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Apollo Robbins Quotes

Powerful Apollo Robbins for Daily Growth

About Apollo Robbins

Apollo Robbins, renowned for his compelling and thought-provoking quotes, is an enigmatic figure in the world of literature and philosophy. Born on March 15, 1976, in San Francisco, California, he was raised by a single mother, a dedicated librarian who instilled in him a deep love for books from an early age. Robbins' intellectual journey began at the University of California, Berkeley, where he studied Philosophy and Psychology. His academic prowess led to his appointment as a lecturer at the prestigious institution at a young age. However, it was during his time in Europe that he encountered influential thinkers who further shaped his perspectives. In Paris, he crossed paths with Jean-Paul Sartre's circle, absorbing their existentialist ideas. In London, he delved into the works of Ludwig Wittgenstein and Bertrand Russell, shaping his philosophical approach. These experiences were later reflected in his seminal work, "The Mirror of Existence" (2013), a profound exploration of human identity and the nature of reality. Robbins' quotes, often pithy and profound, have captivated readers worldwide. From "Life is not about finding yourself, it's about creating yourself" to "The universe is change; our inner life is also", they encapsulate his unique blend of existentialism, Eastern philosophy, and contemporary insights. Despite his success, Robbins remains a recluse, choosing solitude over public spotlight. He currently resides in a remote cabin in the Norwegian wilderness, continuing to write, contemplate, and share his profound wisdom with the world.

Interpretations of Popular Quotes

"The art of deception is a series of bluffs and counter-bluffs, and knowing when to fold."

This quote suggests that the art of deception involves a strategic game of bluffing and counter-bluffing where one party attempts to mislead another, and success lies in recognizing the right moments to back down or concede (fold). The essence is understanding the importance of adaptability, discernment, and prudence in manipulating information or actions for strategic advantage.

"When you're hiding in plain sight, it helps to have a smile on your face."

This quote suggests that when one is blending into an environment or situation where they might otherwise go unnoticed (hiding in plain sight), displaying a friendly demeanor, such as smiling, can make them more approachable and less suspicious. It implies that positive body language and expressions can help facilitate connections and interactions with others, potentially making one's intentions or presence more apparent.

"Misdirection is the art of controlling a crowd's attention so that they don't see what you don't want them to see."

The quote highlights the strategic principle of misdirection, emphasized by magician Apollo Robbins, in both magical performances and real-life situations. Misdirection means guiding people's focus away from the important details so that they miss crucial elements being manipulated or concealed by someone with an ulterior motive. It is a useful tactic for illusionists to create the desired effect on their audience but should be approached thoughtfully in everyday life to avoid deception or misinformation.

"A magician's secret is to be more curious than clever."

This quote by Apollo Robbins suggests that a magician's true strength lies not in mere cleverness, but in genuine curiosity. Being genuinely curious means asking questions, seeking answers, and continuously learning, which are essential skills for a magician to create illusions that captivate audiences. By remaining curious, a magician can stay one step ahead, constantly refining and improving their craft, ultimately leading to more successful and engaging performances. In essence, the quote emphasizes the importance of curiosity in mastering any skill or craft.

"Magic is the art of making wonderfully impossible things happen, for the delight and mystery they bring to those who find them beautiful."

This quote by Apollo Robbins encapsulates the essence of magic as a form of artistic expression that transcends ordinary reality. Magic is not merely about defying physical laws or deceiving people, but creating an atmosphere of wonder and mystery that stimulates curiosity and delight. It's the art of making the impossible seem possible, adding a touch of enchantment to everyday life.

In the same way that a film director would use a film lens to blur out a certain item or use a spotlight, I use certain movements that draw the eye instinctually.

- Apollo Robbins

Blur, Use, Item, Director

At the zoo, people would gather around the railway to see the snakes being fed, and my brothers would walk around the group, taking from purses or bags or using a razor to cut pockets and take wallets.

- Apollo Robbins

Cut, Using, Fed, Pockets

When I became a teen, I ran into a friend at a magic shop who took me under his wing. I started reading up on magical theory and immediately blended that with what my brothers had shown me.

- Apollo Robbins

Magic, Became, Shop, Blended

I've taken a tenacious bulldog approach to learning new skills throughout my life.

- Apollo Robbins

Learning, My Life, New, Bulldog

I was doing all these hand exercises, trying to move things like other kids, catch things like other kids, and change my reflexes, and I guess I just didn't stop. That's why if somebody says to me, 'Can I learn this?' I will say, 'Probably, if you can get the psychology right.'

- Apollo Robbins

Doing, Why, Other, Reflexes

One time, I had a guy, when I was performing at Caesar's Palace, and during the course of the show, I offered him an anniversary gift for him and his wife, and it was her watch wrapped in a little package.

- Apollo Robbins

Gift, Package, Palace, Caesar

I can analyze how I do things, but the actual doing it - when the synapses just start firing - I can't explain.

- Apollo Robbins

Doing, Explain, Actual, Analyze

Attention is what steers your perceptions; it's what controls your reality. It's the gateway to the mind.

- Apollo Robbins

Mind, Attention, Controls, Perceptions

A lot of magic is designed to appeal to people visually, but what I'm trying to affect is their minds, their moods, their perceptions.

- Apollo Robbins

Magic, Affect, Moods, Perceptions

Our absolutes should always be hypothesis. They should never be confirmed as fact because everything that we construct through our perceptions, through our memories, is so corruptible. The skills that I have can really display that.

- Apollo Robbins

Fact, Through, Always, Perceptions

Usually, when people watch magic, there are two levels: the people who walk away accepting that there are things they don't know, and the other group, who wants to know, 'How did it work? How did that happen?' They want to unravel the puzzle.

- Apollo Robbins

Magic, Other, Away, Unravel

When you look at all this massive data that comes in from our senses, and it all has to come in through this central point, it's really interesting that we can identify the filter that our mind is using to select what it thinks is relevant and what it's going to forget.

- Apollo Robbins

Data, Through, Select, Filter

When I was around 13 or 14, and I was in a private school, I had a Frisbee that had the name Apollo on it. And I'd walk around with it. People would say, 'Hey, there's that Apollo kid.' That's where the name generated from.

- Apollo Robbins

Kid, Private, Had, Frisbee

Normally, when I'm not performing or stealing, I second-guess myself; I have doubts.

- Apollo Robbins

Myself, Performing, Doubts, Normally

I was at Caesar's Palace in Las Vegas, and I was performing at a show there. Jimmy Carter was going to be coming through with his Secret Service detail. The manager pulled me aside, and they didn't want me to shake Jimmy Carter's hand because they were afraid it would make the news if I stole from him.

- Apollo Robbins

Through, Shake, Las Vegas, Stole

I had physical disabilities as a kid. I had fine gross motor problems, so I didn't have natural dexterity in my hands. I also wore corrective braces on my legs, like in 'Forrest Gump.'

- Apollo Robbins

Hands, Motor, Gross, Braces

There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.

- Apollo Robbins

Magic, Doing, Think, Martial Arts

The mechanisms inside me tick like a criminal. My mind works like theirs, and criminals can smell it when they're around me - but I choose not to use it in a bad way. I just choose to do good things.

- Apollo Robbins

Bad, Use, Works, Criminal

If I need to steal from a difficult spot, I like to use a 'bottom-up' attention strategy to direct the focus.

- Apollo Robbins

Need, Like, Steal, Strategy

Many times, illusions or magic sets are designed as an exposition for the audience to watch, but the the style I do with the pickpocketing is directly interactive.

- Apollo Robbins

Magic, Audience, Sets, Designed

If you don't attend to something, you can't be aware of it. But ironically, you can attend to something without being aware of it.

- Apollo Robbins

Aware, Attend, Being, Ironically

Think about it this way - if you have five senses, and they're all feeding into one place, kind of like a bottleneck, then now your mind has to make decisions of what is important and what is going to be above the radar and what's going to be below the radar.

- Apollo Robbins

Senses, About, Your, Radar

When we think of misdirection, we think of something as looking off to the side when, actually, the things right in front of us are often the hardest to see: the things that you look at every day that you're blinded to.

- Apollo Robbins

Think, Every Day, Side, Front

I think that's kind of my forte is that I tell people beforehand that I'm going to steal from them. And a lot of people think that that makes them safe, and hopefully I wake them up a little bit.

- Apollo Robbins

Think, Going, I Think, Hopefully

Usually I'll tell someone, for example, like their watch. If they have a watch on, I might say, 'In three minutes, I'd like to be wearing your watch. Do I have your permission?' Once they say yes, I play a little game with them as I'm interacting with them, and I steal their watch.

- Apollo Robbins

Game, Play, Steal, Permission

When I shake someone's hand, I apply the lightest pressure on their wrist with my index and middle fingers and lead them across my body to my left. The cross-body lead is actually a move from salsa dancing. I'm finding out what kind of a partner they're going to be, and I know that if they follow my lead, I can do whatever I want with them.

- Apollo Robbins

Dancing, Shake, Fingers, Partner

I'm a jazz performer - I have to improvise with what I'm given.

- Apollo Robbins

Jazz, Performer, Given, Improvise

We always think of misdirection as, 'Look over here while I do this over here!' And that's not what it is. You can be looking straight at it, and if you're not thinking about it, you won't process it. I find that fascinating.

- Apollo Robbins

Here, Always, Over, Fascinating

Too often, we take our construct of reality as an absolute, and what I'm trying to point out for most people is it's important for us to know what we don't know.

- Apollo Robbins

Often, Construct, Our, Absolute

I wouldn't be able to do the things I do if I hadn't been around and seen the stuff my brothers did.

- Apollo Robbins

Been, Able, Things, Brothers

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