen Atwood

Small, Career, I Remember, Blazer

Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie.

- Colleen Atwood

Movie, Lot, Though, Fairy-Tale

I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me.

- Colleen Atwood

Always, Been, Last, Floating

On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials.

- Colleen Atwood

Knew, Planet, Very, Main Source

The right costume determines the character, helps the actor feel who he is, and serves the story.

- Colleen Atwood

Character, Actor, Determines, Costume

People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume.

- Colleen Atwood

I Think, Wear, About, Costume

I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at.

- Colleen Atwood

Movie, I Think, Very, Costume

The thing that's great about being a costume designer is you never know what's going to be next; you never what world you are going to enter.

- Colleen Atwood

Next, Going, About, Costume

I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else.

- Colleen Atwood

Movie, Works, Something Else, Costume

One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.

- Colleen Atwood

Think, I Think, Very, Costume

It's often said that costume designers are a faceless group of people. But we can contribute to fashion in a way that might be new and different.

- Colleen Atwood

New, Might, Designers, Costume

I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.

- Colleen Atwood

Next, Movie, Technical, Costume

As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong?

- Colleen Atwood

Doing, How, Very, Minimalist

Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are.

- Colleen Atwood

Before, Costumes, Really, Establish

I love designing costumes that I can actually construct, working to create an environment that people want to be in.

- Colleen Atwood

Love, Want, Construct, Costumes

The costumes had to serve the choreography.

- Colleen Atwood

Choreography, Serve, Had, Costumes

I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers.

- Colleen Atwood

Development, Made, Amount, Costumes

It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth.

- Colleen Atwood

Men, Actually, Chris, Costumes

One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times.

- Colleen Atwood

Making, Technical, Period, Costumes

The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired.

- Colleen Atwood

Through, Been, Based, Impaired

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