August Wilson Quotes

Powerful August Wilson for Daily Growth

About August Wilson

August Wilson (April 27, 1945 – October 2, 2005) was an American playwright, dramatist, and poet whose works primarily focused on the African-American experience during the 20th century. Born in Pittsburgh, Pennsylvania, Wilson grew up in the Hill District, a community that later served as the backdrop for many of his most famous plays. Inspired by the works of playwrights like Eugene O'Neill and Lorraine Hansberry, Wilson began writing plays while working at various jobs, including as a janitor and a construction worker. His early works were often performed in local churches or community centers. Wilson's first major success came with the debut of his play "Ma Rainey's Black Bottom" on Broadway in 1984. This was the beginning of his ten-play cycle, collectively titled "The Pittsburgh Cycle," each play set in a different decade of the 20th century and centered around life in the African-American community of Pittsburgh. The cycle includes "Fences" (1987), for which Wilson won the Pulitzer Prize for Drama, and "Jitney" (2007). Wilson's works are known for their rich, poetic language, deep exploration of African-American culture and history, and profound understanding of the human condition. His plays often deal with themes such as race, family, love, and the struggle for identity in a society marked by discrimination and inequality. August Wilson passed away in 2005 at the age of 60. His works continue to be performed worldwide and are widely regarded as some of the most important contributions to American theater in the late 20th century.

Interpretations of Popular Quotes

"The only thing of any value that I can think of to leave behind is a record, a record of the life we live, the way we dare to dream, and the way we love."

This quote by August Wilson emphasizes the importance of documenting personal experiences, dreams, and emotions as a valuable legacy for future generations. It suggests that our lives, aspirations, and affections hold significant worth beyond the present moment, and can continue to inspire and educate others if captured in a record or narrative form. In essence, Wilson is urging us to preserve the stories of our lives - not just for the sake of posterity, but as a means of sharing the richness of our human experiences with those who come after us.


"Life is not a 'spectator sport.' If you're going to spend your whole life in the grandstand just watching what goes on, in my opinion, you're wasting your time."

This quote by August Wilson encourages active participation in life rather than being an observer. It suggests that passively observing life without taking any action or making meaningful contributions is a waste of one's time. Instead, the emphasis should be on engagement, growth, and creation, contributing to a richer, more fulfilling personal experience and collective human development.


"History ain't nothing but a pack of lies we tell about the past."

August Wilson suggests that historical narratives are often subjective interpretations or simplifications of events, rather than objective, verifiable truths. This quote underscores the idea that history can be influenced by biases, cultural perspectives, and political agendas, which may lead to distortions in our understanding of the past. In other words, the stories we tell about history are not always accurate reflections of what actually occurred but rather a reflection of our own beliefs, values, and ideologies.


"To be a playwright is to be an archaeologist of the human heart."

This quote by August Wilson highlights the role of a playwright as someone who delves deeply into understanding the human condition, much like an archaeologist excavates layers of history. In this context, the "human heart" symbolizes emotions, motivations, and the complexities of human beings. By writing plays, a playwright uncovers these layers, unearthing the raw truths, hidden feelings, and universal themes that shape human experiences. Through their work, they provide insights into the human psyche, offering a profound understanding of ourselves and each other.


"I think that the roots that sustain us are our relationships with one another, and those relationships have their origin in family."

This quote underscores the profound importance of interpersonal connections and family bonds in shaping an individual's identity and stability. The 'roots' symbolize essential support systems that nurture and sustain us throughout life, providing a foundation for growth and resilience. August Wilson suggests that these roots are deeply embedded within our relationships with others, particularly within the context of family, as they form the foundational elements of our social fabric. In essence, he emphasizes that strong familial ties are fundamental to personal development and societal cohesion.


A novelist writes a novel, and people read it. But reading is a solitary act. While it may elicit a varied and personal response, the communal nature of the audience is like having five hundred people read your novel and respond to it at the same time. I find that thrilling.

- August Wilson

Solitary, Your, Hundred, Thrilling

Blacks in America want to forget about slavery - the stigma, the shame. If you can't be who you are, who can you be? How can you know what to do? We have our history. We have our book, and that is the blues.

- August Wilson

Shame, Want, Stigma, Blacks

I think all in all, one thing a lot of plays seem to be saying is that we need to, as black Americans, to make a connection with our past in order to determine the kind of future we're going to have. In other words, we simply need to know who we are in relation to our historical presence in America.

- August Wilson

Other, Historical, I Think, In Other Words

I haven't read Ibsen, Shaw, Shakespeare - except 'The Merchant of Venice' in ninth grade. I'm not familiar with 'Death of a Salesman.' I haven't read Tennessee Williams.

- August Wilson

Death, Merchant, Read, Tennessee

I write the black experience in America, and contained within that experience, because it is a human experience, are all the universalities.

- August Wilson

Black, Within, I Write, Human Experience

In 1980 I sent a play, 'Jitney,' to the Playwrights' Center in Minneapolis, won a Jerome Fellowship, and found myself sitting in a room with sixteen playwrights. I remember looking around and thinking that since I was sitting there, I must be a playwright, too.

- August Wilson

Play, I Remember, Around, Playwrights

I dropped out of school, but I didn't drop out of life. I would leave the house each morning and go to the main branch of the Carnegie Library in Oakland where they had all the books in the world... I felt suddenly liberated from the constraints of a pre-arranged curriculum that labored through one book in eight months.

- August Wilson

Book, Drop, Through, One Book

I had always been fascinated with Napoleon because he was a self-made emperor; Victor Hugo said, 'Napoleon's will to power,' and it was the title of my paper. And I submitted it to my teacher, and he didn't think I had written it. And he wanted me to explain it to him.

- August Wilson

Explain, Been, Hugo, Submitted

In 1977, I wrote a series of poems about a character, Black Bart, a former cattle rustler-turned-alchemist. A good friend, Claude Purdy, who is a stage director, suggested I turn the poems into a play.

- August Wilson

Play, Director, Wrote, Good Friend

With my good friend Rob Penny, I founded the Black Horizons Theater in Pittsburgh with the idea of using the theater to politicize the community or, as we said in those days, to raise the consciousness of the people.

- August Wilson

Rob, Pittsburgh, Using, Good Friend

Part of what our problem as blacks in America is that we don't claim that. Partly, you see, because of the linguistic environment in which we live.

- August Wilson

Part, Which, Partly, Claim

I don't look at our society today too much. My focus is still in the past, and part of the reason is because what I do - the wellspring of art, or what I do - l get from the blues. So I listen to the music of a particular period that I'm working on, and I think inside the music is clues to what is happening with the people.

- August Wilson

Reason, I Think, Part, Wellspring

Blues is the bedrock of everything I do. All the characters in my plays, their ideas and attitudes, the stance they adopt in the world, are all ideas and attitudes that are expressed in the blues.

- August Wilson

Ideas, Attitudes, Plays, Bedrock

We were what you would call a poor family, but we were rich in so many things. We did family things together. We always had dessert, even if it was just Jell-O. So, I never knew I was poor.

- August Wilson

Rich, Always, Knew, Dessert

I think it was the ability of the theater to communicate ideas and extol virtues that drew me to it. And also, I was, and remain, fascinated by the idea of an audience as a community of people who gather willingly to bear witness.

- August Wilson

Think, Audience, I Think, Willingly

I've never seen 'Seinfeld', never seen 'The Cosby Show'; I just don't watch it. I saw half of 'Oprah' one time. I'd rather read.

- August Wilson

Rather, Half, Read, Cosby

Most of black America is in housing projects, without jobs, living on welfare. And this is not the case in 'The Cosby Show,' because all the values in that household are strictly what I would call white American values.

- August Wilson

Values, Housing, Projects, Cosby

Scripts were rather scarce in 1968. We did a lot of Amiri Baraka's plays, the agitprop stuff he was writing. It was at a time when black student organizations were active on the campuses, so we were invited to the colleges around Pittsburgh and Ohio, and even as far away as Jackson, Mississippi.

- August Wilson

Student, Away, Rather, Scripts

My influences have been what I call my four Bs - the primary one being the blues, then Borges, Baraka, and Bearden.

- August Wilson

Been, Being, Then, Primary

Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude that's in trouble. My plays insist that we should not forget or toss away our history.

- August Wilson

Jazz, Away, Plays, Toss

Confront the dark parts of yourself, and work to banish them with illumination and forgiveness. Your willingness to wrestle with your demons will cause your angels to sing.

- August Wilson

Work, Will, Illumination, Demons

How do we transform loss? ... Time's healing balm is essentially a hoax.

- August Wilson

Healing, Loss, How, Balm

The blues are important primarily because they contain the cultural expression and the cultural response to blacks in America and to the situation that they find themselves in. And contained in the blues is a philosophical system at work. And as part of the oral tradition, this is a way of passing along information.

- August Wilson

Blues, Part, Primarily, Passing

Blacks have traditionally had to operate in a situation where whites have set themselves up as the custodians of the black experience.

- August Wilson

Black, Set, Had, Custodian

It was early on in 1965 when I wrote some of my first poems. I sent a poem to 'Harper's' magazine because they paid a dollar a line. I had an eighteen-line poem, and just as I was putting it into the envelope, I stopped and decided to make it a thirty-six-line poem. It seemed like the poem came back the next day: no letter, nothing.

- August Wilson

Next, Some, Putting, Envelope

I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.

- August Wilson

Play, Discover, Some, 1970s

From Romare Bearden I learned that the fullness and richness of everyday life can be rendered without compromise or sentimentality.

- August Wilson

Richness, Learned, Fullness, Sentimentality

I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'

- August Wilson

I Remember, Very, Smith, Apiece

I've seen some terrible plays, but I generally enjoy myself. One play I walked out of, I have a tremendous respect for the author. That was Robert Wilson, something called 'Network,' which consisted of Wilson sitting on a bunk, the dialogue of the movie 'Network' looped in while a chair on a rope went up and down.

- August Wilson

Play, Some, Movie, Sitting

My hero when I was 14 was Sonny Liston. No matter what kinds of problems you were having with your parents or at school, whatever, Sonny Liston would go and knock guys out, and that made it all right.

- August Wilson

Hero, Knock, Kinds, Sonny

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