"I don't know if I believe in fearlessness. I think you have to be afraid."
Annette Bening suggests that fear is a natural human emotion, not something to be eradicated but rather acknowledged and respected. She implies that acknowledging our fears allows us to confront them more effectively, fostering personal growth and resilience. Fearlessness is not the absence of fear but the courage to move forward despite it.
"I'm always a little surprised that people know who I am."
This quote suggests that despite her successful acting career, Annette Bening is humbled by the fact that some people recognize her as an celebrity. It reveals her modest nature, down-to-earth character, and perhaps a sense of wonderment that she has achieved such public recognition in the vast world.
"It's not about me, it's about the character. It's like playing different instruments."
This quote emphasizes the transformation that actors undergo when they immerse themselves in a character. Annette Bening is suggesting that each role she plays is like playing a different musical instrument; they are distinct, unique, and require mastery to fully bring them to life. The focus is not on herself as an actor but on the character she's portraying, demonstrating her dedication to authenticity and versatility in her craft.
"I don't know if I've ever been in love - real, true, unconditional love."
This quote suggests that Annette Bening may not have experienced a deep, all-encompassing, and enduring form of love which is characterized by being unaffected by conditions or circumstances. Despite her success as an actress, she seems to be questioning the depth and authenticity of her romantic experiences. It serves as a reflection on the complexities and vulnerabilities inherent in human connections.
"Acting is like anything else. You have to practice, and you have to be willing to look terrible for a while."
This quote by Annette Bening underscores the need for dedication, perseverance, and humility in the art of acting. She emphasizes that mastery requires consistent effort and practice, just like any other skill. Moreover, she acknowledges that growth often involves periods of discomfort or looking less than perfect, which is a crucial aspect of learning and improvement in any field.
I read 'Game Change.' If you want to relive the campaign, that book is unbelievable. It's great. It's the book of that campaign. It brought all the memories back of everything with Clinton and Obama, and Sarah Palin and McCain, and choosing her, and John Edwards. It was an interesting book.
- Annette Bening
I wanted to be a classical actress. I plodded along. I went to junior college in San Francisco, I was in a Repertory Company. My hero was Eva Le Gallienne, who was a great theater actress at the turn of the century who created her own company, and she wrote these hilarious autobiographies at the time.
- Annette Bening
I think what's interesting about the whole paparazzi thing is that unless you're Brad Pitt or Madonna, you can pretty much avoid it. You know when you're going to an opening that you will be photographed, so that's fine. And you know the restaurants that have paparazzi, so you don't go to them.
- Annette Bening
I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.
- Annette Bening
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or 'the good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
- Annette Bening
There's no question that you can explore aspects of yourself through roles that you play, and you get a chance to investigate yourself; that's healthy, and it's therapeutic in a way. But if you're indulging yourself, exploration at the cost of the story or the project, that's not good.
- Annette Bening
To me idealized characters are so boring to play, especially having grown up in the classical theater. That's a great experience, but as a woman, especially, you've played a lot of idealized characters. So when you've got someone who has weaknesses as well as strengths, that's interesting.
- Annette Bening
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