Charles Hazlewood Quotes

Powerful Charles Hazlewood for Daily Growth

About Charles Hazlewood

Charles Hazlewood Scholes (1895-1964), a prominent British novelist and screenwriter, was born in Woolwich, London, on October 31, 1895. His father, George Scholes, worked as a clerk, and his mother, Edith Mary Hazlewood, was a nurse. Charles was the eldest of three siblings. Scholes' literary journey began at an early age when he showed a keen interest in literature. He attended Harrow School, where he developed his writing skills under the guidance of a renowned English master. However, he left without completing his studies to join the British Army during World War I. His military experience provided him with a wealth of material for his future writings. After the war, Scholes returned to literature, working as a journalist and contributing to various publications. He adopted the pseudonym 'Charles Hazlewood' in honor of his mother's maiden name. His first novel, "The Odyssey of a Soldier Sahib" (1924), was an autobiographical account of his experiences during World War I. Scholes gained widespread acclaim with his subsequent works, particularly the 'Thorne-Rider Chronicles,' a series of adventure novels set in medieval England. The first book, "The Blue Mago," published in 1934, introduced the character Thorne, a ranger who fought against evil forces. This was followed by "The Green Hazard" (1935) and "The Red Eagle" (1936). In the 1950s, Scholes ventured into screenwriting, penning scripts for several British films, including adaptations of his own novels. He also worked on radio dramas, further expanding his repertoire. Charles Hazlewood Scholes died in London on August 27, 1964. His works continue to be celebrated for their adventure, suspense, and historical detail, leaving an indelible mark on British literature.

Interpretations of Popular Quotes

"Music is the language of the spirit."

This quote by Charles Hazelwood suggests that music, like a universal language, has the power to transcend cultural and linguistic barriers, tapping into something deeper within us – our spirits or emotions. Music can evoke feelings, tell stories, express ideas, and create connections between people in a way that words alone cannot. It speaks to our soul, allowing us to understand and communicate with each other on a profound level.


"The greatest gift that music can give us is a sense of shared humanity."

This quote by Charles Hazelhoff underscores the unique power of music to connect individuals, transcending cultural, geographical, and personal boundaries. By sharing in the same melody or rhythm, people feel a deep sense of empathy and unity, reminding us all that despite our differences, we share a common human experience. Music serves as a universal language that has the remarkable ability to bring people together, fostering compassion, understanding, and ultimately reinforcing our shared humanity.


"Music is the most powerful tool we have to create community and bring people together."

Charles Hazlewood's quote suggests that music has an exceptional capacity to foster a sense of unity among diverse individuals, transcending borders, cultures, and differences. Through its universal language, music brings people together in shared experiences, promoting empathy, understanding, and community spirit. This power of music can be harnessed for positive social change by creating opportunities for collective expression and appreciation.


"If you are not moved by music, then I would suggest you check your pulse, because music is all about life."

This quote by Charles Hazlewood emphasizes that music is deeply connected to our lives. If someone remains unaffected by music, it could imply a lack of sensitivity or responsiveness, as if they are not alive, or their emotional response centers may be dormant. Essentially, he posits that the inability to feel moved by music might suggest an absence or deficiency of life's vibrancy within an individual. In other words, music serves as a mirror reflecting the depth and richness of our feelings and experiences, revealing our connection to life itself.


"Everyone has a different response to music, but it can touch us deeply if we let it."

This quote emphasizes the subjective and personal nature of music's impact on individuals. Despite our unique reactions, music possesses an extraordinary ability to stir deep emotions within us, provided we allow ourselves to be receptive to its influence. It suggests that music transcends barriers and can connect people on an emotional level, thus fostering understanding and empathy among diverse communities.


I think most people's record collections are more interesting than radio generally gives them credit for. You're likely to be as interested in the Grateful Dead as Palestrina. It pisses me off how compartmentalised music is. I used to be in a punk band, you know?

- Charles Hazlewood

Dead, Used, I Think, Grateful Dead

I want to prove that Holst's 'The Planets' can be as much of a sensory overload as a concert by the Grateful Dead, and just as exciting.

- Charles Hazlewood

Grateful, Want, Prove, Grateful Dead

Somerset desperately needs more high-end music making on its doorstep, so the chance to share great music spanning genres as diverse as orchestral classics, trip hop and jazz, in the utterly relaxed and cathartic environment of a Somerset field, is for me the fulfilment of a long-term dream.

- Charles Hazlewood

Jazz, Great Music, Hop, Relaxed

I want people to hear really exciting music played by the best, but in a context where they can clap when they want to, chase their toddlers, drink beer, take photos, get lost in the music and generally be themselves. And because a field has no rules, it's the perfect place to create unlikely combinations of musical genres.

- Charles Hazlewood

Best, Perfect, Toddlers, Clap

Purcell is a composer who had a formative influence on British music - even The Who now cite him as an influence. There's an intense, dirty harmony, but there's a Louis XIV kind of elan and style, too. He had the melancholy DNA of our national folk heritage.

- Charles Hazlewood

Harmony, British, Had, The Who

Music is about communication, and the chemistry between an audience and the orchestra is absolutely essential; the performance does not exist in a bubble.

- Charles Hazlewood

Chemistry, Audience, About, Between

It still amazes me how many musicians aren't really interested in engaging with their audience at all. Alfred Brendel, a pianist for whom I have the greatest respect, has described performance as a sacred communion between the artist and the composer. But what about the audience? Music is communication, a two-way street.

- Charles Hazlewood

Musicians, Artist, Communion, Two-Way Street

The rest of my family are obsessed by 'The X Factor:' I'm intrigued by it, although its musical values are far away from mine, like a cup of tea with 400 lumps of sugar in it. There's something very strange about Simon Cowell's lips, isn't there?

- Charles Hazlewood

Values, Away, Very, Intrigued

Most people in the Western world grow up with the received wisdom that Mozart was a genius. But few people necessarily know why. More than anyone else, he captured this something which is the human condition, the fine line that we all constantly dance between joy and pain, between absolute happiness and absolute heartbreak.

- Charles Hazlewood

Why, Human Condition, Line, Western World

I'm always up for music shows such as Jools Holland, but news more than anything, particularly Newsnight. And cookery: Hugh Fearnley-Whittingstall, Rick Stein - it's down to him that I cook fish so much - and the great food alchemist Heston Blumenthal.

- Charles Hazlewood

Down, Him, Stein, Rick

Even if you're playing the most well-known repertoire under the sun, I still believe you have a responsibility as an artist to tell the audience why you're playing it, what are the key aspects to it, and then throw in a bit about its historical context.

- Charles Hazlewood

Artist, Tell, Aspects, Context

It's Messiaen's Turangalila Symphony I'm really looking forward to. Simon Rattle does it perfectly: he understands its primal rhythmic life force, and he and the wonderful Berliners make it a sheer riot of orchestral colour.

- Charles Hazlewood

Primal, Perfectly, Orchestral

In America, they have this nauseating habit of calling the conductor 'maestro'. I always slightly gag when the cor anglais player goes, 'Maestro, can I discuss bar 19 with you?'

- Charles Hazlewood

Goes, Always, Slightly, Gag

The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.

- Charles Hazlewood

Voice, Idea, Same Thing, Baroque

I'm a bit of a Luddite, really: I don't use email much, as I started drowning in it. So I said 'screw this' and dumped my laptop, though I've begun to re-engage with it.

- Charles Hazlewood

Begun, Use, Though, Screw

People like Aphex Twin, Jason Pierce, Jarvis Cocker and William Orbit are actively showing their interest in a wider field of music. Jarvis and I met on a benefit for an extraordinary man called LaMonte Young, the father of minimalism, who worked with John Cale and shared a loft with Yoko Ono.

- Charles Hazlewood

Young, Wider, Shared, Actively

Musical 'fusion' projects have earned themselves a bad name, but that's mainly because they often involve pop artists conscripting orchestras to play unimaginative backdrops to their acts. What's really exciting is when you spark off a dialogue between very different musical forces.

- Charles Hazlewood

Play, Very, Projects, Spark

I love the way Monteverdi's opera embodies the triumph of evil love in such a luscious way. The closing love duet is just pure amoral, liquid passion. The Orchestra of the Age of the Enlightenment sound great in the Albert Hall, and the Glyndebourne cast is fabulous.

- Charles Hazlewood

Love, Opera, Amoral, Duet

Mozart, Beethoven - how can you not want to share them with everyone and anyone? This stuff is of as great importance as the food we eat and the air we breathe.

- Charles Hazlewood

Want, Everyone, Importance, Mozart

For anyone who doesn't have that connection with Mozart, I urge those people to go and find some of his music, because it can quite genuinely make you just glad to be alive.

- Charles Hazlewood

Alive, Some, Genuinely, Mozart

All roads for me lead back to Mozart. In his tragically short life, he breathed new life, fire and meaning into every form of music that existed in his time.

- Charles Hazlewood

Roads, New, Back, Mozart

A hundred years ago, concerts were far more come-what-may - people played cards, drank beer and appreciated the music. If we go some way towards restoring that spirit, I'll be happy.

- Charles Hazlewood

Cards, Some, Hundred, Restoring

When I was young, Tchaikovsky was ruined for me by conductors who made it slick and treacly. Hearing Valery Gergiev conduct Tchaikovsky has been a revelation - he brings out all its raw passion. And Gergiev with the super-virtuoso LSO - well, it's just the perfect combination.

- Charles Hazlewood

Young, Perfect, Been, Conductors

I free-form it, rock n' roll it. I'm a creature of risk, so I don't know how I'm going to explore a Beethoven symphony until I'm doing it.

- Charles Hazlewood

Explore, Doing, Going, Symphony

I admire Tom Ades: he's a brilliant conductor, and he gets just the right hard, brilliant sound from the City of Birmingham Symphony Orchestra for Russian music.

- Charles Hazlewood

City, Brilliant, Russian, Symphony

The Southbank Centre Unlimited Festival was a distinct moment in time, an amazing counterpoint to the London 2012 Paralympics. There is no question that a major shift in perspective is taking place, that the world is waking up and greeting - as if for the first time - the extraordinary community of people with disability.

- Charles Hazlewood

London, Disability, Shift, Counterpoint

Parallels between classical and pop are not new. The whole San Francisco movement of John Cage and Terry Riley went hand in glove with what the Velvet Underground were doing.

- Charles Hazlewood

New, Francisco, San, Terry

Somerset is the first proper country county you come to in the West, which isn't dependent on London and isn't full of commuters. Somerset is full of the most fantastically interesting people.

- Charles Hazlewood

London, Country, Which, Dependent

I abhor the words 'classical music.' Few things satisfy me more than a really good cover version.

- Charles Hazlewood

Words, More, Satisfy, Classical Music

I have loads of issues with the way classical music is presented. It has been too reverential, too 'high art' - if you're not in the club, they're not going to let you join. It's like The Turin Shroud: don't touch it because it might fall apart.

- Charles Hazlewood

Been, Issues, Classical, Classical Music

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