Claire Messud Quotes

Powerful Claire Messud for Daily Growth

About Claire Messud

Claire Messud is an acclaimed American novelist and essayist, known for her intricate plots, rich characterizations, and exploration of complex moral issues. Born on January 13, 1964, in Cambridge, Massachusetts, to a family of academics, she was immersed in literature from an early age. Her father, Robert Messud, is a professor of anthropology at Harvard University, and her mother, Judith, is a literary critic and scholar. Messud attended the University of Cambridge on a Gates Scholarship, where she earned a BA in English Literature with first-class honors. She then pursued an MA in English from Harvard before receiving her MFA from the Iowa Writers' Workshop. Her educational journey was instrumental in shaping her literary sensibilities and critical thinking skills. Messud made her literary debut in 1995 with "When the World Was Steady," a novel that received critical acclaim for its exploration of love, family, and politics. However, it was her second novel, "The Emperor's Children" (2006), which earned her international recognition. Set against the backdrop of 9/11, the novel delves into the lives of three privileged young adults in New York City, offering a nuanced portrayal of ambition, disillusionment, and the human condition. In 2009, Messud published "The Last Life," a novel that explores the life and work of a reclusive artist. Her most recent novel, "The Burning Girl" (2017), is a complex tale of friendship between two young girls growing up in rural New England. In addition to her fiction, Messud is also known for her incisive essays on literature and culture, published in various prestigious outlets such as The New York Review of Books and Granta. Her work is characterized by its depth, intelligence, and a keen insight into human nature. Claire Messud continues to captivate readers with her compelling narratives that resonate deeply with contemporary audiences.

Interpretations of Popular Quotes

"Writers are always alone, but that's not the same as being lonely."

Claire Messud's quote emphasizes that while writers often work in solitude, they do not necessarily experience loneliness. Writing is a deeply personal and introspective act, requiring the writer to tap into their own thoughts and emotions. However, this solitude does not equate to feeling lonely as the creative process can foster connection with ideas, characters, and the wider literary community, even if physical interaction is limited.


"Artists don't make choices. We have impulses and we follow them."

This quote suggests that artists, unlike typical individuals who may consciously choose their actions based on reason or circumstance, are driven primarily by instincts and impulses when it comes to their creative work. They don't deliberate or weigh options; instead, they follow the intuitive urges that guide them towards their artistic endeavors. This approach allows artists to express themselves freely and authentically, resulting in unique and often groundbreaking works.


"Love is a strange business, and it doesn’t reward those who are timid or cautious, nor even those who are careful or considerate."

This quote suggests that love, unlike many other aspects of life, does not value caution, timidity, or carefulness in the traditional sense. Instead, it may respond more favorably to boldness, risk-taking, and passion. It implies that being fearless, daring, and spontaneous can be important when navigating romantic relationships because love is often unpredictable and complex. The quote also underscores the sometimes enigmatic nature of love – it might not always reward those who are overly prudent or calculated in their interactions, as emotional connections may stem more from raw emotion and intuition than logical thinking or planning.


"The world is full of ordinary things that are only nondescript if you choose to see them as such."

This quote highlights the power of perception in shaping our experiences. It suggests that objects, situations, or people around us may seem mundane or unremarkable when we view them with indifference or lack of curiosity. However, if we choose to see them differently – with openness, curiosity, and appreciation – they can reveal their unique beauty, significance, or charm. In other words, the world is filled with potential wonders waiting for those who are willing to perceive it as such.


"You don't get to invent your own past, but you can reinvent yourself."

This quote by Claire Messud suggests that while we cannot alter our personal history or experiences, we have the ability to transform ourselves moving forward. It encourages individuals to take ownership of their lives and make positive changes, rather than being defined by past mistakes, hardships, or circumstances. Essentially, she is saying that while we can't rewrite our past, we can create a new narrative for ourselves in the present and future.


At the end of the day, what would be a Canadian sensibility? Is it Michael Ondaatje? Alice Munro? Is Margaret Atwood more Canadian than Neil Bissoondath?

- Claire Messud

More, Canadian, Alice, Sensibility

Henry James and Edith Wharton are huge for me because they gave me a way to understand America while still respecting the European backgrounds of my relatives.

- Claire Messud

Still, Respecting, James, Backgrounds

Don't go around asking the question, 'Is this character likeable?' and expect that to be compatible with serious literary endeavours. That's not what it's about.

- Claire Messud

Question, Asking, Literary, Likeable

We think that - as kids, you know - that kids make up stories and live in a sort of fictional place, but that, as grown-ups, we tell the truth and live in fact. But, of course, the reality is we take the facts that we know, and then we fill in all the blanks.

- Claire Messud

Fact, Tell, Blanks, Fictional

The fictional narratives that television, film, and the news provide for girls and young women are appalling.

- Claire Messud

News, Young, Young Women, Fictional

Obstruction can be caused by so many factors - perfectionism, distraction, faltering confidence, external demands and pressures. At some point, of course, you've got to push through it all if you're to write, and if you don't, or can't, you're sunk.

- Claire Messud

Through, Some, Obstruction, Perfectionism

I actually did work and produced two short dissertations, one on Faulkner and one on the film criticism of the stream-of-consciousness novelist Dorothy Richardson.

- Claire Messud

Work, Two, Film, Novelist

I remember going to a son's friend's bar mitzvah, and the text that he chose to explicate was right at the beginning of Genesis. It was not about a fall from grace or a fall from perfection; it was about an awakening into consciousness, which is what it means to be human.

- Claire Messud

Beginning, I Remember, About, Chose

A painting lets us know how somebody literally saw things. A piece of music is another language that transmits a whole wealth of emotion and wordless experience. But writing is special in the way at allows us to temporarily enter another person's world, to step outside the boundaries of our own time and space.

- Claire Messud

Own, Another, Lets, Time And Space

I feel as though there are things that I'm trying to do - you know, capturing truthfully some aspect of human experience - and I'm trying really hard not to be fake. And in writing, as in life, it's harder than you think.

- Claire Messud

Feel, Some, Human Experience, Capturing

Things we write down are the fragments shored against our ruins. They outlast us, these scraps of words on paper. Like the detritus from the tsunami washing up on the other side of the ocean, writing is what can be salvaged.

- Claire Messud

Down, Other, Against, Ruins

If I hear a story or a fact about somebody I don't know and have never met, it's like getting a hollow vessel that you can fill up with whatever you want. That's more tempting to me than to try to replicate what I actually know.

- Claire Messud

Fact, About, Getting, Vessel

I liked the idea of being from 'somewhere else.' I do think that's inherited. My father never had a fixed sense of where home was, and for my sister and me, it is much easier not to belong than to belong.

- Claire Messud

Father, Belong, Idea, Fixed

My tendencies are much more the Henry James thing, where we sit in silence at the table for three minutes, and our whole lives are changed because of a revelation that never quite happens but almost bubbles to the surface.

- Claire Messud

Revelation, Almost, James, Bubbles

An abiding preoccupation for me is how much of our lives are invisible and unknown by other people, like the Chekhov story 'The Lady With the Little Dog.'

- Claire Messud

Other, Like, Lives, Abide

When you're a kid, and someone is your best friend, you almost don't need words. It's almost like puppies in a - frolicking in a garden or something. You don't articulate stuff. You just live it.

- Claire Messud

Need, Like, Almost, Articulate

When I am teaching, I first give out Tolstoy's 'Childhood,' his first published book. It is so transparent. It gives you exactly what it was like to be on a Russian estate in 1830. You are there. And that is the hope when you sit down and write still, I think - that you can transmit something of what life is like now.

- Claire Messud

Book, I Think, Teaching, Tolstoy

The Strauss allowed me to be a writer. Without it, 'The Emperor's Children' would not exist. When I received the award, I was teaching, had one baby, and was pregnant with another. There was no time for writing.

- Claire Messud

Another, No Time, Allowed, Emperor

If you're writing a thriller, and you don't make it compelling, then you've really not done your job. So it's easier for me not to set out with certain goals, and then I can't see them as unmet. It's like life generally: If I'm not aiming to be physically fit, then I'm not always thinking about being unfit.

- Claire Messud

Thriller, About, Compelling, Goals

If you live in a family or have five roommates, there's some sort of reality check, but when you live alone, there's a lot more leeway for your fantasy life to be more and more a part of your everyday life.

- Claire Messud

Fantasy, More, Some, Leeway

If you're rich, you can leave a library, a building, or a hospital wing. But writing leaves behind a visceral sense of what it was like to be alive on the planet in a particular time. Writing tells us what it meant for someone to be human.

- Claire Messud

Behind, Meant, Visceral, Wing

I had a memory span about as long as the lines in a school play.

- Claire Messud

Memory, School, Play, Span

I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman.

- Claire Messud

Woman, Voice, Been, Chorus

In the world I've lived in, gay marriage, for example, seems completely logical. And yet there are many people who don't live in that world.

- Claire Messud

People, Logical, Many, Gay Marriage

In making up stories, as in reading stories, I could create a contained world in which an experience is shared in its entirety.

- Claire Messud

Making, Which, Shared, Making Up

As any of us approaches middle age, we inevitably come up against our limitations: the realization that certain dearly-held fantasies may not be realized; that circumstances have thwarted us; that even with intention and will we may not be able to set our ship back on the course we'd planned.

- Claire Messud

Ship, Against, Fantasies, Thwarted

When you move around a lot, there are little bits of you from everywhere. I mean, my father's French, and I speak French, and there's a kind of struggle in me that says, 'I'd like to be French.' But I've never been fully part of that culture, that role.

- Claire Messud

Father, Role, Been, Struggle

If it's unseemly and possibly dangerous for a man to be angry, it's totally unacceptable for a woman to be angry.

- Claire Messud

Man, Woman, Unacceptable, Possibly

Girls, in particular, use storytelling to establish hierarchies, a pecking order. There is a sort of jockeying of who is in charge of shared history.

- Claire Messud

Storytelling, Charge, Shared, Establish

The effort to create a work of art that is true and potentially lasting, that is the very best work of art you can create at that point in your life - a book that may only reach or move a few people but will seem to those people somehow transformative. That's the ideal; that's always the motivation.

- Claire Messud

Book, Reach, Very, Potentially

If you're searching for quotes on a different topic, feel free to browse our Topics page or explore a diverse collection of quotes from various Authors to find inspiration.